1. Lovely China:
"Lovely China" is an essay written by the proletarian revolutionary Fang Zhimin in prison on May 2, 1935. In this essay, the author writes about some of his experiences, facts, and insights while studying, being arrested, and imprisoned, and he also puts forward hypotheses about the last period of his life. It uses a large number of rhetorical techniques and has distinctive language characteristics.
2. Qinyuanchun·Changsha:
"Qinyuanchun·Changsha" is a poem written by the modern poet Mao Zedong. Through the description of the autumn scenery of Changsha and the memories of the revolutionary struggle life in his youth, this poem expresses the revolutionary youth's emotion about the fate of the country and their heroic ambition to take the world as their own responsibility, despise the reactionary rulers, and transform the old China. The whole word is between the phrases, blending emotions and situations.
3. I love this land:
"I love this land" is a modern poem written by the modern poet Ai Qing in 1938. This poem starts with "if" and uses "hoarse" to describe the singing voice of the bird. It then continues to write the content of the song, and transfers from the singing during life to the return of the soul of the bird to the earth after death, and finally to the image of the bird. Instead, the poet's own image is used to express his heart directly, showing the poet's sincere and passionate patriotism.
4. Praise to the Sun:
"Praise to the Sun" is a new poem written by the modern writer Guo Moruo during the May Fourth New Culture Movement. This poem is full of romanticism. In the poem, the author uses passionate language to praise the new sun, expresses his yearning for the beautiful motherland in the future, and his willingness to devote himself to realizing the bright ideal.
5. Sing for the Motherland:
"Sing for the Motherland" is a new poem written by the modern poet Hu Feng in August 1937. This poem first uses a descriptive method to painfully record everything in front of him, and the shame in front of him arouses the poet's inner cry. As sons and daughters of the Chinese nation, how can we tolerate foreign invaders ravaging and killing our country.
Then the poet used firm sentences and a sonorous tone to call on the Chinese people to "charge into battle wherever the enemy's iron hooves go, facing the sound of gunfire, the sound of artillery, and the whistling of bombs" for the cause of national liberation. Sprinkle "living blood" on the soil of the motherland. The image of the whole poem is concrete and vivid, and the verses are bright and powerful. It has become a battle cry to encourage people to take up arms, collect blood debts from the enemy, and defend the motherland.