The scene written by Bai Juyi's "Guan Mo Mai"

The whole poem is divided into four layers, the first layer is four sentences, explaining time and its environmental atmosphere. "There is less leisure at home in the month, and people are twice as busy in May." The following things will happen in May when people are twice as busy. These two sentences always affect the whole body, revealing the author's sympathy for the working people at the beginning; "At night, the south wind rises and the wheat is covered with yellow." There is a harvest scene, and the big picture is pleasing to the eye, but no one can think of the sadness of farmers under this harvest scene. The second layer of eight sentences, through a specific family to show this "busy" wheat harvest scene. Mother-in-law and daughter-in-law are carrying rice baskets, while little grandson is carrying a kettle. They are going to deliver meals to people who work in the fields. Men go to the fields before dawn; After getting up, women are busy with housework before cooking; The little grandson went to the fields with his grandma and mom when they were delivering food. They will work with the men after supper. The family is very busy in the field. "Summer feet steaming rustic, burning back the skylight. I don't know how hot it is, but the summer is long. " These four sentences describe the wheat harvest positively. Their faces face the earth and their backs face the blue sky. The bottom is steamed like a cage, and the top is roasted like fire. However, they waved their sickles with all their strength and cut them all the way forward. They seem to have completely forgotten the heat, because it is "the tiger's mouth grabs the food" and time must be seized. The weather is so hot and the days are so long, but people work hard and are afraid of wasting a little time, which shows how much people cherish the wheat they are about to get. The word "pity" is well used here, which is a kind of writing that goes against human nature to highlight the emotional strength of people here and now. There is a saying in Bai Juyi's The Charcoal Man, "I am poor in clothes and simple in heart, and I am worried about charcoal. I wish to use the word here as much as I cherish it." In three stories and eight sentences, the camera turns to a poor woman who can't survive because of taxes. Now she can only make a living by harvesting wheat ears, which is one level lower than the whole family's busy harvesting wheat ears. She held a child in her left hand, a broken bamboo basket in her arms, and picked up the fallen ears of wheat in her right hand. It was very tiring, but she gained little. But there was nothing she could do. At that time, it was the time to harvest wheat, and there were still ears of wheat to pick. Otherwise, she will have to beg in the street. Last year and the year before last, her family also had land to grow and money to accept Michael's family. It was only later that the tax was cornered and the real estate and land were changed, which led to this situation today. Readers can imagine that people who are busy harvesting now may, like her, have no land to plant next year and can only make a living by harvesting wheat ears. The fourth floor, six sentences, the poet feels guilty and ashamed of such a tragic scene under the bumper harvest. This passage is the essence of the whole poem and the product of the author's touching feelings, which shows the poet's deep sympathy for the working people. Comment at the end of the poem, which is the same name of many satirical poems by Bai Juyi. The discussion of this poem does not directly point to the root of social diseases, but shows the author's guilt and shame, which is also a vague criticism of the whole bureaucratic aristocratic society. Bai Juyi is just a small county commandant with three hundred stones. Those big bureaucrats and big noble should actually feel guilty. The emperor is in charge of taxes, and the author cannot openly oppose it. He can only use this ending to achieve the purpose of irony. The title of the work is "Watching the Wheat Harvest", but what actually appears on the screen is a wheat harvester next to the wheat harvester, and the author's attention is just more focused on the latter. At present, they are rich and poor in different degrees, but their fate is closely related. Gleaner, who is sad and poor today, was a hard and busy reaper yesterday; Today's hard-working and busy wheat pickers may be reduced to miserable wheat pickers tomorrow. As long as there are heavy taxes, the working people will never escape bankruptcy. Here, the author sharply criticized the tax system that harmed the people at that time and expressed deep sympathy for the suffering of the working people. Moreover, it is not general sympathy, but further putting the poet himself in, feeling that he is too different from the working people and guilty. Bai Juyi's poem truly reflects the thoughts and feelings of the working people and shouts out their voices. The basic feature of the whole poem in writing is to describe the real life scene truthfully without any exaggeration. The author chose two scenes of busy family and bleak gleaning, which made them form a strong contrast. Although the former is tired, there is still hope for the time being. As for the latter, it is completely duckweed, which is in jeopardy.