The first sentence of the poem uses the metaphor of "I am a cloud in the sky", which conveys the poet's noble nature and shows his erratic and turbulent mood. This is Xu Zhimo's portrayal of "speaking is a poem, acting is a poem, and lifelong behavior is a poem", which also laid a solid foundation for later lyricism. "Occasionally projected in your mind" is the influence of the poet's intuitive image written directly to himself on others. "Occasionally" shows that this influence is unexpected, but it is not abrupt, because the existence of such a beautiful thing as "I am a cloud in the sky" provides the possibility for people to discover it. Because it is human nature to love and pursue beauty, "projecting into your heart" has become the realization of people's expectation and pursuit. Among them, "wave heart" refers to the psychological fluctuation, oscillation and excitement of the pursuer. "You don't need to be surprised/more need to be happy-"Beautiful white clouds fly, giving strong spiritual shock and eager emotional support to the bosom friend on the ground, and her heart is full of ripples and excitement. The beauty of the poet is to try his best to restrain his excitement and persuade his bosom friend: don't be surprised and surprised by the sudden realization of expectations, let alone cheer and rejoice, because it is "fleeting", and the last sentence and the previous sentence are mutually causal because "I am a cloud in the sky". This sentence is the reason for the last two sentences, why "you don't need to be surprised/even more happy-"? Because this meeting of bosom friends is not permanent, this beauty is not eternal, and there is no need to pour too much emotion into it. On the surface, this poem makes people underestimate their feelings and ignore their fate. In fact, it contains a deeper meaning: anything beautiful is subject to objective factors relative to a specific time and environment. Eternal beauty does not exist. We should cherish the "occasional" beauty more and make the temporary experience become a permanent memory.
In the second section, the poet first set a special background of "meeting in the dark": "You and I met in the dark sea". The night flight at sea is lonely, lonely and sad. We need friends and partners, friendship and joy. In this special situation, the sudden appearance of "you" dispelled the heavy loneliness and lit up the thick night. We meet and know each other, reflecting "the light that shines when we meet". Although we are destined to stay and pass by, "you have yours, I have mine, and the direction" leads to the same goal. We all bear the loneliness of sailing at sea and reap it. This encounter is both accidental and inevitable. If you don't suffer from loneliness as well, just passing by, it is difficult to leave some traces in the poet's life journey. It is precisely because "you and I" have the same expectation and enthusiasm that we have the same exciting "accident". Here, two opposite intentions are contained in the same sentence and boil down to the same word-"direction". At the same time, the poet's longing for love, helplessness to fate, and inner pain erupted like a volcano, reaching an emotional climax. At this time, an overwhelming feeling arises, so the poet has to convince himself that "you'd better forget it, if you remember". Obviously, this tone is backward, seemingly light, but actually heavy, to show that this open-minded poem emphasizes not "forgetting" but "remembering" He was haunted by a wonderful time when he met by chance, and naturally hoped that the other party would remember it and keep it in mind.
12. A concrete thing written by the poet is (meeting at sea in the dark).
The metaphor used in the poem to express this is (the lights shining on each other at this intersection).
13. What changes have taken place between the two sides after the accidental meeting? Because we met and knew each other, we had the same expectation and enthusiasm.
14. "You'd better forget" is an accidental meeting? Why "forget"?
The keynote of this sentence is to retreat for progress, which seems light as heavy, to show that this open-minded poem emphasizes not "forgetting" but "remembering". I was haunted by a wonderful time when I met by chance, and naturally I hope that the other party will remember it and keep it in mind. )