Water is also a famous song, Zhuang Chunsui and Lianyuan. 102, with four rhymes. The first word of the ninth sentence should be disyllabic, and the last sentence should be syntactic.
Freeze frame equipment
Ping, Ping, Ping, Ping (rhyme).
Moderately flat, moderately flat, moderately flat (rhyme).
Moderately flat, moderately flat, moderately flat (rhyme).
Fair and reasonable, fair and reasonable, fair and reasonable, fair and reasonable (rhyme)
Intermediate, intermediate, intermediate, intermediate, intermediate, level.
Medium level, medium level, medium level.
Moderately flat, moderately flat, moderately flat (rhyme).
Flat, flat, flat (rhyme).
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Variable lattice
Flat, flat, flat (rhyme).
Moderately flat, moderately flat, moderately flat (rhyme).
Moderately flat, moderately flat, moderately flat (rhyme).
Fair and reasonable, fair and reasonable, fair and reasonable, fair and reasonable (rhyme)
Intermediate, intermediate, intermediate, intermediate, intermediate, level.
Medium level, medium level, medium level.
Moderately flat, moderately flat, moderately flat (rhyme).
Flat, flat, flat (rhyme).
Love recent flowers, business tone; The name of the original Tang Dynasty was originally taken from Yuefu, and Liang named it Falling in Love with a Butterfly, also known as Golden wisp, Magpie stepping on branches, Wu Fengqi, Rolling Pearl Curtain and Golden Basket. Its epigraph began in the Song Dynasty. Two 60-word movies, each with four rhymes.
Two tones, the same tone of the upper and lower films, and rhyme. * * * 60 words, four rhymes before and after each piece, and its standard table is as follows:
The last three words of the fourth sentence can be "flat and flat"
(Ping) Ping. It's flat, it's flat. (Ping) Ping, (Ping) Ping.
(Ping) Ping. It's flat, it's flat. (Ping) Ping, (Ping) Ping.
The reading of ancient poetry pays attention to the beauty of rhythm, but because of the language changes since the Tang and Song Dynasties, many words and sounds have been unrecognizable, so some people advocate reading in local dialects according to rhythm.
2. Reading skills of ancient poems Poetry is the most common literary form.
It reflects real life with concise language, strong feelings, unconstrained imagination, harmonious rhythm and profound artistic conception. Reading is an essential part of learning poetry. To read a poem well, we must master reading skills, such as pitch, volume, sound strength, speed, contrast, ups and downs, changes, etc., so that the whole reading can be like a beautiful movement.
Poetry is divided into metrical poetry and free verse, both of which have their own characteristics, so their reading skills are different. First, the recitation skills of metrical poems Generally speaking, metrical poems refer to quatrains and metrical poems of Chinese classical five-character poems and seven-character poems.
"Lattice" is the format, "rhyme" is the melody, and the melody includes the level tone and rhyme. Metric poetry has strict requirements on the number of words, sentences, level tone, rhyme and antithesis.
According to the number of words and sentences, poems can be divided into three types, namely, metrical poems, arranged poems and quatrains. Rhyme: There are five words and seven languages.
Five-character rhyme, eight sentences per sentence, five words, * * * forty words. Exclusivity: also known as "long law", there are at least ten sentences, one or two hundred sentences, mostly five words and at least seven words.
Quatrains: Also called "truncated sentences", it means to cut off the metrical poems by half. The quatrains are also divided into five words and seven words.
Five-character quatrains have four sentences in each sentence, five words in each sentence and twenty words in * * *. Seven-character quatrains have four sentences in each sentence, seven words in each sentence and twenty-eight words in * * *.
1, metrical poems pay attention to leveling, rhyming and antithesis. Flat tones are determined according to the tones of ancient Chinese.
The flat and flat format of regular poems is fixed, forming several formats. "Ping" means "Pingsheng" in ancient Chinese and "Yin Ping" and "Yangping" in modern Chinese.
"Xu" in ancient Chinese means "rising tone", "falling tone" and "human voice". In modern Chinese, it means "rising tone" and "falling tone".
The level and level of poetry can diversify the tone and make people sound harmonious and pleasant. Duality refers to juxtaposing words with the same nature, such as noun to noun, verb to verb, adjective to adjective, adverb to adverb, etc. In a couplet (every two sentences are called "couplet", the first sentence is called "couplet" and the second sentence is called "duality").
There are many kinds of duality. Rhyme refers to putting words with the same vowel in the same position (usually at the end of a sentence). Rhyme is one of the indispensable conditions of metrical poetry, and it is also the * * * similarity characteristic that ordinary poetry should have.
In a word, metrical poems pay attention to flatness, antithesis and rhyme, and have their own beauty of rhythm and form. 2, 2, the recitation of metrical poems should be planned.
Every metrical poem has a certain number of sentences and the number of words in each sentence. It uses obvious meter to contain concentrated thoughts and feelings. Therefore, before reciting, we should refer to the specific semantics of the poem and divide it into certain paragraphs to express it.
Phrases are similar to beats in music. If there are more words in each phrase, the word density will be smaller. On the other hand, fewer words and higher density will lead to the difference of language flow speed. China's classical poems have regular rhythm and strong sense of rhythm, which are all reflected in the festival. The existence of the festival is an important symbol of metrical poems.
Different metrical poems have different bars. Therefore, drawing a good verse becomes the first step in reciting metrical poems.
The following focuses on the division of five-character quatrains and seven-character quatrains. Every sentence in China's classical poetry has a certain "pause number" and there are rules to follow.
Generally, "five-character poem" means two meals per sentence, two words or one word per meal, mainly a meal in which the third word or the fifth word can be one word. "Seven-character poems" add one to three meals per sentence compared with five-character poems, mainly because the fifth word or the seventh word can be a meal of one word.
In fact, the rhythm of metrical poetry mainly lies in the flat and even meter. The arrangement of flat and even meter is combined with "dun", and a certain phrase is formed between dun and dun. Accordingly, we no longer need to define our own language segments. Can't we just divide it according to the above rules? It is true that it is possible to recite according to this law. It can have a strong sense of rhythm, taste and chanting, and sometimes it can effectively point to the eyes of poetry.
But sometimes it will destroy the semantic integrity of poetry. So from this perspective, some poems can reduce the number of meals, change five-character poems into one meal, and change seven-character poems into two meals.
In this way, the end of the poem can be semantically complete and people can hear it more clearly. Example: Li Bai's Thoughts on a Quiet Night can be divided into two types: (1) before bed-bright-moon, doubt-ground-frost.
Raise your head-look at the bright moon, lower your head-and think about your hometown. (2) Before bed-moonlight, could there have been a frost already?.
Raise your head-look at the bright moon, lower your head-miss your hometown. Example: The Early Interpretation of Bai Di City (1) said by the imperial court-Bai Di-Caiyun-Qianli-Jiangling-one day-return.
On both sides of the Taiwan Strait-apes-crows-can't stop, canoes-have passed-Chung Shan Man. (2) North Korea's words-Bai Di-colorful clouds, thousands of miles-Jiangling-one day.
The two sides of the Taiwan Strait-ape calls, canoes-have passed-Chung Shan Man. Which of the above five-character poems and seven-character poems is more appropriate can be decided according to the specific situation of the poem.
If it is used in the appreciation of ancient poems, the first case can be used a little better, because it can better reflect the metrical features of China's classical poems. In general recitation, dichotomy is good, because dichotomy can reflect the meaning of poetry more completely and clearly, and it will not be too rigid to recite.
Especially when the last three words of a poem are an inseparable concept, it is even more necessary to recite it in this way, otherwise it will hurt the meaning because of the shape. 3. A word with the same vowel at the end of a poem is called rhyme.
Mayakovski once said, "Without rhythm, poetry will fall apart. Rhyme takes you back to the previous line and tells you to remember it and keep the lines that make up a meaning together.
"In China's classical poetry, rhyme is extremely important, and it is hard to say that there is no rhyme in metrical poetry. Rhyme is an important condition for the musicality of poetry language.
For example, "Spring Dawn". This is a metrical poem. When reciting this poem, you should pay attention to pronounce every word clearly and drip out the rhythm of the poem.
Each line of verse can be regarded as three pauses: spring sleep/unconsciously/dawn, everywhere/smelling incense/singing birds. Night comes/rain/sound, flowers fall/know/more.
3. Reading Skills of Ancient Poetry The rhyme of Shui Long Yin is also known as Long Yin Qu, Zhuang Chunsui and Xiao Lou Lianyuan.
102, with four rhymes. The first word of the ninth sentence should be disyllabic, and the last sentence should be syntactic.
Frozen flat, flat, flat, flat, flat (rhyme). Moderately flat, moderately flat, moderately flat (rhyme).
Moderately flat, moderately flat, moderately flat (rhyme). Fair and reasonable, fair and reasonable, fair and reasonable, fair and reasonable (rhyme)
Intermediate, intermediate, intermediate, intermediate, intermediate, level. Medium level, medium level, medium level.
Moderately flat, moderately flat, moderately flat (rhyme). Flat, flat, flat (rhyme).
-Moderately flat, moderately flat, moderately flat (rhyme).
Moderately flat, moderately flat, moderately flat (rhyme). Fair and reasonable, fair and reasonable, fair and reasonable, fair and reasonable (rhyme)
Intermediate, intermediate, intermediate, intermediate, intermediate, level. Medium level, medium level, medium level.
Moderately flat, moderately flat, moderately flat (rhyme). Flat, flat, flat (rhyme).
Love recent flowers, business tone; The name of the original Tang Dynasty was originally taken from Yuefu, and Liang named it Falling in Love with a Butterfly, also known as Golden wisp, Magpie stepping on branches, Wu Fengqi, Rolling Pearl Curtain and Golden Basket. Its epigraph began in the Song Dynasty.
Two 60-word movies, each with four rhymes. Two tones, the same tone of the upper and lower films, and rhyme.
* * * Sixty characters, with four rhymes in the front and back, and the meter is as follows: The last three words of the fourth sentence of the upper and lower strokes can be "even" (flat) even. It's flat, it's flat.
(Ping) Ping, (Ping) Ping. (Ping) Ping.
It's flat, it's flat. (Ping) Ping, (Ping) Ping.
The reading of ancient poetry pays attention to the beauty of rhythm, but due to the changes in language since the Tang and Song Dynasties, many words and sounds have been unrecognizable, so some people advocate reading according to rhythm in local dialects.
4. The following are the commonly used reading skills in poetry reading: 1, Familiar with poetry-Mastering the author: Mastering the author's creative ideas and ideas about poetry is the best and most direct method.
2. Deep understanding of poetry: it is not enough to analyze this poem literally. In addition to mastering the author, we should also explore the author's creative intention and motivation based on our own thoughts and feelings. Then analyze the inner meaning of every paragraph, every sentence and even every word.
Not only that, but also gradually transform the thoughts and feelings contained in the poem into their own thoughts and feelings, and then recite them until they can't help but say something. 3. Mastering the keynote: "Keynote" is the overall way of "theme awareness" and "theme presentation" of the whole poem when reading.
The tone of a poem may be sad, cheerful, inspirational, sad and so on. 4, into the poem: the first into the poem should be the reciter.
The reciter was deeply moved by the poem because of his profound understanding of the poem, then moved himself with rich and appropriate voice and emotional expression, and finally moved the listener, both of which entered the realm of the poem. 5. Words or phrases that need to be emphasized or highlighted when reading aloud, even a syllable, are called stress.
The same sentence, with different stress, has different meanings. .
5. How to improve the skills of poetry recitation? 1. Choose good works to deeply understand poetry.
Generally speaking, it can be divided into two categories, metrical poetry and free verse. Metric poetry, also known as old-style poetry, also includes words in a broad sense, collectively referred to as old-style poetry.
Free verse is also called new verse. In China, new poetry mainly developed after the May 4th Movement with the rise of vernacular Chinese and the influence of western poetry. Whether it is metrical poetry or free verse, as a professional exam recitation, we must first choose the works and understand them deeply.
Because not all poems are suitable for reading. When choosing a good work, we should pay attention to the following points: first, the work must be what we like. Even if the works recommended by others are no matter how good, the reciter has no feelings and can't arouse the desire to recite, so it is not suitable for reciting.
Second, the content of the work is easy to understand and not profound. It looks hard to understand, and it won't be good to recite.
Third, the language should be catchy, and the poem itself has a strong sense of rhythm, distinct rhythm ups and downs, vivid image and certain impact. Fourth, strong feelings have a certain range of changes and contrasts.
Fifth, the length should be moderate, not too short or too long, and complete. Generally don't choose works with excerpts.
After selecting a work, you must try your best to understand it deeply. In-depth understanding includes not only understanding the original intention of the work, but also understanding the time and writing background of the work, as well as the author's life, creation and other related works, rather than simply understanding the general meaning and then reciting it on stage.
The language of poetry is very concise, and the seemingly easy-to-understand sentences often have profound meanings behind them, which are beyond the superficial understanding. A profound understanding is to accurately grasp the feelings of a specific era reflected in poetry and express them accurately. If we don't deepen our understanding of the above background things, it may be an emotion of the present era, which is inaccurate.
2. True feelings and artistic conception refer to the realm and artistic conception expressed by poetry and other literary works through image description. No matter whether it is a metrical poem or a free verse, it is hard to say that it is a good poem without artistic conception, and the reciter can't express artistic conception, so it is not good to recite.
Recitation without artistic conception, superficial feelings and changeable voice forms can't make up for this fundamental deficiency. Feeling artistic conception requires thinking, imagination, aftertaste, expectation, and grasping specific and subtle ideas and changes.
At the same time, on this basis, we must arouse strong feelings and achieve "lyricism because of emotion." First, poetry is often full of metaphors and symbols. If it is not from the perspective of artistic conception, it will often make people see things in a blur, such as falling in clouds and fog, and it is irrelevant. Secondly, the language of poetry is concise, which shows countless phenomena in poetry. Without feeling the artistic conception, it is confined to words, so poetry cannot be expressed.
Thirdly, the language of poetry is jumping, which increases the capacity of poetry. If the reciter can't express the internal procedure in the leap of poetry and read the sentence horizontally, the artistic conception can't be expressed.
Fourth, lyrical context, starting from the whole poem, is triggered under the premise of artistic conception to avoid fragmentation. Take Prison Song as an example.
The author is in prison and indomitable, but he is not confused in the face of inducements and has lofty aspirations. The contrast between human body and dog hole, "freedom" and eternal life is simple and clear, resulting in a grand and lofty artistic conception.
When reciting, you must mention the whole article, convey the sensibility of artistic conception with concrete and vivid metaphors and symbols, and give full play to the appeal of artistic conception. What needs to be pointed out here is that reading is the most taboo to illustrate metaphors and symbols without overall artistic conception, which makes poetry reading seem boring.
The door where people come in and out is locked, the hole where dogs climb out is open, and a voice is shouting, "-climb out and set you free!" " I long for freedom, but I know how a person's body can climb out of a dog's hole! I'm looking forward to the underground fire, so that I can be burned with this living coffin. I will live in fire and blood forever! For example, "Climb out and set you free!" It is the poet who speaks what he sees and feels, not the lobbyist, so his expression is full of hatred and negative emotions, which adds to the poet's sincere heart.
If the reciter suddenly expresses himself in an enemy's tone, even in a strange tone, the artistic conception will suddenly disappear. For example, "I will live in fire and blood forever!" " "This is an expression of the poet's deep expectations and self-encouragement. If the reciter adopts rising tone to increase the tone weight, it will destroy the artistic conception.
Therefore, we must grasp the artistic conception as a whole and avoid falling into the wrong path of illustration. 3. Grasp the tone, emphasizing the rhythm tone refers to the color and weight revealed by the overall ideological and emotional movement of the whole article, which is the general attitude and emotional tendency. Rhythm refers to the rhythm and rhythm of poetry and its recitation.
Tone is a global and holistic problem, so we should pay attention to the overall color, that is, the basic attitude and feelings, which restricts the expression color of every specific sentence, paragraph and line; At the same time, we should also pay attention to the overall weight, that is, the degree of attitude and emotion. Correctly grasping the tone is the approximate color and weight of reciting, that is, the approximate tendency, direction and intention.
The determination of the tone, with special emphasis on the overall feelings of the written works, and then refined into the specific feelings of groups and individuals. Finally, the whole takes care of the individual, and the individual echoes the whole.
The sound expression of timbre is inseparable from pitch, sound length and sound intensity, but it emphasizes the changes of timbre, such as light and shade, tightness, cadence, cadence and vividness. Grasping the right tone, recitation will have a basic direction and will not deviate from the basic direction.
Rhythm is the life of poetry and the key to the success of poetry reading. Because the number of words in metrical poems is certain, it is very important to reflect this feature in recitation and let the listener feel it.
Pause can't even break her format, can't disturb the rearrangement, that is to say, punctuation in written language is consistent with the position of pause when reading, and can't show the appearance that the number of words seems uncertain. In addition, metrical poems should also reflect certain stanzas.
A node contains the meaning of step and rhythm. The stanza is definite, which is reflected in the rhythm of the poem, because the density of words in the sentence is roughly similar.
Different metrics have different language sections, so we can't mess around. For example, a five-character quatrain is divided into two sections.
6. Poetry recitation skills all have the general language skills in recitation art.. 1. Pause 1. Pause includes: grammatical pause, grammatical pause, logical pause and psychological (emotional) pause.
● Grammatical pause: The first pause is based on punctuation, and the second pause is determined by the structure of the article. This pause means the pause of the level, paragraph and part of the article. Pause is thoughtful and content, not empty.
Grammatical pause: a pause caused by the grammatical structure of a sentence. ① Before or after some prepositions ② After orientation ③ After verbs ④ Before or after some conjunctions (because, if, etc.) ● Logical pause: generally short, only equivalent to a pause composed of pauses.
There are emphatic pauses, paratactic pauses, and echoing pauses (some words are possessive, for example, yes, think, want, have, like, if, etc. , and then pause). ● Psychological pause: It is determined by psychological emotions and often means stimulation and induction.
The effect achieved is that "silent telling is more than talking" is silent, but it is affectionate; For example, a beautiful dream, like a beautiful poem, is both available and unavailable, and often appears at the most unexpected moment-Xi Murong's First Meeting 2. A pair of ideas opposite to pause-coherence (use ~) In the process of reciting, thoughts and feelings have always been in a positive state of movement, meaning continues or passion surges. For example, your scarred breasts have nurtured my loss, thought and boiling-Shu Ting's Motherland, My Dear Motherland II. Pronunciation-Pronunciation reading 1, from low to high: just read stronger words louder.
This is the most common method. 2. From reality to virtual method: virtual sound refers to a light and angry voice.
Take the form of emphasizing light reading. 3, fast and slow method: deliberately lengthen the pronunciation of some words, forming a drag cavity.
4, continuous band stop method: use pause to highlight stress, almost every big stress can not be separated from it. 3. Rhythm: Rhythm is a cycle of cadence and giving priority to phonetic forms under the control of certain ups and downs of thoughts and feelings.
Basic essentials: the beginning of the sentence is different, the end of the sentence is different, and the waist of the sentence is different. Example: In the last lesson, the little girl selling matches-the steady spring, the fair in the sky-the light snow in Qinyuan Spring, and the winter in Jinan-relaxes the reading skills of modern poetry. Only through constant reading, especially modern poetry, can it show its charm.
Generally speaking, we should grasp the following points when reading modern poetry: 1. Deeply understand the ideological content of poetry and accurately grasp the emotional tone of poetry. For example, Xu Zhimo's famous poem "Biekangqiao" talks about the sadness of parting, and its emotional tone is set on the word "sorrow". Moreover, this kind of sorrow is not sorrow, not deep sorrow, but soft sorrow, with a hint of intoxication of the beauty of Cambridge and a hint of affection for his alma mater.
Second, according to emotional needs, master the speed of reading aloud. The speed of reading poetry has certain rules to follow: if the content is cheerful, excited or nervous, the speed should be slightly faster; The performance content is sad and low or lyrical, and the speed is slightly slower; The content of the performance should be straightforward, steady and unhurried. "
For example, the language speed of "I love this land" we learned today is relatively slow. Third, according to the artistic conception of poetry, determine the length of light reading, stress and sound.
Only by grasping the "light, heavy, slow and urgent" of reading, properly dividing the "steps" and generating a distinct sense of rhythm can we highlight the feelings of poetry and reflect its charm. Take Farewell to Cambridge as an example: I left gently, just as I came gently; I gently waved goodbye to the clouds in the western sky.
The whole poem is gentle, but there is still a key point in it. Among them, the red words can be slightly stressed; Although the three "lightness" in the single-line part of the next painting belongs to the key part of this poem, it cannot be re-read according to the artistic conception of the poem.
So what should we do? We can handle it this way: speak slowly and lengthen your voice slightly. In this way, the two emphases are different, one is emphasis, the other is light extension, and the charm of "Song" comes out.
Fourth, according to the context, correctly handle the pause of poetry. Only in this way can poetry have a distinct rhythm and be full of rhythmic beauty.
Generally speaking, the pause after pause is the shortest, the pause after comma is longer, the pause after semicolon and colon is longer, and the pause after period, question mark, exclamation point and ellipsis is longer. "Sometimes you need to judge according to the content and semantic relationship of the poem.
In short, modern poetry reading has a great degree of performance. We need to master certain reading skills, devote ourselves to true feelings and recite them repeatedly, so as to understand the appeal of poetry and impress readers with its unique charm.
Fourth, tone: including intonation (tone and intonation), cadence (stress) and Ji Xu (rhythm).