Second, Lu Xun's "Snow" introduction
Snow is one of Lu Xun's prose poetry anthology Weeds, but it is different from most articles in Weeds. It does not express the author's loneliness, resistance and despair with strange and stubborn images and symbolic language, but compares Snow Scene in Jiangnan with Snow Scene in Jiangbei with colorful language. Snow Scene in Jiangnan contains both natural and artificial snow scenes until the end of the article.
A good article is a poem. Snow is a touching poem about snow, and it is a splendid snow scene, which has reached the artistic realm of painting in poetry and poetry in painting. It is a masterpiece in Lu Xun's Wild Grass Collection, and it is also a masterpiece in the history of modern literature. Whenever I read it, I always feel that it is a strong enjoyment of beauty.
This beautiful article was written by Lu Xun in 1925 1 month. The author used colored pens with flowers to describe the different snow scenes between Jiangnan and Shuofang, showing the infinite yearning for bright spring scenery, the memory of beautiful things and the spirit of bravely confronting the cold reality.
At that time, Lu Xun fought in Beijing occupied by Beiyang warlords under the wings of imperialism. Driven by the booming revolutionary situation in the south, the anti-imperialist and anti-feudal fire in the north is burning stronger and stronger. Although the author personally experienced the split of the May 4th New Culture United Front and sometimes felt lonely, his leadership spirit was positive and brave. It is in this state of mind that Lu Xun wrote this lyrical prose which is high-spirited and beautiful.
With rich imagination, the author first described a particularly enchanting "snow scene in the south of the Yangtze River". Vivid, beautiful, poetic and intriguing. ……
This essay is well-known and touching, mainly because it is full of poetry. The so-called poetry mainly refers to the profound thoughts and beautiful feelings, beautiful imagination and novel artistic conception, concise and aesthetic language in the works, which are organically combined to form a strong artistic appeal.
Whether it is the snow fields in the south of the Yangtze River, innocent children, clear and transparent snow arhats, or snowflakes like silt in the north of the Yangtze River, the author describes snow vividly, expresses his inner feelings through the snow scene, and endows his profound thoughts with images. It is precisely because Snow is not a simple snow scene painting, but takes revolutionary thoughts and feelings as the soul, showing the author's lofty spiritual world, so it has touching artistic power. I want to ask, when you read the touching description of snowflakes "flying vigorously" in Shuo Fang, don't you think there is a powerful spiritual force inspiring you? It seems that we should "rise up" regardless of the snow, overcome the "cold weather" with the author and listen to the "youth news" of the warm country.
The profound thoughts and sincere feelings in Snow permeate the rich artistic conception created by association and imagination. The author described the two snow scenes in the south of the Yangtze River and Shuofang, not imitating life in an unobstructed view, but spreading the wings of imagination, from "Snowflakes in Shuofang" to "Rain Warms the Jiangshan", from "Rain" to "Snow in Jiangnan", from "Snow" to "Snowfields" where camellia and plum blossoms are in full bloom, and from "Snowfields" to moving scenes where children create snow arhats. Even when describing the "snowflake in the north" in reality, imagination is "soaring" and imagination is wandering in the universe. It is precisely because the author's associative power and imagination are extremely rich that he has created a magnificent artistic conception and left a broad space for association and imagination for readers. Re-creation through readers' association and imagination can not only expand and enrich the content of the prose Snow, but also make people feel the enjoyment of beauty and the satisfaction of art more strongly.
The rich poetry of snow depends on beautiful language. The language of Lu Xun's lyric prose is always concise, with distinct life color and moving melody. For example, the snow scene in the south of the Yangtze River written by the author is gorgeous in language, romantic in literary talent and full of bodybuilding in femininity; The language of writing children's plastic snow arhats is simple and vivid, with a strong flavor of life. Although there are no particularly gorgeous words and exaggerated pen and ink, the children's distinctive personality and Sherman's humorous manner are vividly on the paper. The language of writing the northern snow scene is warm and magnificent, expressing the author's fighting pride in the face of cold reality.
In a word, this essay is lyrical by scenery, and the scene blends. It has profound implications and achieves a high degree of unity between form and content, the beauty of words and the beauty of thoughts and feelings. Every time you read it, you will have a sense of awe, which will broaden your thinking, broaden your horizons and inspire people.