There are three kinds of editors in The Book of Songs: style, elegance and ode. Wind is the most valuable ballad in the Zhou Dynasty.
In the Book of Songs, "national style" is the essence in terms of its literary value and things other than literature. The works in "National Wind" are all lyric poems, mostly folk songs and aristocratic poems. Folk songs and aristocratic poems represent the lower and upper classes respectively, so there will be many excellent satirical poems.
With its diverse themes, Guofeng comprehensively reflects the historical reality and expresses people's feelings of joy, sadness, pain and anger. Among them, satirical poems contain the most abundant emotions, the language is more vivid and revealing, and the emotions are also different in class, because there are civilians and nobles.
National wind:
Ethnic customs include Li Feng, Li Feng, Zheng Feng, tang style, Qin Feng, Martin and Guangxi.
Most of the works reflect the thoughts and feelings of the ancient working people, expose the evils of the ruling class and widely reflect the social life at that time. But not all of them are folk works.
Book of Songs:
The Book of Songs is the source of China literature, so its literary value is extremely high, its language is beautiful, concise and profound, and its influence is far-reaching. Moreover, The Book of Songs contains a lot of historical facts, social features, living customs, emotional world, values and other rich contents.