Tang Xianzu's masterpiece
Tang Xianzu, a native of Linchuan, Jiangxi Province, is famous for Hai Ruo, Ruoshi and Qingyuan. He was a famous opera writer and litterateur in China in Ming Dynasty. Representative repertoires include Peony Pavilion, Return to the Soul, Purple Hairpin, Conan and Handan, which are collectively called Linchuan Four Dreams, Poetry, I heard that the capital is begging for rain, and sharing taxes when suffering. There are novels and new records that continue to be dangerous.
Tang Xianzu's American Opera
The Peony Pavilion, also known as the resurrection of the Peony Pavilion, has a bizarre and tortuous process, which can be described as extraordinary fate.
Du Liniang, the daughter of the satrap, met a scholar in her dream. Wake up, get thinner, get sick. Liu Mengmei, a scholar, happened to live in the garden where Du Liniang lived before his death when he went to Beijing to catch the exam. Both of them think each other is their dream lover. Du Liniang asked Liu Mengmei to dig a grave to help them resurrect, and Liu Mengmei asked Du Liniang to give them good news. With the help of Du Liniang's teacher and father, he defeated Yuanyang. The two told the emperor about it, as well as the good pleasure of his Excellency. Liu Du and his wife are lovers, and everything is fine.
It shows the power of love and exposes the darkness of officialdom and the ugliness of people's hearts.
At midnight snack, Li Yi helped Huo Xiaoyu find the purple Hosta while admiring the lamp. They fell in love at first sight and made a promise that their hair would die on the spot. In Li Yi High School, Lu Taiwei wanted to recruit Li Yi as her husband, but Li Yi refused. Lu Taiwei transferred Li Yi to the Commissioner, and the two said goodbye. The letter written by Li Yi was turned into a divorce letter by Lu Taiwei. Xiaoyu was pawned by a debt collector. When Li came back, she learned that Xiaoyu was looking for another rich husband. Xiaoyu was rejected by Li Yi, and she got sick easily. After the generous help of the yellow man, the two met again and the truth came out.
Expounding the theme that life is like a dream, it is only illusory that the gains and losses in the dream return to reality.
Chun Yu was a martial artist, but she died of alcoholism. I met a fairy ant when I attended the Magnolia Congress. Fairy ant saw his charm and invited him to Huai 'an. Chunchan was an official in China and was sent to Conan to manage politics. After being recalled to the imperial court, he made friends with powerful people and adulterers. Follow the king's advice and take Chun back to his hometown. When the spring rain woke up, everything that happened before was a dream. According to this dream, the visit under the locust tree led to the extinction of ants. Chunyu realized that everything was empty and became a Buddha.
Mudan Pavilion Tang Xianzu
Tang Xianzu was a famous dramatist in Ming Dynasty. From an early age, he was brilliant. He went to school in China, wrote poems and raised people. Unfortunately, his career has been bumpy since then. However, officials are unfortunate and poets are lucky. A drama "The Story of the Purple Hairpin" achieved his artistic peak.
Mudan pavilion stills
Also known as Conan Collection, it is Tang Xianzu's Four Dreams in Linchuan. A love story with Du Liniang and Liu Mengmei as the protagonists has a bizarre and tortuous process, which can be described as extraordinary fate.
Du Liniang, the daughter of the satrap, is very powerful. She longs for freedom and vitality. The spring scenery in the garden stung her, and she felt that she had nowhere to relieve her anxiety. In the dream, Du Liniang met a scholar and secretly tasted the pleasure of love. When she woke up, the ruthlessness of reality made her feel that life was boring and getting thinner. She can't get sick. Before she died, she told her mother to be buried under the plum tree. Liu Mengmei, a scholar, happened to live in the garden where Du Liniang lived before his death when he went to Beijing to catch the exam. The two recognize each other as their dream lover and meet again. Du Liniang asked Liu Mengmei to dig a grave to help him resurrect, Liu Mengmei asked Du Liniang to give him good news, but Du Liniang found the master who beat Yuanyang. The two told the emperor about it, as well as the good pleasure of his Excellency. Liu Du and his wife are lovers, and everything is fine.
Romantic, ups and downs, exciting plot. The characters depicted in the play
Tangxianzu statue
Tang Xianzu was born in a scholarly family. His grandfather Tang Maozhao was promoted to be a famous poet. His father, Tang Shangxian, founded the Tang Family School. His uncle Tang Shangzhi is engaged in traditional Chinese opera, and his mother is familiar with poetry books. Tang Xianzu entered the family school at the age of 5, wrote poems at the age of 12, and drew people at the age of 2 1. His official career could have been smooth sailing, but the imperial examination system in the Ming Dynasty was corrupt and the examination became a behind-the-scenes transaction. Tang Xianzu refused to please the Prime Minister and was named Sun Shan. At the age of 34, Tang Xianzu became a scholar and entered a life full of thorns.
In the 11th year of Wanli, after Wang Shizhen arrived in Nanjing, his position was prominent, and many people voted for him. Both Tang Xianzu and Wang were present, both of whom were Wang's younger brothers, but because of their different literary thoughts and interests, they did not associate. In order to reveal the true face of the retro school, Tang Xianzu made a detailed analysis of the poems in the Han and Tang Dynasties, pointing out that the words in the epics of the Han and Tang Dynasties were plagiarized, and clearly expressed his opposition to the retro school and attached importance to innovation. When I was a doctor at Taichang Temple in Nanjing, I was bored. He often talks with local poets and playwrights to learn knowledge.
In the 19th year of Wanli, Tang Xianzu put forward his views on politics at that time and was exiled. Later moved to Suichang. In Suichang, he reduced the number of disciplines, set up shooting halls and built academies, so that the barren land gradually prospered. Tang Xianzu can't submit his resignation because the prisoner was slandered by his political opponents. He can't stand tax problems.
Tang Xianzu despised powerful people all his life, but in his later years he was indifferent to poverty and obsessed with Buddhism. At that time, the struggle between literature and ideology was fierce. Tang Xianzu insisted on his own point of view and opposed Zhu Cheng's Neo-Confucianism, which he thought was against his personality. In literary creation, he first put forward his own ideas. Luo Rufang, non-sage scholars, anti-Neo-Confucianism Zen masters, Li Zhi and others all had a profound influence on Tang Xianzu's creation.
Brief introduction of Tang Xianzu
Tang Xianzu Memorial Hall is located in Quejiashan, the southern suburb of Fuzhou City, Jiangxi Province. It is open from 8:30- 17:30 in summer and from 8:30- 17:00 in winter. Free admission. Tang Xianzu's noble character, literary attainments and integrity left a place for future generations to learn from. As a result, Tang Xianzu Memorial Hall came into being.
Tangxianzu memorial hall
Tang Xianzu Memorial Hall has a pleasant environment, with primitive trees scattered in it and uneven ornamental plants. In spring, birds and flowers are fragrant and full of vitality; In summer, trees block out the sun; In autumn, red maple is like fire; In winter, cedar is wrapped in silver. There are fish, flowers, trees and tea. The scenery alone makes people relaxed and happy. What's more, Tang Xianzu's deeds and historical works have added cultural details to the whole memorial hall.
Tang Xianzu Memorial Hall is divided into three areas: Mengsi Village-the scenic browsing area; Welcome village-rest area; Rural business district.
The dreamland includes comprehensive exhibition hall, peony pavilion, Li Niang's tomb and other scenic spots. The main exhibition hall is called Qingyuan Pavilion. The exhibition hall on the first floor records Tang Xianzu's life and his four dreams of Linchuan through pictures and photos; On the second floor is a drama stage, called Simongtai, where playwrights often appear in excerpts from Tang Xianzu's plays.
Yingbin Village is a rest area built by the water, with willows beside it. There are many buildings outside the village, and thatched houses are hidden among the trees. The farmhouse atmosphere and rural scenery make people relax and linger.
The entertainment village is close to modernization, which is completely different from the experience of Yingbin Village. Shops, theaters, juggling, entertainment and banquets, come on! On holidays, the memorial hall carries out recreational activities such as visiting gardens from time to time, so that visitors can better feel the charm of Tang Xianzu Memorial Hall.
The residence of the great writer, the Peony Pavilion, which has never been sung, is full of guqin and elegant, and it is worth visiting.
Tangxianzu memorial hall
Tang Xianzu's tomb is located in Linchuan ancient town of Tangjiashan, not far from Wenchang Bridge, and is a cultural relic protection unit in Jiangxi Province. The graves of Tang Xianzu and his three wives were renovated.
The whole Tang tomb covers an area of 5000 square meters, and its two sides are connected by blue and white walls. The whole mausoleum looks natural, comfortable and unpretentious. The four-poster archway, composed of four jet stones, is engraved with the classic image of Linchuan Four Dreams, which is lifelike and makes people stop. Surrounded by rows of pines and cypresses, it looks solemn, as if forming a huge barrier, guarding Tang Weng. Under the pine tree, the white marble fence appears in a ring shape, feeling the exquisiteness and low-key of the whole Tang tomb. Watching the sunshine through the dense branches and scattered in the quiet cemetery.
When you are free, visit the tomb of Tang Dynasty, pay homage to the old man of Tang Dynasty, visit the mysterious ancestral grave and experience Linchuan culture. On this quiet side surrounded by green trees, I recall that Tang Weng found spiritual sustenance after returning to his hometown. In his later years, he lived in poverty and indulged in drama. Writing lyrics and rehearsing became the joy of his life. In the play, Du Liniang moves from reality to dream, and from dream to reality. No way, isn't this the Romance of Tang Weng?