Formerly known as Zheng, he was born in Ninghe, Hebei Province and Jinan, Shandong Province, 1933. He is a contemporary poet. Graduated from the Statistics Department of Taiwan Province Sino-French Business School (now Taipei University), honorary professor of Donghai University and resident poet.
His poems, such as Mistake, Sailor's Knife, Canister, Island, Mistress, When Fog Begins, are not only fascinating, but also intoxicating. Known as "the prodigal poet" and "the poet of China in China".
Chinese name: Zheng Chouyu.
Alias: Zheng
Nationality: China.
Place of birth: Jinan, Shandong Province
Date of birth: 1933
Occupation: poet, writer
Zhongxing University in Taiwan Province Province.
Masterpieces: Mistake and Sailor's Knife.
Character experience
When Zheng Chouyu was a child, he followed his father who was a soldier all over the country, inside and outside the Great Wall. During the Anti-Japanese War, she traveled around the mainland with her mother and was taught to read ancient poems by her mother during her refuge. /kloc-started writing new poems at the age of 0/5.
1949 went to Taiwan Province province with his father. Graduated from Hsinchu Middle School.
1956 participated in the creation show of modernist poetry club.
1958 graduated from Zhongxing University in Taiwan Province Province. Working in Keelung Port Authority.
1968 was invited to participate in the "International Writing Project" of the University of Iowa.
65438-0970 entered the creative class of the English Department of the University of Iowa for further study and obtained a master's degree in arts.
1985 was renewed indefinitely by Yale University, and his wife Yu also worked in the East Asian Collection Department of Yale University Library. She applied for the jury of "China Times Literature Award".
1989, at the invitation of the public library of Hong Kong City Hall, he presided over the "Lecture on Literature Moon Poetry".
1990 to 1992 as editor-in-chief of Taiwan Province United Daily News.
In 2002, the Hong Kong Education Bureau incorporated the poem "Rain Talk" into middle school textbooks and the poem "Water Lane" into vocational school textbooks. In the same year, he served as the literary judge of the Hong Kong Biennale and participated in the seminar on modern literature of the University of Science and Technology.
In 2003, he received an honorary degree from the registered World Academy of Literature and Art in California.
On May 8th, 20 19, I attended the China (Huaihua) Cross-Strait Poetry Music Evening with the theme of "Love and Homesickness" held in Huaihua, Hunan.
Main work
His poems include 65,438+03 poems, such as Dream on the Earth, Mantle, Slave Outside the Window, Possibility of Snow, Moment of Flowers, Embroidered Ballad, Lonely Man Sitting and Watching Flowers, Rain, and two poems, such as Selected Poems of Zheng Chouyu and Rain.
Winning record
1966 National Rescue Mission Youth Literature and Art Award
1967 won Zhongshan Literature and Art Award.
1968 China Times New Poetry Recommendation Award
1995 won the National Literature and Art Award.
Literature and Art Medal of China Literature and Art Association
Overseas Chinese Literature Contribution Award
"New Poetry Award of National Literature and Art Award" in Taiwan Province Province, China
The International College of Art awarded the Doctor of Literature degree.
Personality assessment
Zheng Chouyu has quick thinking and deep feelings, understands the integration of ancient and modern times, draws lessons from domestic and foreign experiences and is creative. His poems are graceful as Li Shangyin, bold as Li Bai and full of classical charm. His poems are famous for their elegance, lyrical charm, changeable images, tenderness and self-contained style.
Since modern times, some foreign poets in China have written their "sense of modernity" on unfamiliar and bad China literature, while Zheng Chou has become a China poet in China, writing with good China characters, with accurate image, gorgeous volume and absolute modernity. (Yang Mu)
He consciously washes away, peels off and casts a vital part of the accumulation of beauty in classical poetry, which has indeed become the representative form of modern poetry: modern embryo, classical glaze clearing; It not only describes the modernity of China people (at least China people who are cultural exiles), but also makes this modernity so China and oriental. (Shen Qi)