The Chile Song is selected from Yuefu Poems.
The literary genre of Yuefu Poems is Yuefu Songs, which is a collection of ancient Yuefu Songs in China after The Book of Songs and Wind, compiled by Guo Maoqian in the Northern Song Dynasty.
Introduction
There are 1 volumes of Yuefu Poetry, which is the most complete collection of Yuefu songs. Yuefu Poetry Collection is the essence of folk songs in the Han Dynasty, Wei and Jin Dynasties and the Southern and Northern Dynasties. The content is very rich, reflecting a wide range of social life, mainly compiling Yuefu songs from Han Wei to Tang and Five Dynasties, as well as ballads from pre-Qin to the end of Tang Dynasty, with more than 5, songs.
It has a wide collection, with a general sequence for all kinds and a solution for each song. Yuefu was originally the official office in charge of music in ancient times, including the famous folk song Mulan Poetry.
"Yuefu", originally the name of the organ in charge of music, was first established in Emperor Wu of the Han Dynasty, and there were Yuefu organs in the Southern and Northern Dynasties. Its specific tasks are making music scores, collecting lyrics and training musical talents.
There are two sources of lyrics: some are specially written by literati, and some are collected from China folk. Later, people called the poems collected by Yuefu organs Yuefu, or Yuefu poems and Yuefu songs, so Yuefu changed from the official name to the poetic name.
The two best Yuefu poems are Mulan Poetry and Peacock Flying Southeast. Yuefu Poetry Collection divides Yuefu poetry into 12 categories, including jiaomiao lyrics, Yanshe lyrics, advocacy lyrics, cross-blowing lyrics, harmony lyrics, Qing Dynasty lyrics, dance lyrics, Qin lyrics, miscellaneous lyrics, modern lyrics, miscellaneous lyrics and new Yuefu lyrics.
Among them, it is divided into several sub-categories. For example, The Poem of Cross Blowing is divided into two categories, namely, the Chinese cross blowing song, the beam and drum angle cross blowing song and so on. Xianghe songs are divided into six quotations, Xianghe songs, Yintan songs, Pingdiao songs, Qingdiao songs, Hudiao songs, Chudiao songs and Daqu songs. The lyrics of Qing merchants are divided into Wu Shengge and Western Quge.
Among these different kinds of music, Jiaomiao Songs and Yanshe Songs belong to the movements used by the imperial court, and the ideological content and artistic skills are less desirable. There are also some works with poor artistic value in advocacy songs and dance songs. But on the whole, most of the poems it collected are excellent folk songs and poems written by literati with the old theme of Yuefu.
Among the existing collections of poems, Yuefu Poems is an important collection which was written earlier and collected all kinds of Yuefu poems in past dynasties. The important contribution of Yuefu Poetry Collection is to collect and classify the songs of past dynasties according to their tunes, so that many works can be compiled into books. This provides great convenience for the collation and research of Yuefu poems.
For example, some excellent folk songs in Han Dynasty, such as Mo Shang Sang and Dong Men Xing, are found in Song Shu? Le Zhi and Peacock Flying Southeast are found in Yu Tai Xin Yong, and some of them are scattered in books such as Yi Wen Lei Ju and other ancient books, which are collected and recorded by editors.
In particular, some ancient folk ballads and proverbs in China are generally scattered in various historical books and some academic works, and miscellaneous ballads and lyrics are mostly ignored by the former. As for Du Wenlan's later works such as Ancient Proverbs, they were far later than this book and were obviously compiled on its basis.
its arrangement is to put the "ancient poems" of each tune (the earlier poems written by Anonymous) or the poems that appeared earlier in front, and the future generations' works are listed behind, so that readers can understand that some literati poems are influenced by folk songs or previous generations of literati. For example, the songs of harmony, Qiu Lu and Hao Li are in Song Shu? The book Le Zhi contains only Cao Cao's sketches, but in this book there are ancient poems of the Han Dynasty.
although Cao Cao's sketches are higher than "ancient ci" in terms of ideological content and artistic skills, it is far less obvious to explain the origin and original intention of this tune.
Another example is the tune Mo Shang Sang. According to The Record of Ancient and Modern Music, it was originally a "melody tune" in the "harmony song" of the Han Dynasty, but it is in Song Shu? Only the drafts of Cao Cao and Cao Pi and a rewrite of Qu Yuan's Nine Songs played by Jin Yue were recorded in Le Zhi. Shan Gui's poem; As for the ancient ci of Mo Shang Sang, it is included in the category of "Daqu".
In Yuefu Poetry Collection, the ancient ci is recorded first, so that readers can understand that the works of Cao Cao and others are just new ci based on the tune of the ancient ci. This book also attaches all kinds of poems written by later generations to Mo Shang Sang, such as Picking Mulberry, Singing in a Beautiful Song, Traveling in Luo Fu, Traveling in the Southeast of Sunrise, Traveling in the Day, etc., which shows the influence of Mo Shang Sang on later literati.
For another example, if Lu Ji's poem "Ode to the East" and Bao Zhao's "Ode to the East" are arranged together, it can be seen that the same tune can be composed into various poems with completely different contents.
Yuefu Collection of Poems records poems according to the classification of musical tunes, and explains some music whose tunes have influenced future generations.
For example, Plum Blossom Falls in the Han Cross-Blowing Song and it is hard to go in the Miscellaneous Songs are only the earliest ones proposed by Bao Zhao, but the editor still classifies Plum Blossom Falls as the Han Cross-Blowing Song, and quotes Chen Wu Biezhuan in the explanation of it is hard to go, pointing out that this tune was popular among northern herders before Wei and Jin Dynasties.
It reflects the influence of folk songs on literati poetry and the relationship between music and poetry, and points out the inheritance relationship between the music of the previous generation and the music of the future generations for the same topic of all kinds of music. For example, Huang Dansi in "The Cross Blowing of the Drum and the Beam", the editor quoted Chen Shizhi's Record of Ancient and Modern Music as "Huang Qinzi with the Cross Blowing of Han Dynasty".
Yuefu Poetry Collection gives a detailed introduction and explanation of the origin, nature and musical instruments used in singing. These explanations in the book have quoted many lost works, such as Records of the Zheng Sheng of Yuanjia by Liu Song and Zhang Yong, Records of the Ci by Wang Sengqian in Southern Qi Dynasty, Records of Ancient and Modern Music by Chen Shizhi, etc., which have preserved many precious historical materials.
This is of great value to the study of the history of literature and music. But some of them may be hearsay, which is not credible.
extended information
catalogue
Yuefu poetry anthology
Volume 1 Jiaomiao Songs
Volume 2 Jiaomiao Songs
Volume 3 Jiaomiao Songs
Volume 4 Jiaomiao Songs
Volume 5 Jiaomiao Songs
Volume 6 Jiaomiao Songs
Volume 7 Jiaomiao Songs < Songs 12
Volume 13 Yan Shege 1
Volume 14 Yan Shege 2
Volume 15 Yan Shege 3
Volume 16 Advocacy Songs 1
Volume 17 Advocacy Songs 2
Volume 18 Advocacy Songs 3
Volume 19 Advocacy Songs 4
Volume 2 Advocacy Songs 5
Volume 21 Crosswind Songs 1 < Four
Volume 25, Songs of Cross Blowing Five
Volume 26, Songs of Harmony One
Volume 27, Songs of Harmony Two
Volume 29, Songs of Harmony Three
Volume 3, Songs of Harmony Five
Volume 31, Songs of Harmony Six
Volume 32, Songs of Harmony Seven
Volume 33. Harmony Songs Eleven
Volume 37 Harmony Songs Twelve
Volume 38 Harmony Songs Thirteen
Volume 39 Harmony Songs Fourteen
Volume 41 Harmony Songs Fifteen
Volume 41 Harmony Songs Sixteen
Volume 42 Harmony Songs Seventeen
Volume 43 Harmony Songs Eighteen
Volume 44 Qing Dynasty Songs One
Volume 45. Song ci of Shang dynasty
Volume 48 Song ci of Qing dynasty
Volume 49 Song ci of Qing dynasty
Volume 5 Song ci of Qing dynasty
Volume 51 Song ci of Qing dynasty
Volume 52 Song ci of dance music
Volume 53 Song ci of dance music
Volume 54 Song ci of dance music
Volume 55 Song ci of dance music. Nineteen songs and lyrics three
Volume sixty songs and lyrics four
Volume sixty-one songs and lyrics one
Volume sixty-two songs and lyrics two
Volume sixty-four songs and lyrics four
Volume sixty-five songs and lyrics five
Volume sixty-six songs and lyrics six
Volume sixty-seven songs and lyrics seven
. > volume 71 miscellaneous songs eleven
volume 72 miscellaneous songs twelve
volume 73 miscellaneous songs thirteen
volume 74 miscellaneous songs fourteen
volume 75 miscellaneous songs fifteen
volume 76 miscellaneous songs sixteen
volume 77 miscellaneous songs seventeen
volume 78 miscellaneous songs eighteen
volume 79 modern songs one
. Volume eighty-two modern ballads four
Volume eighty-three miscellaneous ballads one
Volume eighty-four miscellaneous ballads two
Volume eighty-five miscellaneous ballads three
Volume eighty-seven miscellaneous ballads four
Volume eighty-eight miscellaneous ballads six
Volume eighty-nine miscellaneous ballads seven
Volume ninety new Yuefu one. Four
Volume 94 New Yuefu Ci Five
Volume 95 New Yuefu Ci Six
Volume 96 New Yuefu Ci Seven
Volume 97 New Yuefu Ci Eight
Volume 98 New Yuefu Ci Nine
Volume 99 New Yuefu Ci Ten
Volume 1 New Yuefu Ci Eleven.