Uh-huh, for reference.
Answer 1,
Most of his poems are farewell, reply, sentimental, and sincere and touching. Pastoral landscape works have concise language, elegant style and distinct charm.
Answer two,
The words are simple, and there are absolutely no thought-provoking words. The thought process is clear and natural. In short, it is a straightforward and simple expression of the content of words and ideas. Words are not carved and thoughts are not obscure.
The founder of this poetic style is Tao Yuanming, and Zhong Rong of the Liang Dynasty wrote poems and commented on the works of many poets below the Han and Wei Dynasties. He commented on Tao Yuanming's poems. "Quiet style, almost no long, freehand brushwork is really ancient, and the words must be graceful and restrained. Every time I read its text and think about its human virtue, the world sighs. " The general idea is that Tao Yuanming's style is simple and clean, and there is nothing to say. Seeking truth and seeking the past, his words and interests are harmonious. Every time I read his poems, I always think of his personality. Most people admire his simplicity.
Far from being inherited by Tao Yuanming, extremely rich and vulgar palace poems prevailed. It was not until Chen Ziang, Zhang Jiuling and others in the early Tang Dynasty that they deliberately used Tao Yuanming's style to eliminate the pernicious influence of palace poems. Later, Wang Wei, Meng Haoran and Chu Guangxi appeared, which made the five-character poems at that time tend to be light and became a major feature of the poems in the prosperous Tang Dynasty.
Wei was deeply influenced by Wang and Meng. He took this creative road, but he came from behind. He inherited Tao Yuanming directly from Wang and Meng. We should pay attention to why Zhong Rong said that every time he read Tao Yuanming's poems, he always thought of his personality. It can be seen that the style of poetry is not only the result of artistic expression, but also the author's personality. Wang, Meng and others just learned Tao Yuanming's artistic expression, but their personalities are far less impetuous and broad-minded than Tao Yuanming's. Most of their five-character poems have the gesture of Tao poetry, but they lack the spirit of Tao poetry. Wei's poems embody an extremely noble personality. He is indifferent to fame and fortune, has a thorough world outlook, is not positive, but is not negative. His attitude towards life is to let nature take its course. He treats people peacefully and sincerely. These characters can be felt in his poems. His literary style is mainly due to the expression of personality, followed by the subtlety of artistic techniques. Wei's ideological course is very prominent in his life. He was a rogue when he was a teenager. After middle age, he became an indifferent and noble poet.
Like Tao Yuanming and Du Fu, Wei's poems were not taken seriously at that time. We say that Wei's poems are higher than Wang and Meng's, but at that time, Wang and Meng were still more famous than Wei. Bai Juyi mentioned Wei Wuying in Jiu Shu Tong Yuan. He said: "Wei Suzhou's songs in recent years are not only good to listen to, but also quite ironic. His five-character poems are elegant, leisurely and unique. Who can grasp the author today? However, Suzhou is here, and people don't love it much. They have to stay, and then people are expensive. " It can be seen that the evaluation of Wei's poems gradually rose after his death.
Answer three,
In the history of China literature development, Wei is recognized as an elegant, leisurely and ethereal person ... First of all, he grasped Wei's poetic style as a whole and summarized his poetic style as diluted and peaceful. ...