Jia Jian-Author: Anonymous
Jia Jian is grey, and the white dew is frost. The so-called Iraqis, on the water side, follow it back, and the road is long. Swim back from it, in the middle of the water.
Jian Jian is growing, and the white dew is still fresh. The so-called Iraqis are in the water. Tracing back and forth from it, the road is blocked and broken. Swim back from it and swim in the water.
the dew is not yet in the harvest. The so-called Iraqis are in the water. Go back and follow it, and the road is blocked and right. Swim back from it and swim in the water.
Translation: The riverside reeds are blue and green, and the dew condenses into frost in late autumn. The person I miss day and night is on the other side of the river. Looking upstream, the road is dangerous and long. Looking for it downstream, it seems to be in the middle of the water. The reeds along the river are lush, and the dew has not dried in the morning. My haunted man is on the other side of the river.
looking upstream, the road is bumpy and difficult to climb. Looking for it downstream, it seems to be in the middle of the sandbar. The reeds along the river are more lush, and the Millennium still lingers in the morning. My bitter pursuer is on the other side of the river. Looking upstream, the road is dangerous and circuitous. Looking for it downstream, it seems to be a sandbar in the water.
expanding information
difficulty: "Acacia was written in ancient times, but there was no" Jia Jian ". The so-called lovesickness, look at it but not, see it but not seek; Although you work hard and ask for it, you will never get it. So faint feelings, overflow between words. I smell string songs, and the strings stop and the echoes are in my ears; Today, reading "Jia Jian", the text stops and the feelings are not scattered. "
Chapter 1, Eight Sentences: Starting from the Spring Festival, show a picture of autumn colors on the river: in the early morning of late autumn, the autumn water is beautiful, the reeds are green, the dew is bright, and it is crystal clear as frost. This realm is slightly sad and sad in the emptiness and loneliness, so it plays a good role in rendering the atmosphere and setting off the mood for the persistent pursuit and elusive love expressed in the poem.
Then, it shows the central image of the poem: the lyrical hero strolls by the river, gazing at the "Iraqi people" on the other side of the river. This "Iraqi" is the one he misses day and night. "On the water side" is isolated, which means that the pursuit is difficult, resulting in an unattainable realm.
Although the lyric hero looks forward to the autumn water and pursues it persistently, the "Iraqi people" are dimly separated. It is hard to see, so there are helpless moods and empty and melancholy feelings in the poem.
The following four sentences are two levels in parallel, which are descriptions of two different scenarios on the water side. "Going back to it, the road is blocked and long" is the dilemma when describing the pursuit of countercurrent: the difficulties and obstacles are endless, the journey is endless, and the sign can't be reached.
"Follow it and swim in the middle of the water" is an illusion when tracing downstream: the journey is smooth everywhere, and Iraqis are always there, but they can't get close at last.
both upstream and downstream, pursuing in every way, the meaning of persistence can be seen; Either the dilemma is difficult to reach or the illusion is difficult to approach. After all, it is impossible, and the deeper the disappointment. At this point, the situation that Iraqis can't dream of has been shown concretely and fully.
There are three chapters in the whole poem, and only a few words are changed in each chapter, which not only plays the artistic effect of repeating chapters and sentences, chanting repeatedly and singing three sighs, but also plays a role in continuously promoting poetry.
From "the white dew is frost" to "the white dew is not wet" and then to "the white dew is not finished", this is the passage of time, symbolizing the long time for the lyric hero to gaze and pursue; From "on the water side" to "on the water side" and then to "on the water side", from "in the middle of the water" to "in the water" and then to "in the water", this is a change of place, which symbolizes the elusive Iraqi people.
From "road resistance and long" to "road resistance and joint" and then to "road resistance and right", it is the difficulty of repeatedly rendering the pursuit process to highlight the persistent spirit of the lyric hero. Repeat chapters and sentences, and advance at different levels.