There are nine poems in Langtaosha, which is the first poem. This was written by Liu Yuxi when he was the secretariat of Kuizhou during the reign of Changqing in Mu Zong (82 1-824). At the end of the ninth song, Li Anyun said, "It suddenly reminds people of George W. xiang zhu and sings three or two times to meet God." The author may have felt that Qu Yuan exiled Yuan Xiang and wrote the divine comedy "Nine Songs" for the people.
This is a famous poem describing the majestic momentum of the Yellow River. As the cradle of the Chinese nation and the birthplace of splendid culture, the Yellow River has been sung by countless poets throughout the ages. Li Bai's "How the Water of the Yellow River Moves Heaven and Flows to the End" and Wang Zhihuan's "The Yellow River is Far Above the White Clouds", these poems describe the long history and fierce momentum of the Yellow River and have been widely read up to now. "How the Yellow River Water Moves Out of the Sky" is intended to render the scenery of the Yellow River flowing thousands of miles and show the dynamic beauty of the flowing. "The Yellow River is far above the white clouds", the perspective is opposite to the flow direction of the river, which is intended to highlight its remoteness and present a static beauty. Like many other Yellow River poems, Liu Yuxi's Yellow River Poetry begins with a description of the nine waves and nine sands of the Yellow River. Then, following the story of the Cowherd and the Weaver Girl in Zhang Qian's "Poor River Source", the "How the Yellow River Water Moves Out of Heaven" is visualized. Outside Wang Zhihuan and Li Taibai, it has opened up a new realm and added a wonderful layer of myth.
According to Zhang Hua's Natural History, Emperor Wu of the Han Dynasty ordered Zhang Qian to pursue Heyuan, and Zhang Qian left by the fork. After a month, he went to a place where he saw a woman weaving in her room and a husband drinking river water with morning glory. After returning to Shu, I realized that I had arrived at the two constellations of Cowherd and Weaver Girl. Here the poet skillfully used the opening and closing relationship of the upper and lower couplet. The first couplet is written from top to bottom, following the trend of the Yellow River; The second couplet takes the opportunity of "going straight up" to pull people's eyes back from the direct vision of "going into the ocean and never coming back", leading them from underground to the sky, from the real world to the mythical world-the Yellow River is connected with the Yinhan, riding the wind and returning to Heyuan. The rhythm of the whole poem is full of Xu and disease, unrestrained, and has the spirit of drifting away.
Since you are from the sky, and now you seem to fly directly to the Milky Way, please take me to the sky, gather in the Milky Way, and go to the home of Cowherd and Weaver Girl together. Use exaggeration.
The function is to express their yearning for a better life in the tone of gold diggers. Living by the river, the Tianhe River where Cowherd and Weaver Girl live is quiet and beautiful, but the gold diggers along the Yellow River are busy all day in the wind, waves and sediment. Go straight to the Milky Way, walk with the Cowherd and the Weaver Girl, and place the yearning for a quiet pastoral life. This romantic ideal, expressed in heroic spoken language, is a simple and straightforward beauty.