Chapter 1: Thoughts after reading "Three Hundred Song Poems"
In the development history of the Chinese nation for thousands of years, countless literati and elegant guests have left behind their legacy that has been passed down to this day. Word. As early as the Warring States Period, the great poet Qu Yuan wrote a long lyric poem "Li Sao". Later, great works such as "The Analects of Confucius" and "Historical Records" appeared. In the Tang, Song, Yuan, Ming and Qing dynasties, poems, songs, and novels had their own unique styles.
Those who love poetry must have memorized "Three Hundred Tang Poems" since childhood, and those who love poetry must of course have a copy of "Three Hundred Song Poems". When I was in primary school, my teacher rarely mentioned Song poetry. When I entered middle school, I gradually got to know Song poetry and fell in love with this literary genre. The famous poets Su Shi, Xin Qiji, and Li Qingzhao are all people I often mention in front of my friends and family. This summer vacation, I also bought a copy of "Three Hundred Song Ci Poems" by Zhu Zumou and went home to enjoy it.
In "Three Hundred Song Ci Poems", there are many poets I have never heard of, such as Shi Yan, Zhou Zizhi, and Yuan Quhua, but their words still make me intoxicated: "Hu Ma The wind whistles, the red clouds spit out again, and the remaining light shines on the sycamore leaves. "The sound of the leaves is parting."
Song lyrics do not need to have the same number of words in each line like Tang poetry, but they have a certain rhyme pattern; they also do not need to have an appropriate name that can summarize the full text, as long as the name of the word is enough, this will make it easier to People can't help but want to read the content of the words; it doesn't have to be like a novel, it has characters, environment and plot. The author just writes whatever comes to his mind. It expresses the feelings when writing the words very well, and it reads as if Be there.
It is precisely because of the expressiveness and elegance of Song poetry that it is indispensable in our lives. Spring is a beautiful season. I think when people look at the beautiful scenery outside the window, they will definitely chant: "The mist of green willows is covered with light clouds, and the branches of red apricots are full of spring." When summer comes, many people will choose to go there. Go on vacation in the countryside. If you walk on the path at night, you will definitely feel the same as Xin Qiji: "The bright moon leaves the branches and the magpies are frightened, and the breeze sings the cicadas in the middle of the night. The fragrance of the rice flowers tells the story of a good year, and you can hear the sound of frogs." Before you know it, the autumn wind has already begun. The leaves were blown yellow, and it was at this time that the poet Qin Guan wrote the famous line in "Huanxi Sand": "Going up to the small building in the desert and light cold, the dawn is like a poor autumn, and the light smoke and flowing water paint the screen." Autumn is still here. There is a festival for family reunion, and that is the Mid-Autumn Festival. Perhaps a foreigner who barely speaks Chinese knows the eternal quatrains such as "May people live long, and travel thousands of miles to visit the beautiful women." A person will inevitably encounter setbacks. At this time, he is like the plum blossoms in Lu You's works: "Beside the broken bridge outside the post office, lonely and ownerless. It is already dusk, alone and sad, with more wind and rain." If you want to To regain your composure, recite Yue Fei's "All the Rivers Are Red" out loud: "When you are so angry, you can rest in the rain..." The sentences in it can make anyone courageous.
Song poetry is like this. It can not only describe various scenery, but also express the mood at any time. It can be said to be "the swan song of all literary masters". I like this book "Three Hundred Song Ci" very much, and will recommend it to more people. I believe it will definitely accompany my growth. Chapter 2: Thoughts after reading "Three Hundred Song Ci"
The Qing Dynasty poet Shangqiang Villager, whose real name is Zhu Xiaozang, also known as Qiangcun, compiled "Three Hundred Song Ci" in 20XX, which is the first of its kind at present. The most representative and sophisticated selection among the works. Mr. Tang Guizhang, a great contemporary poet, commented on it. In the preface written by Zhu Xiaozang's colleague Kuang Zhouyi, it is pointed out that the criteria for selecting words in this book are "the major requirements are physical and spiritual, with Hun as the main theme." In the "Preface" written by Mr. Tang Guizhang, it is also said that "Mr. Qiangcun has chosen this book to teach a lot, but the main content is clear."
Huncheng is not only the criterion for Zhu Xiaozang’s word selection, but also the overall characteristic of Song poetry. What is Huncheng? I think it has two meanings: one is the fusion of emotion and scenery, and the other is the fusion of emotion and words (language). The fusion of the two forms an unforgettable "rhyme".
The fusion of emotion and scenery is the biggest feature of ancient poetry, especially Tang poetry. People in the Song Dynasty knew that it was difficult to surpass Tang poetry, so they found a new way in poetry creation, incorporating meaning into poetry. Therefore, the poems were full of logic and interest, but after all they deviated from the lyrical track of the poet. Of course the people of the Song Dynasty also knew it, so they found the poetic form of "Shiyu" - Ci, to show off their lyrical skills.
The female poet Li Qingzhao once pointed out: "Ci Bie is a family, and few people know it. Only after Yan Shuyuan, He Fanghui, Qin Shaoyou, and Huang Lu came straight out can they know it." Compared with poetry, "Bie Bie" It’s a family.” Where is the "don't"? That is to say, Ci is "a kind of poem with rhythm, long and short sentences, and a fixed number of words" (Mr. Wang Li's words). The emphasis and rhythm of its language blend with the ups and downs of emotion the author wants to express. Therefore, the poems of Su Shi and others that are not very regular are not considered to be "true colors". Therefore, the picky Li Qingzhao said that "few people know", and only a few people got her approval.
This is what I feel the most when reading "Three Hundred Song Ci Poems". When reciting, I often sigh at how appropriately each word is placed, and the concatenated phrases and sentences have their inherent meaning. The meaning and the severity of the external sounds are so harmonious with the ups and downs of the author's thoughts and feelings. This harmony creates a state that is unforgettable.
Song Ci pays attention to each word, paying special attention to the relationship between the arrangement of the four tones of the keywords and the expression, such as: the chilling cicada is sad, it is late in the pavilion, and the shower has begun to stop. There is no trace of drinking in a tent in Dumen. I am nostalgic, and the orchid boat urges me to leave. Holding hands and looking into tearful eyes, they were speechless and choked. Thoughts go by, thousands of miles of mist, the dusk is heavy and the sky is vast.
Sentiment has hurt parting since ancient times, and it is even more embarrassing and neglected in the Qingqiu Festival. Where did you wake up tonight? Willow bank, dawn wind and waning moon. It has been 2 years since I passed away, which should be a good time and good scenery. Even if there are thousands of customs, who can tell them? (Liu Yong's "Yulin Ling") The "turning and ups and downs" in this poem are all in the falling tone. "Dui", "Jing", "Nian", "Geng", "Bian" and other words are all omitted, and they all play an important role in transferring Teton, strengthening the appeal of voice and emotion.
Rhyme is of course very important to words, and rhyme is of course closely related to expression. Generally speaking, generally humorous tunes use alternate sentences or three sentences with one rhyme as the standard. The rhyme position is even and the rhyme is mostly flat, such as "Partridge Sky" and "Ding Fengbo". In the same melody (word), if every sentence has a rhyme, the tone will be more urgent. Where there is a rhyme after every other sentence, it will become gentle. Such as: Sleepwalking in the deep past with flowers separated by the door. The sunset is speechless and the swallows are sad. The jade fiber fragrant moves the small curtain hook. The catkins fall silently and the spring tears fall, and the moving clouds have shadows and the moon is shy. The east wind comes at night and is colder than autumn. (Wu Wenying's "Huanxisha") The biggest difference between poetry and poetry in sentence structure is that the sentence patterns vary in length. Therefore, poetry is also called "long and short sentences." Sentence length is closely related to expression. Generally speaking, short sentences are fast, and the combination of short sentences forms a dense and fast phonology, such as:
The long Huai River is cut off, and the barriers are flat. The dust is dark, the frosty wind is strong, and there is a quiet sound. Dark pin. Looking back on what happened in those days, it takes only a few days and no human effort. On Zhusi, the place where string songs are played is also smelly. Across the river, in Zhengxiang, the setting sun falls under the cattle and sheep, and the areas are scattered vertically and horizontally. Watch the famous king hunt at night and ride on fire to clear the river. The mournful sound of drums and drums is frightening. Thinking about the arrow in the waist, the sword in the box, and the moth in the air, how could it be possible! Time is easy to lose, the heart is weak, and the year is about to end. Miao Shen Jing. Qian Yu Fang Huaiyuan, the beacon fire is quiet, and the troops are suspended. The crowned messengers are all chasing each other, what if it's love? When I heard about the old man from the Central Plains, he often looked south, green and bright. When travelers come here, Zhong is filled with anger and bursts into tears. (Zhang Xiaoxiang's "Six States Songtou")
The concatenated use of a large number of short sentences is suitable for expressing passionate and heroic emotions. Long sentences are soothing and peaceful, and the interweaving of long and short sentences can well express the ups and downs of emotions, such as: more energy disappears, several storms, and spring returns in a hurry. I cherish spring and always regret that the flowers bloom early, not to mention the countless red ones that fall. Spring and stay! Jian said, The fragrant grass at the end of the world lost her way back, and she complained about the spring without saying a word. Even though I am only diligent, I paint the cobwebs on the eaves and fly catkins all over the place. It's a long-term affair, and the best date was planned correctly but wrongly. Mo Mei was once jealous. Even if you spend thousands of gold to buy a gift like a gift, who can complain about this feeling? Don't dance. If you don't see me, the jade rings and flying swallows will be dust. Idle sorrow is the most painful. Don't go and lean on the dangerous building, where the setting sun is shining and the willows are breaking your heart. (Xin Qiji's "Touching Fish").
The sentence structure of each tune is different, coupled with the different rhyme and the arrangement of the four tones, every "true" lyricist will always find a suitable word card to express him ( her) rich and delicate emotions. The poems are like tofu pieces, mainly composed of monotonous words. Even if there are ancient poems with different lengths and short sentences, the rhythm is not strict. The harmony between emotion and language is incomparable to words.
The perfect combination of rhythm and charm of Song poetry. When we read it over and over again, our experience will gradually deepen. Its taste is like chewing olives, and the more we chew, the longer and longer it becomes. Chapter 3: Thoughts after reading "Three Hundred Song Ci"
The teacher asked us to read and copy 70 poems during the summer vacation. Out of curiosity, we saw this book "Three Hundred Song Ci". There are so many poems in it. Colored picture, borrow it and look at it! I borrowed it.
"Three Hundred Song Ci Poems" selects more than 250 poems from 57 famous literati in the Song Dynasty. When I read it, I felt regretful that it was difficult to understand and read aloud. I had to work hard to read the translation once, and then read the original word again, finishing it as strenuously as reading prose.
I like Yue Fei's "The River is Red", "Eight Thousand Miles of Road to Clouds and Moons, Don't Take It Easy, The Boy's Head Has Turned Gray, I'm So Sad!" As a man, I want to learn from Yue Fei's ambition, Although he was born as a child of a peasant, he was able to write such good words in both literature and martial arts! He became a national hero who will be famous for generations to come.
I also like Su Shi's "Shui Tiao Ge Tou": "People have joys and sorrows, separation and reunion, and the moon waxes and wanes. This is difficult to do in ancient times." I hope that people will live long and travel thousands of miles to meet Chanjuan. 'I want to be as broad-minded as Su Shi. Although there are joys and sorrows in the world, even though I stay at my grandfather's house, even though the moon waxes and wanes, even though I rarely see my parents, these things are difficult to achieve. As long as you keep the feeling of missing your parents in your heart, under the same moon, our family will gather together happily under the same moonlight!
Ouyang Xiu wrote in "Sheng Cha Zi": "On the Lantern Festival last year , The lights in the flower market are like day. The moon is on the willow branches, and people are meeting at dusk. On the night of this year, the moon and the lights are still the same. I don’t see the people from last year, and my spring sleeves are filled with tears.” This poem describes lovesickness, and it is as clear as words. , the language is popular and natural, full of folk song flavor.
The famous female poet Li Qingzhao wrote in "Like a Dream": "Last night it rained and the wind blew violently. A deep sleep did not eliminate the remaining wine. I asked the person behind the curtain - but she said "Begonia is still the same". Do you know , do you know? It should be green, fat, red and thin!" When the poet woke up, it was already bright.
As soon as he got up, he asked the maid who was cleaning up the house and rolling up the curtains: How is the Begonia flower? The maid looked at it and replied with a smile: "It's not bad. After a night of wind and rain, the crabapples haven't changed at all!" After hearing this, the hostess sighed angrily, "Silly girl, do you know that the crabapple bushes are already very red? Have you seen too many green ones? The language of this word is fresh, the meaning is meaningful, and it is endlessly interesting.
There is this passage in Xin Qiji's "The Moon on the Xijiang River and the Magpies on the Farewell Branches": "Seven or eight stars are outside the sky." , two or three o'clock rain in front of the mountain. In the old days, by the forest of Maodian Society, I suddenly saw a bridge over a stream when the road turned. "The poet uses a contrasting technique, "Seven or eight stars are outside the sky, and two or three drops of rain are in front of the mountain." Here, "stars" are sparse stars. "Rain" is a slight shower, especially one "outside the sky" and one "mountain." "Before" was originally far away and elusive, but as soon as the pen was turned and the small bridge passed, the shadow of the thatched cottage beside the rural forest unexpectedly appeared before people's eyes. On the surface, the theme and content of this poem are nothing more than They are some scenes that appear to be extremely ordinary. The language has no ornamentation, no allusion, and the arrangement of layers is completely natural and plain. However, just in the seemingly ordinary, there is a thoughtful and honest conception of the poet. Emotions.
I hope that through reading a lot of ancient poems, everyone can accumulate the language of poems, feel the feelings of poems, understand that the ancients cherished ink and turned it into gold, and understand the subtleties of metaphor, exaggeration, and contrast in words and sentences, and have the ability to appreciate them. Once the language is improved, the language confidence will be sufficient. With confidence, the child will have aura. In the future study, the child will have a more open mind, further enhance his imagination, write easily, and the language will be fluent, until he develops a concise and concise writing style.