There are many ancient poems. Do you know what ancient poems describe the scenery of the grassland? The following are the ancient poems that describe the scenery of the grassland that I have compiled for you. I hope you can help everyone!
Ancient poems describing grassland scenery (1)
"Farewell"
Era: Tang Author: Wang Wei
Dismounted from the horse to drink your wine and asked you where you were. .
You are dissatisfied with your words and return to the south mountain frontier.
But don’t ask again, when the white clouds are endless.
Notes:
1. Drink your wine: urge you to drink.
2. Where to go: Where to go.
3. Return to bed: live in seclusion.
4. Nanshan Frontier: Beside Zhongnan Mountain.
Rhyme translation:
Please get off your horse and have a glass of wine,
I want to ask you where you are going?
You said officialdom Unsatisfied with life,
I want to retreat to the border of Nanshan.
Just go ahead and I won’t ask again.
The endless white clouds are enough for your own entertainment.
Commentary:
This is a poem to send a friend off to hermitage. On the surface, the sentences may appear to be bland, but in detail, they are lighthearted and profound in meaning. The first two sentences of the poem are a narrative, a farewell message about drinking, and a question that leads to the following. The third or fourth sentence is an explanation.
The reason why my friend went into seclusion was not satisfactory? The five or six sentences are about comforting friends and one's own envy for seclusion, and denying fame, fortune, glory and wealth.
?The whole poem is about losing ambition and returning to seclusion, in order to denounce fame and express the feeling of being intoxicated with white clouds and seeking happiness for oneself. The rhyme of the last two lines of the poem suddenly increases, and the poetic meaning suddenly becomes stronger. , envious and thoughtful, with infinite emotion.
Ancient poems describing the scenery of the grassland (2)
Grass / Farewell to the Tang Dynasty with ancient grass: Bai Juyi
From the original grassland, the grass grows with each year. .
Wildfires cannot be burned out, but the spring breeze blows them again.
The distant fragrance invades the ancient road, and the clear green meets the deserted city.
I sent the king and grandson away again, full of love.
The first sentence breaks the title with three words: ancient original grass. How lush (?Lili?) grass on the original ground, grasping the characteristics of "spring grass" with strong vitality, can be said to be "spring grass grows and luxuriant" without leaving any trace, which provides a good idea for the following article. As far as "ancient grass" is concerned, why not start writing "Autumn Comes Deep Path" (Seng Guhuai's "Original Autumn Grass"), then the whole article will be a different kind of atmosphere. Wild grasses are annual plants that flourish in spring and wither in autumn, and the cycle continues year after year. ?One year old and one prosperous? The meaning seems to be nothing more than this. However, writing is very different from being prosperous and prosperous to writing. If you do the latter, you are like autumn grass and cannot produce three or four good sentences. Two words and one word are overlapped to form a chant, which also creates an endless feeling. After three or four sentences, it comes naturally.
?The wildfire will never burn out, but the spring breeze will blow it again. ?This is the development of the word "Kurong", which changes from a concept to an image. The characteristic of ancient grass is its tenacious vitality. It cannot be cut down or hoed to an end. As long as a few roots remain, it will become greener and longer in the coming year and spread quickly across the wilderness. The author grasps this characteristic and creates a heroic artistic conception by not saying, "It can't be cut down and it can't be hoeed," but by writing, "It can't be burned by wildfire." Wildfires ignited a prairie fire, and the flames were terrifying. In an instant, large tracts of dead grass were burned to the ground. The emphasis on the power of destruction and the pain of destruction is to emphasize the power of regeneration and the joy of regeneration. Fierce fire can burn all the weeds including their stems and leaves, but the author insists that it cannot be burned, which is very meaningful. Because no matter how fierce the fire is, it can't help the roots hidden deep in the ground. Once the spring breeze turns into rain, the life of the weeds will revive, and with rapid growth, they will cover the earth again and answer the abuse of fire. Look at the grass on Liliyuan. Isn’t it a green flag of victory! The spring breeze blows and grows again. The language is simple and powerful. Wu Zeng's "Neng Gai Zhai Man Lu" of the Song Dynasty said these two sentences are not as good as Liu Changqing's "Spring comes into the burning scar green", the words are simple and the meaning is clear, but it is not necessarily the case.
Ancient poems describing the grassland scenery (3)
Going out of the fortress to write the Tang Dynasty: Wang Wei
Outside the city of Juyan, hunting geniuses, the white grass is burning all over the sky.
Driving horses when the dusk clouds clear the moraine, it is good to shoot eagles on the plains in autumn.
Protecting the Qiang lieutenant in the morning, he took advantage of the obstacles and defeated the general who crossed the Liao Dynasty at night.
With a jade target, a horn, a bow and a bead to rein in the horse, the Han family will give Huo Yao a prostitute.
?Outside the city of Juyan, the hunter is hunting geniuses, and the white grass is burning all over the sky?" It is written that outside Juyanguan, the vast wilderness covered with white grass is burning with blazing hunting fires. The Tubo are hunting here. This is A sign of tension. To write about the great momentum of hunting is to exaggerate the tense situation at the border. These two lines of poems are easily reminiscent of the line in Gao Shi's "Yan Ge Xing": "Chanyu hunts for fire and illuminates Langshan Mountain". Ancient poems often use "hunting for fire" to allude to the flames of war.
? When the dusk clouds are empty and the moraine is empty, horses are driven, and the plains are good for shooting eagles in autumn?, further describing the Tibetan hunters driving horses on the empty and boundless desert with low dusk clouds, and in the autumn the grass withers, The animals are hunted on plains where there is no shelter. This combination is like two vivid and typical folk paintings on the fortress, depicting the brave and powerful appearance of Tubo athletes with their horses and bows bent, bold and heroic; it also implies the urgency of the border situation and provides the second half of the poem. Partially paved the way.
?Protected the Qiang school captain and rode the obstacles, and defeated the general who crossed the Liao Dynasty at night. ?These two sentences are very powerful in contrast to Seiko. "Huqiang Xiaowei" and "Polu General" are both the names of military attachés in the Han Dynasty, and they are used here to refer to the officers and soldiers of the Tang Army. Climbing the Barrier Fort and crossing the Liao River are not actual meanings, but general descriptions. The former focuses on defense, while the latter mainly talks about attack. The word "chao" and the word "night" highlight the urgency of the military situation, the speed of the advance, and performance. The Tang army's high-spirited morale and vigorous and resolute style were revealed. This couplet does not give a specific description of the military action itself, but only selects things with formal significance to make a general and vivid description. It describes the scene of the Tang army's intense mobilization, heroic fighting, and victory. It has received The artistic effect of the words is about Yifeng.