Shuilongyin · Hearing the sound of palace people’s harp in the boat at night on the Huaihe River
[Author] Wang Yuanliang? [Dynasty] Song Dynasty
Drums and drums startle the neon clothes, Haitang Pavilion It's windy and rainy in the north. After singing and drinking, the jade cries and the gold weeps, this trip has been a good one. The hunchback is blurred, the horse's head is tangled, and it is seen day and night. Farewell to Yan from the capital city, the dragon boat with brocade cables is empty and returns in spring.
The southeastern half of the mountain is cut off, and the Changhuai River is no longer my land. Under the city, the grass is as white as frost, and it is desolate and sad. Pink formation and red rim, it’s quiet at night, who’s the guest and who’s the host. Light the fishing lantern, throw a sigh of relief, and compose Chinese music on the harp.
Tags: sad words, emotions, notes on "Water Dragon Song: Hearing the Sound of the Palace Man's Piano in a Boat on the Huaihe River at Night"
[1] In May of the second year of Song Deyou (1276), the author "Yangzhou 》 Said: "The silk rain and the clouds are cold in May, and the Huaihei old man laughs at the Confucian crown."
[2] "Song of Everlasting Sorrow": "The Yuyang's rook stirs the earth, shocking the colorful clothes and feathers." "鞞 ", the small drum is hit first to respond to the big drum, also known as "Yinggu", see Volume 16 of "Beginner's Notes". 鞞, the same as "鼙".
[3] "Leng Zhai Night Talk" quotes "Taizhen Gaiden": "The emperor went to the Chenxiang Pavilion to give orders to Taizhen's concubine. The concubine was drunk and was still awake, so he ordered a strongman to help her from the servant. The concubine was drunk and looked beautiful. The makeup is still there, the hair on the temples is messy, and I can no longer worship. The emperor laughed and said: "How can it be that the concubine is drunk, and the true Begonia Pavilion is not enough to sleep." "Begonia Pavilion" refers to the Agarwood Pavilion. "Qing Ping Diao": "Agarwood Pavilion leans on the railing in the north."
[4] "Bai's Six Tie" Volume 19: "Wei Zhen's back is white, and her tears are like jade chopsticks." Li Bai's "Dai Shi Liu Tie" "Gift Away": "When the cries of jade are exhausted, I sit and hate the golden boudoir." , "Chengnan Couplet": "The precious saliva is not collected yet, and the jade cries are still falling." (Yin support, Geng rhyme.)
< p> [5] "Preface to the Han Song of the Golden Bronze Immortal": "When the Immortal came to visit, he burst into tears." The golden man shed tears, so it was called "Golden Weeping". It is the same as "Yuciao" above, and refers to Song Dynasty concubines and imperial palace officials, etc., so it is not a general language.[6] The three sentences refer to the Song palace people going north with the Yuan army. "Send Cai Xizeng back to Longyou": "The horse's head is covered with gold, and the hunchback's back is covered with brocade." Qian's "Notes": "It's covered with gold, all around." Here, it is written that the Mongolian army is in great glory, and it inherits from "This trip has been a good one". , said that he would live such a life in the future, but in fact he was going north by boat at that time, as recorded in the title and text of this article.
[7] In June of the second year of Deyou, Yuan Boyan entered Lin'an and went north with more than 3,000 people including the Song emperor, concubines and maids.
[8] "It is no longer my land", which means "Although I believe in beauty, it is not my land" in "Denglou Fu". This sentence and the following sentence should refer to the fact that Xia Gui sent Huaixi to the Yuan Dynasty in February of that year.
[9] "Listening to the Flute in Shouxiang City at Night": "The moon outside Shojiang City is like frost." The literal word "Shoujiang" is borrowed here, not the northern Shoujiang City. However, Huaishang was already a frontier fortress in the Southern Song Dynasty, and the intentions were closely related.
[10] The author's poem "Pizhou": "There are dozens of beauties sitting in the boat, and the golden sticks are still so fragrant."
[11] "One stick", a handful . "Youth Journey": "Hit the waist with a slap." This is still talking about the palace people. The next sentence "The Chinese language in the music score" is the so-called "hearing the sound of the palace people's harp at night" in the title. 1. Yu Pingbo． "Selected Interpretations of Tang and Song Ci": People's Literature Publishing House, 2005.
Appreciation of "The Song of the Water Dragon: Hearing the Sound of the Palace Man's Piano at Night in a Boat on the Huaihe River" Appreciation 1: "The drum and the rhinoceros startled to break the neon clothes, and there is a lot of wind and rain in the north of the Haitang Pavilion". From the beginning of the pen, he points out the difficulties of Deyou, using figurative language , writing about the great changes in the country's subjugation. The imperial court was still immersed in singing and dancing, but was suddenly awakened by the earth-shattering war drums outside the city. The blood of the war suddenly descended into the deep palace of the imperial city. Bai Juyi's "Song of Everlasting Sorrow" "The drums of the fish are coming, and the songs of the colorful clothes and feathers are shocked" are The previous sentence is based on. Haitang Pavilion refers to the Agarwood Pavilion in the Tang Palace. "Taizhen Gaiden" records: "The emperor went to the Chenxiang Pavilion to give orders to Taizhen's concubine. The concubine was drunk when she was still awake, so he ordered a warrior to help her from the servant. The concubine was drunk, her face was stained, her hair was messy, and she could no longer worship. The emperor smiled and said: "How can it be that the concubine is drunk, and the real Begonia has not slept enough?" "Here, we use the incident of Tianbao in the Tang Dynasty to write about the events of this dynasty, and use history to describe the present, and criticize the decline of the imperial court." "Jade Crying and Golden Weeping" and "Jin Weeping" also use the allusion of the golden man's tears, which can be seen in Li He's "Golden Bronze Immortal" "Preface to Songs of the Han Dynasty": "When the immortal came to visit, he burst into tears. "It is quite appropriate to write about the sorrow of being deported in the Yi Dynasty." The three sentences "Hunchback is blurred" hint at Du Fu's sentence "The horse's head is golden and the brocade is blurry, and the hunchback's brocade is blurred" ("Send Cai Xiceng back to Longyou"), which continues the previous sentence "This trip" "Good and hard", imagining the life of subjugated slaves in the land of the enemy. The three sentences "Banquet at the capital gate" are extremely "hard". "Dragon ship and brocade cable" refers to the affairs of Emperor Yang of the Sui Dynasty, and is used to describe what the emperor and his wife did. The three sentences "Both going south and going north" are a reflection of the situation of the boat traveling north, which means that the fate of the country has been exhausted and there is no way to recover. "Spring" is the season when the people are escorted and set off, which symbolizes the "spring" of the country in the Southern Song Dynasty. "Go Back" guides the Song Dynasty's national demise like spring. The word "empty" is soaked with the deep sadness of Tu Xing Naihe.
The next film transcribes the feelings of the boat passing the Huaihe River. "Changhuai" highlights "In the boat on the Huaihe River". "Not my land" means "Although I believe in beauty, it is not my land" in Wang Can's "Climbing the Tower". Looking across Changhuai, the beautiful scenery is no longer the same as before, which is why the mood is different. "Eye-broken", "sadness", sentiments of nostalgia and sadness are all written in red.
The three lines of "Shoujiang" are borrowed from the Tang Dynasty Li Yi's poem "Listening to the Flute in Shoujiang City at Night": "The moon outside the Shoujiang City is like frost", and then used the words of conception to think of the future life, and the heart is filled with sadness. There were surrender cities in both the Han and Tang Dynasties, most of which were located in the northwest frontier fortress but not in one place. This is just borrowed, not actual reference.
Below the "Pink Formation", the eyes return from the distance to the near side. The hierarchy of emperors, courtiers, concubines, and maids was originally strict, but now the "pink formation and red siege" are all prisoners. It is difficult to distinguish between master and slave, and there is no distinction between guest and host. In the narrow boat, crowded to sleep. Only the melancholy and sentimental palace maid strummed the strings under the solitary lamp, and also stirred up the poet's sad mood. The last three sentences directly correspond to the title of the poem "I heard the sound of the palace people's piano at night" and conclude the whole article, with long implications. The first part focuses on laying out the background, while the second part focuses on the topic. At the same time, the time and space are expanded to before and after the trip, unifying the emotional tone of "surprise" and "pain". This avoids straightforward narration in terms of composition. "Dragon Ship Brocade Cable" is very symbolic. Appreciation 2 This is another sad poem by Wang Yuanliang about the destruction of the country and the family.
In the first month of 1276 (the second year of Emperor Gong Deyou of the Song Dynasty), the Yuan army went south. Prime Minister Boyan led the army to attack Gaoting Mountain northeast of Lin'an, the capital of the Southern Song Dynasty. The Southern Song Dynasty was in turmoil, and the Empress Dowager Xie passed down the imperial seal and asked for the surrender of the Yuan Dynasty. Soon, the army of the Yuan Dynasty entered Lin'an and all the three palaces were taken prisoner. The empress, concubines and palace officials were escorted north to Yanjing for more than 3,000 yuan. Wang Yuanliang, who was a musician at the time, was also among them. While passing by the Huaihe River, the palace maid in the boat played the harp. The mournful sound of the harp evoked Wang Yuanliang's painful emotions, and he composed "The Song of the Water Dragon" out of emotion. "The drums and rhinoceros are startling to break the neon clothes, and there is a lot of wind and rain in the north of Haitang Pavilion." He points out the difficulties of Deyou at the beginning of the pen, and uses vivid language to write about the great changes of the country's subjugation. The imperial court was still immersed in singing and dancing, but was suddenly awakened by the earth-shattering war drums outside the city. The bloody war suddenly descended into the palace of the imperial city. Bai Juyi's "Song of Everlasting Regret" "The fishing sun and the rhinoceros stirred the ground to come, shocking the colorful clothes and feathers" is based on the previous sentence. Haitang Pavilion refers to the Agarwood Pavilion in the Tang Palace. "Taizhen Gaiden" records: "The emperor went to the Chenxiang Pavilion to give orders to Taizhen's concubine. The concubine was drunk when she was still awake, so he ordered a warrior to help her from the servant. The concubine was drunk, her face was stained, her hair was messy, and she could no longer worship. The emperor smiled and said: "How can it be that the concubine is drunk, and the true begonia has not slept enough?" Here, the events of the Tang Dynasty are written through the changes in Tang Tianbao, and history is used to describe the present and criticize the decline of the imperial court. "Jade cries, golden weeps" and "jin weeps" both use the allusion of the golden man's tears. The allusion can be found in Li He's "Preface to the Song of the Golden Bronze Immortal's Ci Han": "When the immortal comes to visit, he sheds tears." Writing about the sorrow of being deported in the Yi Dynasty , quite appropriate.
The three sentences "Hunchback is blurry" inspired Du Fu's poem "The horse's head is golden, the hunchback's brocade is blurry" ("Send Cai Xizeng back to Longyou"), which is the continuation of "This journey has been a good one", imagining The life of a subjugated slave in an enemy country. The three sentences "Farewell at Dumen Banquet" express the "bitterness" of it. "Dragon ship with brocade cables" refers to the events of Emperor Yang of the Sui Dynasty, and is used as a metaphor for the boat that the emperor and his queen rode on. These three sentences, "Both going south and going north, are a matter of national subjugation". They are a realistic portrayal of the boat traveling north, which means that the fate of the country has been exhausted and there is no way to recover. "Spring" is the season when escorts set off, symbolizing the national destiny of the Southern Song Dynasty. "Spring Returns" indicates that the Song Dynasty's national collapse ended like spring. The word "empty" is soaked in the deep sadness of Tu Xing Naihe.
The next film is a retelling of the feelings when the boat passed by the Huaihe River. The title of "Chang Huai" is "In the Boat on the Huai River". "Not my soil" means "Although I believe in beauty, it is not my soil" in Wang Can's "Denglou Fu". Looking across the Changhuai River, the beautiful scenery is no longer the same as before. This is because the mood is different. "Breaking eyes", "sadness", sentiments of nostalgia and sadness are all written in red. The three lines of "Shoujiang" are borrowed from the Tang Dynasty Li Yi's poem "Listening to the Flute in Shoujiang City at Night": "The moon outside the Shoujiang City is like frost", and then used the words of conception to think of the future life, and the heart is filled with sadness. There were surrender cities in both the Han and Tang Dynasties, most of which were located in the northwest frontier fortress but not in one place. This is just borrowed, not actual reference.
Below the "Pink Formation", the eyes return from the distance to the near side. The hierarchy of emperors, courtiers, concubines, and maids was originally strict, but now the "pink formation and red siege" are all prisoners. It is difficult to distinguish between master and slave, and there is no distinction between guest and host. In the narrow boat, crowded to sleep. Only the melancholy and sentimental palace maid plucked the strings under the solitary lamp, and also stirred up the poet's sad mood. The last three sentences directly correspond to the title of the poem "I heard the sound of the palace people's piano at night" and conclude the whole article, with long implications. The first part focuses on laying out the background, while the second part focuses on the topic. At the same time, the time and space are expanded to before and after the trip, unifying the emotional tone of "surprise" and "pain". This avoids straightforward narration in terms of composition. "Dragon Ship Brocade Cable" is very symbolic.
In the late Song Dynasty, poets wrote many poems about the grief of mountains and rivers caused by the country's upheaval, but most of them were dedicated to chanting things, and the words were obscure and the meanings were vague. This poem by Wang Yuanliang is different. The author uses personal experience to describe it in detail, and it is written with deep feelings and sincere feelings. The author uses the strings of the palace maid to express "the pain of subjugating the country and the feeling of leaving the country". Introduction to Wang Yuanliang, the author of "The Song of the Water Dragon: Hearing the Sound of the Palace Piano at Night in a Boat on the Huaihe River"
Wang Yuanliang (1241-1317 years later) was a poet, lyricist, and court harpist in the late Southern Song Dynasty. The courtesy name was Dayou, and his nickname was Shuiyun. He was also named Shuiyunzi, Chu Kuang, Jiangnan Juanke, and he was from Qiantang (now Hangzhou, Zhejiang). Lin's third son. During the reign of Emperor Duzong, a fine harp was used as an offering to the palace. In the second year of Gongzong Deyou's reign (1276), Lin'an fell and he followed Sangong to Yan. I visited Wen Tianxiang in prison. In the twenty-fifth year of the Yuan Dynasty (1288), Emperor Shizu of the Yuan Dynasty became a Taoist priest. He returned to the south and arrived in Qiantang the following year. Later, he traveled to Jiangxi, Hubei, Sichuan and other places, and ended up in Hushan.
Many of his poems record the events before and after the fall of the country, and were compared to Du Fu at the time. They have the purpose of "poetic history", including "Shui Yun Ji" and "Hushan Lei Manuscript".
Wang Yuanliang's other works
○ Recalling Qin'e·Ma Xiaoxiao
○ Recalling Qin'e·Xue Feifei
○ Huzhou Song·Part 6
< p> ○ Rumored Jade Girl · Qiantang New Year’s Eve○ More works by Wang Yuanliang