After the lotus blooms, the West Lake is good, and when the wine comes. There is no need for a standard, and the green cover of the red building will follow. -Ouyang Xiu's "Picking Mulberry Seeds"
The girl who picked the lotus put the girl who picked the lotus into the lotus leaf, as if the color was the same, and the girl's face was hidden in the blooming lotus, which reflected each other. -Wang Changling's "Lotus Picking Song"
The delicate lotus flower bud shows a sharp corner from the water, and a naughty little dragonfly stands on its head. -Yang Wanli's Little Pool
The lotus leaf is five inches long and delicate, so sticking to the waves does not hinder the painting boat from rocking. -Shi Tao's Lotus
The rhombic leaves are full of light and wind, and the boat is deep in lotus. -Bai Juyi's "Lotus Picking Song"
Knowledge expansion:
Quchi River
Lu
The faint fragrance is long around the curved pool, and the real mosaic covers the beautiful pool.
I often worry that the bleak autumn wind comes too early, leaving you no time to make up the lotus.
Translation:
A faint fragrance lingers around the curved pool, and round flowers and leaves cover the beautiful pond.
I often worry that the bleak autumn wind comes too early for you to enjoy the lotus flowers enough.
It goes without saying that this poem is the authentic technique of China's poems about objects. There are two points that can be slightly praised: First, poems about flowers are most likely to fall into the elaborate description routine of pseudo color. Although this poem is written about Qu Chi Lian, although it has a slight aftertaste of the Six Dynasties, it can be forgotten in a big way, and the weather is relatively broad. The second is lyrical, more real and natural, written tactfully, unpretentious, and full of meaning without digression.