(2) China's classical poems are particularly good at matching colors and tones.
(3) China's classical poems are good at escaping from reality.
(4) China's classical poems make good use of contrast.
(5) China's classical poems are good at creating imaginative space.
(6) China's classical poems are good at creating a harmonious artistic conception.
(7) China's classical poetry is also particularly good at dealing with the opposition between emptiness and reality, movement and stillness, form and spirit, and small and big.
Poetry is the earliest literary genre in Han literature, and it is also the most fully developed literary genre. The existing ancient ballads vividly reflect the living conditions and inner aspirations of Han ancestors, and their short and vivid forms also show the power of China national language.
China's ancient poems, commonly known as ancient poems, refer to poems written in classical Chinese and traditional metrical patterns. China's ancient poems in a broad sense can include all kinds of ancient Chinese rhymes such as Fu, Ci and Qu, while in a narrow sense, they only include ancient poems and modern poems. It is a form of cultural expression produced by many nationalities in the process of language development. Most ancient poems are written by literati, who express their thoughts by writing poems and singing.
Development sequence: The Book of Songs-Chu Ci-Yuefu-Cifu-Tang Poetry-Song Ci-Yuanqu.
The Book of Songs pays attention to reality and expresses the true feelings caused by real life. This creative attitude makes it have a strong and profound artistic charm. It shows the great artistic achievements of the earliest poetry works in China in terms of form, language skills, artistic image and expression techniques.
Stands for "Guan Guan Ji Ge"
The overall characteristics of Songs of the South are magnificent structure, rich imagination and flexible sentence patterns. Representative writers are Qu Yuan and Song Yu, and representative works include Li Sao and Nine Songs and Nine Chapters by Qu Yuan.
The Artistic Features of Han Yuefu
1. The most prominent feature of Han Yuefu's artistic expression is the enhancement of narrative elements. First of all, complete narrative poems such as "On Mulberry" and "Ancient Poetry as Jiao Zhongqing's Wife" appeared in Han Yuefu, which played a powerful role in promoting the development of China's narrative poems and marked a new and more mature development stage of China's narrative poems. Secondly, some lyric poems in Han Yuefu are also very narrative; These poems often grasp the characteristic fragments of life to express their feelings on the spot, which has vivid and real artistic effects.
2. Another artistic feature of Han Yuefu is that. In narratives or narrative works, there are a lot of dialogue descriptions and detailed descriptions of characters' actions, which play a very good role in shaping characters, unfolding story lines and expressing the theme of works.
3. The language of Han Yuefu is straightforward and natural, showing the unique fresh and simple style of folk songs.
As an important style of China classical literature, Fu is far less popular with modern people than poetry, prose and novels. However, in ancient times, especially in the Han and Tang dynasties, poetry and fu were often neck and neck, as can be seen from Cao Pi's "Poetry and fu are all beautiful" and Lu Ji's "Poetry and fu are beautiful because of emotion, vivid and vivid".
Fu originated in the Warring States Period, flourished in the Han and Tang Dynasties, and declined in the Song, Yuan, Ming and Qing Dynasties. During the Han and Tang Dynasties, there were literati who only wrote poems without writing them, but there were almost no talented people who only wrote poems without writing them.
After Jian 'an and even the whole Six Dynasties, Fu was even praised as a poem. Qu Yuan's works are called Fu in historical records, and Qu Yuan's works are also called Fu in Hanshu. Later generations praised history and Han, so they called the works of Qu Yuan and others Fu. Fu is the most representative style in Han Dynasty, which can best reflect its spirit of the times.
On the basis of inheriting the tradition of "The Book of Songs" and moving closer to "Songs of the South", it blended the extravagant style of the articles of the Warring States and the related factors of the works of pre-Qin philosophers, and finally became a new style. Together with the poems of the Han Dynasty, it made the literature of the Han Dynasty brilliant.
"Ci" is a style, which is what we usually call Chu Ci. Chu Ci is a new style poem that originated in Chu area in the southern Yangtze River valley in the middle and late Warring States period. Chu poets absorbed the essence of southern folk songs and combined ancient myths and legends to create.
The form of Chu Ci is free, and the sentence pattern is plain. Generally speaking, four sentences are a section and two sentences are a group; Six-character short sentences broke the rigid format of The Book of Songs, which was a great liberation for the development of China's ancient poetry and also opened the second spring in the history of China's poetry.
Tang poetry is the highest realm of poetry and the most essential language art. The works of Tang poetry are rich in connotation, diverse in themes, skilled in skills, and famous in large numbers, making them the brightest pearl in the history of Chinese classical poetry.
Representative works "Yellow Crane Tower" and "Farewell to Vice Governor Du for his post in Shu"
Ci originated in the Tang Dynasty and flourished in the Song Dynasty, becoming the representative literature of the Song Dynasty. Song ci is a classic in ci, which, like Tang poetry, is the essence of ancient rhyme, with brilliant ci and beautiful rhythm.
Representative works: Niannujiao Red Cliff Nostalgia, Niannujiao Mid-Autumn Festival.
Yuanqu, also known as Tang Poetry and Song Poetry, has broad artistic conception, novel and rich content and flexible form.
On behalf of Yuan and Wangjiang Pavilion.