The rules of poetry creation:
1, antithesis (antithesis): in metrical poems, ①' starts at the neck tail', starts at the neck tail (starts at the neck tail), and starts at the neck tail (starts at the neck tail), with two antitheses (same parts of speech, same structure, opposite levels) and many pairs are unlimited (rich antitheses); (2) The single neck (rotating) pair is a bee waist; (3) Head-neck (turn) pair is stealing spring lattice; (4) Homology, habit, borrowing, emphasis, fluidity, looseness, digital dislocation and self-alignment of each sentence; Single head, chin and tail (opening and closing) cannot be called method; A quatrain does not seek confrontation.
2. Contradiction: ① Hands crossed (two opposites with the same sentence structure); (2) The sentence has the same meaning as the sentence.
3. Relative (the upper and lower sentences are equal and opposite): 1-2 sentences, 3-4 sentences. (Otherwise, it is not aligned)
4, mutual adhesion (the same link before and after): 2-3 sentences, 4-5 sentences. (Otherwise, the adhesion will be lost)
5. May 7th change: add two flats or two rhymes before a five-character sentence to become a seven-character poem.
6. Five-character rule: regardless of the five-character 1, 2, 3 1, 3; Regardless of the word 1 in the fourth sentence.
7. Seven-character rule: seven characters 1, three sentences 1, 3, 5, whatever; Ignore the words 1 and 5 in the second sentence; Ignore the words 1 and 3 in the fourth sentence.
8. No rhyme: except for the rhyme of the first sentence, the single sentence is awkward and the continuous sentence rhymes (rhyme foot, choose homophonic from the rhyme of 106).
9. Avoid ending: In a poem, you should use ending words such as "Shang", "Qu" and "Yun" in singular sentences (single ending).
10, avoid using words repeatedly: the same word cannot be used more than twice in a poem (except overlapping words).
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12, three-level tone: for example, it is flat, and the last three words of each sentence are flat, which becomes a three-level disease.
13, avoid three errors: for example, the last three words of each sentence are errors, and the tail is three consecutive errors.
14, mutual rescue: that is, regardless of the position of X in the sentence, it is flat and flat, avoiding the effect of being flat, misplaced and sticky. (1) In the sentence, 3-4 flat bricks are replaced by rescue variants. (2) 1- 1, 3-3 sentences and dialogues can be saved (or not). (3) 1-3 in the sentence. 4 loneliness is hard to save. ⑤ The sentence and antithesis are even and wide (even and flat, which is still controversial).
15, grammatical sentence structure (five words 2. 1.2, 2.2. 1, 2.3; Seven words 2.2. 1.2, 2.2. 1, 2.2.3 are commonly used), each couplet has the same structure, and each structural formula is best used (two couplet structures are compared to get chapters).
16, excellent product: qualified method, no fault; Visual art is intuitive, while auditory art is beautiful, cadence, popular, profound and simple.
17, ancient style: unlimited rhyme, deep mixed weight, long and flat (feet are flat, the previous sentence is flat; When gouging out your feet, the first sentence should be flat-tailed, with at least two rhymes.
18. Rhyme: It is formed by exchanging the flat tail, flat tail and flat tail of the penultimate word in rhyme.
19, arrangement rule: head and tail are not opposite, and the rest are opposite.
20. The evolution format of poetry: * * * * four structural sentence patterns, ① five-character basic format (don't bet on the first sentence: the first sentence is' flat and flat', according to the law of' relative', the second sentence is' flat and flat', according to the law of' phase '(2) push the above five skills into eight sentences according to the law of pairing and adhesion, and become the' five methods'. (3) Before the above five poems, add two or two strokes to form a seven-character quatrain. (4) Push the "Seven Unique Skills" into eight sentences according to the law of pairing and adhesion, which becomes the "Seven Methods". Or add two levels or two points to the front correspondence of the five-tone sentence to form the' seven tones'. ⑤ Deducing five laws or seven laws into more than 10 sentences according to the law of opposition and attachment is called' exclusion law'. ⑥ Starting from any one of the four sentences in ① (the first sentence), it is deduced according to the principle of adhesion and transformed into the other three. Therefore, the format of 16 cannot be memorized, only the method can be memorized.
2 1, change case:
Basic lattice
Ping, ping, ping.
(The sentence 1, 3 and the sentence 1, 3 help each other) Pingping Pingping Pingping Pingping Pingping Pingping.
Flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat.
(Sentence 1 and sentence 1 help each other) Very flat.
22. Avoid rhyme: you can't use the same initial in the same poem (for example, you have used' sound' as rhyme, and you can't use' sound' as rhyme).