Langtaosha Jiuqu Yellow River Bay Lisa
Dynasty: Tang Dynasty
Dynasty: Tang Dynasty
Su Riqi: LIU Y ǔ
Author: Liu Yuxi
Ji ǔ q ǔ Juan Hewan Lusang, Lang Tang von Bertin Yang.
The Yellow River winds from a distant place, carrying thousands of miles of yellow sand.
This is a good example.
Since you are from the sky, and now you seem to fly directly to the Milky Way, please take me to the sky, gather in the Milky Way, and go to the home of Cowherd and Weaver Girl together.
Langtaosha, the epigraph name, was originally named Tang, also known as "Flower Selling Sound". In the middle Tang Dynasty, Liu Yuxi and Bai Juyi created the Yuefu poem Langtaosha in tune with the minor Langtaosha. In the Southern Tang Dynasty, Li Yuyan wrote the poem Langtaosha. During the Northern Song Dynasty, Liu Yong wrote a long tune "Langtaosha". The collection of movements is called Langtaoshaling, and it is in the tune of "Xiezhi", while the collection of Muslim music is in the tune of "Shang", which makes its charm stronger, and the sentence reading is different from the collection of movements. Representative works include Li Yu's Sand Waves, Rain Outside the Curtain, etc.
Langtaosha, formerly known as Don Jiao Fang, was later used as an inscription name. Yan Yue flourished in Sui and Tang Dynasties, and scholars were good at writing poems. In the middle Tang Dynasty, Liu Yuxi and Bai Juyi wrote the Yuefu poem Langtaosha based on the minor Langtaosha, which is a quatrain of seven words. In the Five Dynasties, Li Houzhu's poem Langtaosha was well known. In the Northern Song Dynasty, Liu Yong wrote a long tune "Langtaosha".
In the lyrics of "All Tang Poems", it is said that "Yuefu in Tang Dynasty originally used rhymes, harmonics and other poems, whose harmonics were content words, and long and short sentences were written by composers". In the atmosphere of the great era when poetry and music blended together, Liu and Bai studied folk songs, and created a seven-character quatrain "Singing Langtaosha" according to the popular ballad tunes at that time, which was included in Modern Quci by Yuefu Poetry Collection. Originally, it was a miscellaneous song of some scattered or damaged folk music tunes, which was preserved by Yuefu institutions, and its content was mostly the poet's narrative.