Mao Yi, the son of Jiangcheng, remembers dreams on the 20th day of the first month.
Ten years of life and death are two boundless, disapproving and unforgettable. A lonely grave thousands of miles away, desolate and nowhere to talk about.
Even if we don't know each other, our faces are dusty and our temples are frosty.
At night, I suddenly dreamed of going home, and the window of Xiao Xuan was being decorated. Care for each other without words, only a thousand lines of tears
It is estimated that the annual heartbroken place, moonlit night, short matsuoka.
One night after ten years of appreciating Ci, Su Shi had a dream in Mizhou, dreaming of lingering with his dead wife in Japan. When he woke up, he could not help crying. He wrote this famous poem "Jiang's diary dream on the 20th day of the first month" in memory of his dead wife. Poems and songs in Song Dynasty were regarded as rare masterpieces by later generations, while Ci was a popular literary style at that time, and Song Ci also enjoyed a high reputation in later generations. But Dongpo was the first singer to mourn in writing. This eulogy spans 20 years. Shang Kun wrote ten years after his death, always thinking of his dead wife. Write down dreams, write down life and death. Xiao Xuan Window Dressing is not only a memory of ten years of husband and wife's life, but also a dream.
This word is the first in mourning and is regarded by experts as a swan song in mourning. At the beginning of the last film, the author did not start with the usual way of writing about scenery and feelings, but directly entered the narrative theme. The first three sentences are empty, frank and touching. Lovers give up forever, time suddenly, and ten years pass by quickly. Although people are dead, the beautiful scenes of the past are unforgettable! Now that I think about it, I feel that people are separated forever, and I feel painful. The first sentence "ten years of life and death are two boundless" is written by the husband and wife who are separated by ten years of life and death, and their voices and smiles are slim. For ten years, couples separated by yin and yang have been thinking of each other, but there is no news. On the surface, "Two Boundless" is about himself and his dead wife, but in fact it is about his endless melancholy and emptiness. As the first sentence, it laid the emotional tone of mourning for the full text. In the ten years after Wang Fu's death, Dongpo was politically suppressed because he opposed Wang Anshi's new law, and his mood was sad and angry. When I arrived in Michigan, I was busy dealing with government affairs in bad years, and my life was extremely difficult. It coincides with the tenth anniversary of his wife's death, which is a touching day. The past suddenly came to my mind, and the undercurrent of emotion that had been accumulated for a long time suddenly surged out uncontrollably like opening the floodgates. So dreams are real and natural. I am deeply moved at the thought of my lover's death. Thousands of miles away, there is no place to be sad. It's extremely painful to say. The author's loneliness, desolation, helplessness and desire to tell people's feelings are particularly touching. The meaning of this word is as clear as the word. Life and death are eternal, and there are secluded roads, not to mention "ten years" and "thousands of miles", and there is no possibility of meeting each other in time and space! "Don't think", pretending to be decisive, is actually thinking too deeply and too hard; The sound of the film is "unforgettable" and unforgettable. Naturally, it can't be turned away and can't be concealed. "Don't think" is extremely heartless, and "self-destruction" is a life-and-death contract of getting pregnant without tasting one day. This feeling is deeply buried in my heart and it is hard to get rid of it. I am used to the loving words of "I don't think for a day, but I gather my eyebrows a thousand degrees" (Liu Yong). Looking at Su Shi's poems again, we can feel that they are writing emotional types at different stages of life. The former is the feeling of youth, passionate and romantic, but easy to fade. The latter is a normal relationship between husband and wife who have been living together for life after entering middle age. Like daily life, it is bland, yet light and eternal, long and profound. Su Shi has always appreciated the artistic style of "dry outside and paste inside, seemingly light but beautiful in fact", and this is exactly the feeling expressed in this word, so he can never die.
"A lonely grave thousands of miles away, nowhere to talk about bleak." Thinking of my beloved wife's untimely death in China thousands of miles away, I feel sad and have nowhere to go. In fact, even if the grave is close at hand, can you spend your life and death miserable? This is an idiotic and sentimental language that obliterates the boundary between life and death, which is particularly touching. "A lonely grave thousands of miles away is nowhere to be sad." Inherited the previous life and death, but also sad and helpless. It seems to make you feel the lonely grave thousands of miles away, and the bleak scenery of the autumn wind whistling all over the sky. What the dead leave to the living is eternal memories, but the years continue to add haggard and aging to the living. "Even if we meet, we should not know." This is really the tragedy of the living. Therefore, when I saw the beautiful image of Lin Xuan dressing in my dream, the poet only had mixed feelings and tears in his eyes. "Even if you don't know each other, you are covered with dust and your temples are like frost." He also confused reality with dreams, and put all kinds of personal troubles and resentments after death, including the aging of appearance and the decline of body. At this time, he is less than forty years old and has been "frosted". We have been dead for ten years, but we have to "meet". This is a desperate assumption, deep, sad and helpless, which shows the author's deep nostalgia for his lover and also depicts personal changes, making the meaning of the word more profound. And "caring for each other without words", still not complaining about accumulation and "bleak words", missed such a short and precious opportunity, how disappointed the poet should be after waking up!
The next paragraph really enters the "dream". The first five sentences of the next movie begin to "remember dreams". "Dreaming Suddenly Going Home at Night" is a narrative about my sudden return to my hometown in my dream, where they spent their sweet time. The next movie entered a dream last night. However, the author did not continue the bleak and sad atmosphere when writing, but suddenly returned to his hometown and returned to the scene of newlyweds. "Xiao Xuan window is being dressed up." The author clearly saw the real and wonderful picture. His wife put some pollen rouge on the table at the window and dressed herself in front of the bronze mirror. Then the pen turned: "Nothing to worry about, tears flow a thousand lines." This sentence echoes the last movie "A lonely grave is a thousand miles away, and there is nowhere to talk". Although dreams are not limited by time, space and life and death boundaries, even if they can meet, they will be separated for a long time because of husband and wife, and their thoughts will be numb because of emotional fluctuations. I don't know where to start, only endless tears. What is written here is not a dream, but the true feelings of the world. The small room of "Xiao Xuan Window, Dressing" is kind and familiar, and her modal appearance, vaguely in those days, is dressing up. When husband and wife meet, there is no intimacy of reunion after a long separation, but "nothing to care for, only a thousand tears"! "Silence", including thousands of words, shows the pain of "telling more in silence than they tell in their voices". Where should I start? A dream pulls back to the past, melts the true feelings into the dream, and makes this dream feel infinitely bleak. The author returned to his hometown in his dream. There, meet your lover and reunite. Here, the author describes a simple, touching and beautiful scene-Xiao Xuan window, dressing up. The author used such a common and unforgettable scene to express his eternal impression of his lover. However, the wonder of Dongpo's brushwork lies in the following two sentences-no words care for each other, only a thousand lines of tears! It's amazing through the ages Silence is painful. Silence is worth a thousand words. It is silence that makes this dream feel infinitely desolate. "There are more silent complaints than talking". This is the victory of silence.
"It is expected to be heartbroken every year; Moonlight night, dwarf matsuoka. " The author expects that lovers who are buried underground will be heartbroken every year on this mourning day, in order to cherish the world and to be reluctant to part with their loved ones. The author puts himself in the other's shoes and imagines that his dead wife is alone in the cold and lonely "bright moon" night, which can be described as well-intentioned. This infatuation is really earth-shattering. From dream to reality. Imagine the pain of the dead to express condolences. Especially "Moonlit Short Matsuoka", two sentences, sad and lonely, sad and lost. The so-called "everlasting, everlasting; One day both will end, and this endless sorrow will last forever "(Bai Juyi). "It is expected that every year will be heartbroken, moonlit and short matsuoka." This is an exclamation of reality. Only the moonlit night and the short Matsuoka are real, mourning and mourning for the years. The last three sentences of Dongpo's ci are profound, painful and lingering, which makes people memorable.