1, Watch Bixiao on Tanabata tonight, and let the Cowherd and the Weaver Girl cross the bridge. Every family watches the autumn moon, and every family wears HongLing.
2. In March, Hong Ying was flying all over the sky, and apricot trees were full of branches and leaves. The fishing pond is drunk late, and the oblique wind is unwilling to return.
3, wine apricot blossom room, drunk in front of Qingfeng Bridge. Under the pipa tree, the strings bounce into the blue sky.
The four wonders are introduced as follows:
Seven-character quatrains are a genre of China's traditional poetry, which belongs to the category of modern poetry. There are four poems in this style, each with seven words, and there are strict metrical requirements in rhyme and adhesion. This poetic style originated from Yuefu songs in the Southern Dynasties or Yuefu folk songs in the Northern Dynasties, or can be traced back to folk songs in the Western Jin Dynasty, and it matured in the Tang Dynasty.
The four-line genre is introduced as follows:
Seven-character quatrain is a kind of quatrain, which is called seven-character quatrain for short, and its origin is not clear. During the Ming and Qing Dynasties, people thought that the Four Musts originated from Xiao Gang, Yu Shinan or the four great masters, and all of them referred to the seven-character laws. Although in its development process, the Seven Juexing was indeed dominated by the law, like the Five Juexing, the formation of the ancient Juexing still preceded the law.
Modern scholars at home and abroad generally tend to regard Yuefu folk songs in the Northern Dynasties as the source of seven-character ancient poems. Some scholars also believe that the source of seven-character ancient poetry should be traced back to the folk songs of the Western Jin Dynasty.
Although there were mature seven-character quatrains like Ge Yanxing written by Cao Pi in the Han and Wei Dynasties, the earliest complete seven-character four-sentence style appeared in the ballads of the Western Jin Dynasty. This is the song of the old man in Yuzhou, which rhymes: "Fortunately, Li escaped from danger and became a loving father. Xuanjiu forgot to work hard, so why bother thinking about singing and dancing? "
In the early Tang Dynasty, the seven-character quatrains were not only few in number and narrow in subject matter, but also had little influence on the poetry circle and were not mature enough in art. Not only was the rhythm not completely coordinated, but the style was relatively sluggish (such as the first half of an antithetical poem) and lacked long rhyme. Famous poets in the early Tang Dynasty, such as Shen Quanqi and Song, wrote good metrical poems, but the level of seven-character metrical poems was average.
The writing of the four wonders is as follows:
Seven-character quatrains can be composed freely, because they can be antithetical sentences or antithetical sentences.