Wu Si, Shu and Zhang Tong are in high autumn, and the empty mountains are not flowing.
Jiang Yue wept for Motome's sadness, while Ping Li was playing China.
Kunshan jade broken Fengming, hibiscus crying, Xianglan laughing.
The cold light melts in front of the twelve gates, and the twenty-three silk moves the purple emperor.
Nu Wa makes up the sky by refining stones, and the stones break the ground to stir up the autumn rain.
Dreaming of entering the sacred mountain is called the sacred fish, and the old fish dances with small waves.
Wu Mian leans against the laurel tree, showing his feet and flying obliquely to wet cold rabbits.
China's Poetry-Tang and Five Dynasties-Li He
Li Ping's music touched everything on the ground and in the sky. "Phoenix cries that the jade in Kunshan is broken, and the lotus laughs at vanilla", until "Nu Wa refines the stone to make up the sky, and the autumn rain shakes the earth", a beautiful and bizarre moving scene appears, which is a graceful and restrained song of Li Ping!
"Nu Wa tried to mend the sky by refining stones, and the autumn rain broke the ground." It described the music as loud and exciting, and it was earth-shattering. The latter is often used to describe something or an article as novel and amazing.
Precautions:
[1] Platanus acerifolia: refers to elegance. Zhang, when you are ready to play, the stringed instrument is called Zhang. "High autumn" means late autumn, which refers to the ninth month of the lunar calendar.
[2] Jiang 'e: One is Xiang 'e ... "China" is the center of the country. It is consistent with the following words such as "Twelve Gates" and "Moving the Purple Emperor".
[3]' tease': cited.
This poem was written from the sixth year of Yuanhe (8 1 1) to the eighth year of Yuanhe. At that time, Li He was appointed as the Li Lang of the capital Chang 'an. Li Ping, a disciple of Li Yuan, is famous for playing the piano. "As soon as the emperor meets each other, the princes meet each other immediately", and his social status seems to be far higher than that of Li Guinian, a famous singer in the prosperous Tang Dynasty. His superb skills were warmly appreciated by the poet. Li He has rich imagination, magnificent colors and strong artistic appeal. In the Qing Dynasty, Fang Funan compared it with Bai Juyi's Pipa Trip and Han Yu's Listening to the Master of Lingxiu, and praised it as "copying the sound to the text" (see Fang Funan's Notes on Li Changji's Poems, Volume I).
The first sentence of the poem comes straight to the point. Wu Si Shutong's writing structure is excellent, which shows the superb skills of the performer, that is, writing things, that is, writing people, killing two birds with one stone. The word "high autumn" not only means late autumn in September, but also means "crisp autumn", which is more meaningful than "late autumn" and "late autumn" Write music in two or three sentences. The poet deliberately avoids the invisible, colorless and elusive subject (rustling sound), and writes from the object image ("empty mountains and condensed clouds", etc.), which is very expressive.
As soon as the beautiful and melodious string songs came out, the clouds in the empty Shan Ye slumped and stagnated, as if they were listening; Xiang Eqing and Motome, who are good at playing drums and piano, were also moved to tears by music. The sentence in "Empty Mountain" empathizes with things, and writing about clouds has human auditory function and thoughts and feelings, which seems to be a step further than "If the sky is affectionate, the sky will be old" ("Golden Copper Immortal Ci Han Song"). Cooperate with the latter sentence "Jiang 'e", complement each other, and try to set off the magic and beauty of the voice, which has the charm of "earth-shattering, crying ghosts and gods". In the fourth sentence, "Li and China play the piano", the surname and first name of the player are pointed out with the "Fu" pen, and the place of performance is explained. In the first four sentences, the poet deliberately broke through the general way of telling people, time and place in turn, and made other careful arrangements. He first wrote the piano and the sound, and then wrote the person, time and place in tandem, interspersed among them. This highlights the music and has the artistic power of sound.
Five or six sentences are all positive music, but each has its own characteristics. "Kunshan" sentence is written by sound, focusing on the ups and downs of music; "Lotus" sentence is written in the form of sound, deliberately rendering the beauty of music. "The phoenix in Kunshan is called", sometimes all the strings sing together, such as a landslide, which is difficult to distinguish. Sometimes a string sounds alone, just like a phoenix chirping, shaking trees, very sonorous. "Lotus cries, orchid flowers smile" is a strange idea. Dewy hibiscus flowers (that is, lotus flowers) are not uncommon, and blooming orchids do give people the feeling of wanting to laugh. They are all incarnations of beauty. The poet described the sadness of the piano with "the tears and dew of the lotus", while "Lan Xiang's laughter" showed the joy of the piano, which can be heard and witnessed. This expression is really wonderful.
From the seventh sentence to the end of the article, I wrote about sound effects. Write nearby first. The cold air in front of Chang 'an Twelve Doors was completely melted by the rustle. In fact, cold air can't melt, because Li Ping plays so well that people are intoxicated by his wonderful string songs, and even can't feel the cold dew in late autumn. Although the language is romantic and exaggerated, it expresses a true feeling. "Purple Emperor" is a pun, referring to the Emperor of Heaven and the emperor at that time. The poet's substitution of the word "purple emperor" for "king" is not only the pursuit of novel words and expressions, but also a clever transitional technique, which connects the preceding with the following and naturally expands the artistic conception of poetry from the world to the fairy house. In the next six sentences, the poet flies to heaven and mountains with the wings of imagination, bringing readers into a broader, deeper, more magical and magnificent realm. "Nu Wa tempered the stone to make up the sky, and the stone shook the autumn rain." The music spread to the sky, and Nu Wa, who was mending the sky, was fascinated and forgot her duty. As a result, the rocks cracked and the autumn rain poured down. How bold, unexpected and touching this imagination is. The word "tease" closely links the powerful charm of music with the above-mentioned strange and magnificent scenes. Moreover, the scene of the rock-breaking autumn rain can also be regarded as a manifestation of the musical image.
In the fifth couplet, the poet described the holy mountain from heaven. Wonderful music was introduced into the holy mountain, and the priest was moved by it; The music is so profound that "the old fish dances thin." The poet decorated the ichthyosaur with the words "old" and "thin", which seemed dull and dry, but produced a completely opposite artistic effect, making the music image more full. Old fish and thin jiaozi are already fragile and difficult to move. Now they are dancing to the melody of music. This unexpected image description makes the invisible and wonderful sound appear in relief to the readers.
The above eight sentences are all forms, mostly moving images, novel and magnificent, which are dizzying. At the end of the sentence, further contrast is made with still life: after cutting the laurel tree for a day, exhausted WU GANG leaned against the laurel tree and stood for a long time, forgetting to sleep; Jade rabbit crouched aside, letting the dew in the middle of the night keep falling on her body, soaking her sweater and refusing to leave. These beautiful images full of thoughts and feelings, like the bright moon projected on the water, are deeply imprinted in the readers' hearts, distant, amusing and memorable.
The greatest feature of this poem is its peculiar imagination, vivid image and romantic color. Poets are committed to transforming their abstract feelings, feelings and ideas about sound into concrete objects with the help of association, making them visible and sensible. Poetry does not directly judge Li Ping's skills, nor directly describe the poet's self-feelings, but only describes music and its effects. But throughout the whole article, the poet's feelings are everywhere, and his feelings and comments on music are clearly expressed in twists and turns. This makes the external image and internal feelings blend into one, forming a pleasing artistic realm.