The original words are that plum blossoms are waiting in the pavilion, willows are thin on the stream bridge, and the grass is warm and swaying. Sadness is getting farther and farther away, and the distance is like spring water. Inch by inch, my heart is soft, my eyes are full of tears, and the height of the building is not close to the dangerous fence. Pingwu is full of spring mountains, and pedestrians are even outside.
The brief analysis of this word uses three artistic expressions. First, supporting things and nourishing the heart, the first part of the poem describes the typical spring scenery such as residual plums, thin willows and lavender, dotted with waiting halls, bridges and journeys, showing the harmonious atmosphere of mid-spring in the south, but for the sad pedestrians, it is doubly troublesome and adds anxiety. The second is metaphor, turning virtual into reality. "Sadness" is an emotion without visual sense. It is compared to an endless spring, which is vivid and appropriate, making virtualization real and visually perceptible. The third is to deepen layer by layer and make a compromise. "Spring Mountain is everywhere, and pedestrians are even outside", which further illustrates the endless sadness of pedestrians. The whole word is full of affection.
supplement
This is a poem with no worries about parting feelings. It begins with a conversation. Waiting hall, creek bridge, pointing out the journey; Plum residue, willow thin, point out the season, is a school of early spring scenery. In this beautiful spring, a long-distance traveler appeared. He sat on the horse, pulling the reins, as if in a hurry. The oncoming wind is warm, and the smell of grass growing on the ground is refreshing. This third sentence is a link between the preceding and the following, from spring scenery to sadness.
"Sorrow is drifting away, like spring water." However, this beautiful spring scenery did not add a little happiness to the travelers. On the contrary, the farther away he is from home, the heavier he feels. He seems to be spreading gradually, becoming an endless headless and tailless spring. Abstract feelings, in the poet's pen, have become concrete images, which are easy to feel and kind. The seven words "Farewell to sorrow, endless life" are ingeniously conceived, focusing on the relationship between "far" and "infinity". Sadness can be said to be heavy, but here it is said to be infinite, and the farther away it is, the more infinite it is. This vividly shows the feeling of travelers walking on the road.
The last paragraph of the text, one yang and one suppression. First, it fully describes the spring scenery, which makes people feel that it is really beautiful and lovely. Then, with a stroke of a pen, it broke into the homesickness of the traveler, rendering the sadness of separation and rendering it into a strong blasting sound.
In the next film, the traveler felt endless sadness, so he thought of the missing woman upstairs. She must feel the same way. She is bound to cry. When she is sad, she can only climb the small building and look into the distance. However, all she can see is the endless grassland. There is a spring mountain at the other end that blocks the view, and the person she cares about is just outside it. How can she see it? The poet thinks of her sadness of "inch by inch" and "Ying Ying's pink tears" at home from her sadness, of her sadness of leaning on the railing and overlooking, of her sadness of climbing the mountain but not seeing it, and her words are as deep as peeling bananas.
The last two sentences repeat "Spring Mountain", which has profound implications. This spring mountain is the place that the boudoir overlooking the building can reach with all eyes, and it is also the limit that her imagination can reach. She doesn't know what the distance is like. However, after crossing the spring mountain, that is, beyond her vision and imagination, she still has to lean against the dangerous fence. Travellers who travel far away are so missed by boudoir, it seems that their feelings are getting deeper and deeper, and their parting is getting more and more painful. This is the reason why the phrase "there are many laymen in Chunshan" has touched many people for hundreds of years.