However, Su Shi's poems are brilliant and varied in style. In addition, poets such as Huang Tingjian, Qin Guan, and Chao also have their own characteristics. The development of Song poetry to Su Shi completed the change of poetic style since the late Tang Dynasty and Kunxi, which opened up a new world for Song poetry beyond Tang poetry. In this new world, Huang Tingjian made an in-depth exploration of the expressive forms and creative skills of poetry. Jiangxi Poetry School, the most influential and far-reaching poetry school in Song Dynasty, was founded. After the demise of the Northern Song Dynasty, faced with the decline of the national movement and the disadvantages exposed by Jiangxi Poetry School in popularity, some writers began to jump out of the barriers of Jiangxi Poetry School and set up their own careers, and made considerable achievements. Among them, four famous poets (You Mao, Yang Wanli, Fan Chengda and Lu You) appeared in the Southern Song Dynasty. It marks the second prosperous period of Song poetry. During this period, Jiang Kui was a unique poet. In the late Southern Song Dynasty, the Four Spirits School and the Jianghu School, from Ouyang Xiu, Su Shi and Huang Tingjian, completely abandoned the tradition and turned to Jia Dao, Yao He and others, either writing about landscapes or not talking about the world. Or writing about the life and feelings of impoverished literati changed the poetic style. However, the achievements of these two schools are not high, and Song poetry tends to decline during this period. Until the Southern Song Dynasty perished, Wen Tianxiang, Wang Yuanliang, Xie Ao and other talents added the last glory to the Song Dynasty.
In the heyday of Song Dynasty, a literary pattern centered on Su Shi was formed, with the emergence of "Four Gentlemen of Su Men" and "Six Gentlemen of Su Men" and some friends of Su Shi, such as "Three Holes" (Wenzhong Kong, Kong Wuzhong, Kong), Li Zhiyi and Tang Geng, which formed unprecedented prosperity since the Song Dynasty. From a macro point of view, the poetry circle has been 100 years since the early Song Dynasty.
Su Shi is the core and apex of the prosperous times, and the peak of the prosperous times. Therefore, it can be further said that the realization of the prosperous Song Dynasty seems to be for the appearance of Su Shi.
Because Su Shi's position in the history of poetry can't be limited by a Song Dynasty, he transcends the times, is a milestone in a huge historical cycle in the history of macro-poetry, and can be said to be an irreplaceable poetic monument from 1 1 century to the whole late feudal period.
Su Shi's appearance is the product of the accumulation of poetry history, especially the foreshadowing of his predecessors Wang, Ou and Mei, and the mutual stimulation with his peers, successors Huang Tingjian and other poets, as well as the product of the times and history, especially the product of high culture in the Song Dynasty. At the same time, Su Shi is also a personal product, a product of his unique talent and a product of his unique personal mind.
Unique subjectivity is the cause of its emergence, and it also limits its influence on future generations. There is no shrine of Su Shi in the corridor temple of Jiangxi Poetry School, the largest poetry school in Song Dynasty. This is Su Shi's misfortune, and it is also his great fortune, because his shrine has been invisibly cast in nearly a thousand years of poetry and history books and in people's cultural character.
Some genes in Su Shi's poems have influenced the contemporary world through the Yellow Valley. Although there is no personal name, the noumenon of Su Shi's poems has surpassed the era in which he lived and influenced the future. People no longer imitate Jiangxi, and everyone knows Su Shi.
Therefore, we should systematically study Su Shi's poetry system to gain insight into the mystery of Song poetry and the essence of Song Wenhua.