Xiang Yue Gong Zizhen's article is a brave ci, please analyze the thoughts and feelings expressed by the ci writers in combination with the whole words.

At the beginning, the above background is pointed out, but instead of revisiting the West Lake, it is poetically described as "the wind blows me" and degenerates into "the corner of the lake and mountain", with novel and unique ideas and extraordinary spirit. The word "Chui" also implies the author's hardship and joy in returning to his hometown from a distant northern country. Gong Zizhen was born in the fifty-seventh year of Qianlong (1792) in Renhe County, Zhejiang Province (now Hangzhou), and then lived in Beijing with her family for a long time. "I used to be a guest in Donghua", that is, I pointed out the scene of living in Beijing since I was a child. "Donghua" refers to the capital with the East Gate of the Forbidden City in Beijing. "Being young" means being young, and "being a guest" means staying in a hotel. Since Jane returned to her hometown, she is 21 years old. Although the time of her youth is untraceable, when she is newly married and energetic, she should have been full of joy and spring breeze, but why did she sigh "looking back on the boundless"? This path shows the author's long-term accumulated sorrow. Gong Zizhen was born in an official's family, and her grandfather Duan Yucai was a famous philologist. Since childhood, she was encouraged to "strive to be a famous Confucian and a famous official" and taught him to "speak words with classics and words with classics". However, during the Jiaqing and Daoguang periods when Zizhen lived, politics was extremely decadent, and the autocratic feudal system made China feel depressed. Zi Zhen always has Li Bai's lofty ambition of "helping the poor", but he was born at an untimely time and was not reused. He only became a small official who collated books, so neither the joy of getting married nor the passion of returning to his hometown can dilute his inner anguish. Boating in the vast West Lake, in the boundless water, feels more insignificant and inaction, and a cavity of worry can only be integrated into the "boundless" lakes and mountains.

Next, write the author's resentment. "Slaughtering a dog for fame and carving a dragon, is it a flat business?" "Slaughtering dogs" is a classic biography of Historical Records of Fan Kuai: "Those who wait for Fan Kuai in Wuyang will be rewarded by others. Take killing dogs as a matter. " Metaphor refers to fame and fortune. "Carving dragons and writing volumes" refers to the carving of articles. Tang Lihe's poem "South Garden" has the sentence "Looking for chapters to extract sentences and carving insects". This sentence expresses the author's contradictory mentality that although he is an official, he also despises fame and fortune. Since Jane was a child, she has great ambitions, studied "the study of heaven, earth, east, west, north and south" and "has the ambition to learn from the world". Zhang Zulian also talked about his "talking about what's going on in the world, which is full of enthusiasm and arrogance" in "The Chronicle of Mr. Ding 'an". He not only advocates Li Bai in his poems, but also aims at his political ideal of "not seeking small officials, but taking care of the affairs of the present world". Therefore, it is not his life's wish to be a scholar with a bright head and poor classics, or a mediocre minister who pursues worldly fame and fortune. However, he can only be a proofreader now, so he is ashamed of his hometown. It is assumed that Su Xiaoxiao, a famous prostitute in Qiantang, Nanqi, will also laugh at his incompetence. Pink lady contrasts the lofty sentiments and melancholy in the heart, which makes the ci-poetry give birth to something beautiful in the majestic.

The first sentence of the next film, "I just saw a touch of the setting sun, half the embankment of spring grass", inherited from the previous film, and integrated lyrical pen and ink into the description of the scenery. "All scenery and words are sentimental." Gong Zizhen did not write about the excitement and prosperity of the "ten-mile lotus" in the midsummer of the West Lake, but he just wrote about the setting sun and spring grass, which was precisely caused by the diffraction and reflection of his subjective psychological activities. The scenery itself has no sorrow and joy, and its sorrow and joy are all caused by people. The darkness of the times and the depression of the soul are reflected in the author's eyes that the West Lake is also a bleak and depressed scene. But the author then changed the pen and ink and wrote, "Where can I find the sound of socks?" I am lonely and lonely. " "Luo socks sound like dust" is a classic of Cao Zhi's Luo Shen Fu, which means that the beauty walks gracefully and lightly, and "misty to be pregnant" means that Qu Yuan's Nine Songs, Mrs. Xiang, "Di Zi falls to the north of the island, and his eyes are dying, and Su Shi's" Former Red Wall Fu "also has" misty " Here, on the surface, the author writes about longing for the lover in his heart, but in essence, he is expressing his own life ideal. It's not uncommon to use vanilla beauty as a metaphor for political ambition since Qu Yuan, but Zizhen borrowed it skillfully without revealing any trace, so this sentence is not a digression, but actually closely related to the topic. The phrase "complaining about playing the flute, talking about the sword crazily, two kinds of soul-killing flavors" is the theme sentence of the whole word and also a famous sentence in Gong Ci.

"Xiao" and "Jian" are two images that appear frequently in Gong Zizhen's poems. Poems of "Xiao" and "Jian" are everywhere in his creation. For example, "Another Heart": "When you come, you have to swing your sword, and when you go, you can pay for the flute." "Autumn Heart": "Who is the sword in the northwest, and the sound is full of several flutes in the southeast." "Seven Poems of Ji Meng": "Who is angry at pressing the sword? Looking for it is unbearable. " And the sentence of "After fifteen years' meditation, talents are also vertical and horizontal, tears are also vertical and horizontal, and the heart of the flute and the name of the sword are both negative" is a concentrated expression of the two sides of the author's personality characteristics that are extremely contradictory but harmonious and unified. "Xiao" is an image rich in powder flavor in classical poetry, full of lovesickness and tenderness between children, and full of continuous meditation and sorrow, while "sword" is a very masculine weapon, symbolizing the lofty aspirations of a seven-foot man. One softness, one rigidity and one relaxation enhance the expressive force of poetry. Gong Zizhen's thoughts are different from those of Confucianism and Chivalry. He is looking forward to actively joining the WTO and has great ambitions for reform and reform, but he is often lonely and often looks for the sustenance of life in Buddhism and music. "Xiao Xin" and "the name of the sword" are the true portrayal of the author's life situation. The poet once told such a heartfelt voice in the poem "Mangan": "I am in a daze to join the army, and the southeast is full of resentment. One flute and one sword leveled the business, and he lost his reputation for fifteen years. " The mournful "flute sound" and the wild "sword bone" also constitute the artistic style of Gong Ci, which is beautiful but not depressed, bold and not sad. Therefore, in the Diary of Fu Tang, Tan Xian said that his ci was "beautiful and flying, intending to unite Zhou (Bangyan) with Xin (abandoning illness)", which is very pertinent.

after the ups and downs of passion, the conclusion is calm again. In Gong Zizhen's eyes, they are just passing clouds, swaying into the boundless lake with the swaying sound of oars, and the author's dreams and sorrows also drift to Tianshui in this ending. The word ended in lingering melancholy and sadness, which also implied that the author could not find a political way out in line with his life ideal at that time.