The inherent feature of poetry is to express feelings. Whether painting landscapes, reciting things, or writing people and narrating,
Everything is for lyricism. Lyricism is the life and soul of poetry. Without lyricism, there is no poetry. because
Therefore, when reading and appreciating poetry, we must first find out what kind of scenery the poet describes and what he sings.
What kind of things, what kind of things, what kind of people, and then look at this.
What kind of feelings did you express?
The external feature of poetry is to pay attention to rhythm. Classical poetry, in particular, emphasizes rhyme antithesis, so sometimes the word order is reversed. "Heroes have nowhere to find Sun Zhongmou" means "Heroes have nowhere to find Sun Zhongmou"
Inversion, only by turning it into direct installation, can we understand it accurately. Reading aloud when reading is poetic.
The beauty of rhythm can only be better understood by reading the sound. Even when answering questions in the exam, it is best to read the voice in your head.
The constituent element of poetry is image. It is the poet's subjective feeling and objective image in the process of creation.
The crystallization of mutual collision and fusion is the poet's imagination and personification, images, symbols, exaggeration,
The use of metaphor and other techniques, the fusion of meaning and image, to create a single or fragmented, wise.
Metaphorical technique. Image is the carrier of emotion, and it is the writer's purpose to convey some vague, subtle and hidden music.
Artistic symbols created by understanding inexpressible feelings. Therefore, reading and appreciating poetry.
When singing, we should fully understand the connotation and aesthetic significance of the image from the perspective of the image, which is the key to truly understand a work.
First of all, we should carefully taste the rich and unique emotional information contained in the image itself. For example, the "sun" is of course the sun, but it is not just the sun. As an image, "Sun" has a brilliant and radiant weather. Secondly, we should fully understand the cultural connotation of images. Accumulated the corresponding cultural connotation in the concrete image. Such as Long Pavilion, Broken Willow, Old Friend and Lonely Sail,
Often associated with parting from sorrow and hatred, it has become a ready-made symbol to express the parting of lovesickness. When you see these images, you should immediately think of the corresponding thoughts and feelings. Third, we should understand the meaning from the combination of images.
The words "Red Dawn Flows from the Bullet Hole of the Star", "Star", "Bullet Hole", "Blood" and "Dawn" are different from the usual images through the combination of poets, and their superposition has produced a brand-new artistic effect. When reading, we should be good at understanding the "proliferation meaning" from the overall image combination. For example, the landscape of Xindi:
The train ran over China's ribs.
Section after section of social problems.
Living next to each other are huts and graves between the fields.
Life is so close to the end.
The land in summer is so green that it withers sadly.
I used to like where I wanted to go.
I can't say how strange it is, but on the whole it's still rather bleak.
Thin cows and thin people
It's all illness, not scenery!
1948 Summer
On Shanghai-Hangzhou Road
The scene of the poet's "huts living next to each other, graves in the fields" outside the window is very vivid and can be seen everywhere in the countryside in the 1940s. But here, the two images, the hut and the grave, are prominently combined in a picture at the same time, and they are linked by the conjunction "harmony", so the meaning of the poem rises from realism to philosophical thinking: the distance between life and death is surprisingly close, and China people actually end their lives in such a muddle.
The language of poetry is vivid and vivid. In addition, it also has the characteristics of simplicity and jumping, which is more different from other styles. "Words are not connected, meaning is connected", and what readers can understand through association and imagination is often omitted, so it is natural to make up for it through association and imagination when reading. For example, Li Bai's Long March:
My hair barely covers my forehead. I am picking flowers and paying by my door.
When you, my love, ride a bamboo horse, run in circles and throw your childhood.
We live in an alley in Qingkan. We are all young and happy.
When I was fourteen, I became your wife, and I was too shy to laugh.
I bowed my head and went to the dark corner, unwilling to pay attention to your thousands of calls.
But at the age of fifteen, I raised my eyebrows and laughed, knowing that no dust can seal our love.
Even to death, I will wait for you in my post, and I will not lose heart in the silent watchtower.
Then, when I was sixteen, you embarked on a long journey.
Then in the fifth month, I couldn't help it anymore. The ape shouted in the sky.
Every old footprint in front of the door is hidden under green moss.
Hiding under the moss is too deep to sweep away, and the first autumn wind adds leaves.
Yellow butterflies in August, hovering in the grass of our West Garden in pairs.
Because of all this, my heart is broken, and I am worried that my bright cheeks will fade.
Oh, finally, when you come back through three Pa areas, send me a message home in advance! .
I'll pick you up, and I won't mind the distance, all the way to Sha Changfeng.
When I was a child, I only wrote the scene of two children playing together (I was so impressed that even "childhood friends" and "two children have no guess" became idioms), and everything else was omitted. Then I jumped to the stage of "being husband and wife" and wrote the scene of my first marriage and the love developed between husband and wife after marriage with delicate brushstrokes. Then I suddenly jumped to my husband's yearning for him after a long business trip. That's the point. The poet skillfully connected some fragments of life into a complete artistic whole. This shows the characteristics of poetry that "words are not connected but meanings are connected".