Xin Lei ①
Creation is silent but affectionate (2),
Every time I feel cold, I feel spring;
Colorful arrangement (3),
Just wait for the first thunder.
To annotate ...
(1) This poem was written in the early spring of the fourth year of Daoguang (1824), describing the joy of spring. The poet compared human beings with nature, and in the expectation of new thunder and the cheers of spring, he revealed the author's desire for new social changes. Poetry is only four sentences, sensible, beautiful, gratifying and intriguing.
② "Creation" sentence: "The Analects of Confucius Yang Huo": "What does the sky say, what happens in the four seasons, and everything is born." This is this poem. Creation refers to heaven.
(3) Writing: the same as "writing" and auxiliary words.
Although the poet praises nature in silence, he is affectionate. Cold fatigue brings spring, and colorful flowers are quietly arranged. In this silence, there is a huge explosive force, just waiting for that thunder. The outbreak of spring thunder will show people a new world of spring flowers in full bloom! Zhang Weiping (1780 ~ 1859), male, is a modern poet. Confucius said that the book was named Nanshan, and because of his love for pine branches, it was also named Songxinzi. In his later years, he worked as an old fisherman and singer in Zhuhai. A native of Panyu, Guangdong. In the ninth year of Jiaqing (1804) and the second year of Daoguang (1822), he was selected as a scholar. Since then, he has served as a local official in Hubei, Jiangxi and other places, and once represented Nankang Prefecture. In the 16th year of Daoguang (1836), he resigned and returned to Li because he was intolerant of official corruption.
Zhang Weiping was famous for his poems during Jiaqing and Daoguang years, and was also called "the Three Sons of East Guangdong" with Huang Peifang and Tan Jingzhao. Before the Opium War, he was appreciated by Weng Fanggang and Zeng Gui, who lived in the poetry world, and sang with members of Xuannan Poetry Society. Most of his poems are landscapes, leisure and giving answers, mixed with some lofty feelings. Only a few chapters reflect reality. For example, "county words" poems close to ballads and proverbs reveal the greedy and vicious faces of small officials; Huangmei Dashuihang and Cui Ke pay attention to people's sufferings. During the Opium War, his poems were the most passionate, and he wrote a series of patriotic poems, such as Military Songs of Three Generals, Rivers and Seas, Book Wrath, Sitting Alone, Haimen and Before Rain. Praise the war of resistance and denounce surrender. In particular, the rare poem "Sanyuanli" in this period sang the people's spontaneous anti-imperialist struggle.
Zhang Weiping believes that "poetry is rooted in temperament" (preface to Chen Qing's Poems of Duangong), and writing poetry should be regarded as the nature of creation. His poems depict true feelings in clear and fluent language, and are sometimes subtle and sometimes concise in brushwork. Therefore, Chang Lin-said that he was "abnormal in police training" (The Poem of Shooting Eagle Tower, Volume XIII). He introduced new things into poetry, such as writing ships and maps of the world, which showed the trend of modern poetry breaking through traditional themes and expanding the realm of poetry. Zhang Weiping's writing has also made some achievements. "Xi Jing" praised it as "a picture of willow in the middle outside the ridge" (the poem "Send Yunzi back to Changzhou" notes). He criticized the two major ills of ancient Chinese prose at that time, namely "Chen Yan" and "faking the ancients", and put forward that "we should not be prejudiced by preconceptions, not be partial to one corner, express our feelings with affection, and reward our feelings with things, such as popular water, such as land and water" (Fu An Xie Ren Shu). His articles are casual, for example, The Preface to Explaining Clouds and Grass in Sichuan Film takes clouds as the theme, and The Collection of Twelve Stone Mountain Zhai takes stones as the theme, all of which show the characteristics of "creating with new ideas" (Xu Ying comments on the language of Qing History).
There is The Complete Works of Zhang Nanshan, which is a collection of works by various poets. Among them, Shi Hua, also known as Shi Lu, has a collection of 10, which consists of 23 poems selected by his family. It is the most widely circulated collection of Zhang's poems. In the last years of Daoguang, there were Song Xinwenchao and Song Xin Pianwenchao with volume 10. There are also works about poems and literary anecdotes, such as listening to truffle poems, talking about art, and a brief survey of Chinese dynasty poets.
Zhang Weiping's A Brief Discussion on Poets of the National Dynasty
On the Poets of China in Past Dynasties is a large-scale collection of poems created by Zhang Weiping during Jiaqing and Daoguang years. This book is divided into two parts: an overview of poets in China (the first part) and poets in China (the second part). The first edition is scheduled for the 24th year of Jiaqing (18 1), with 60 volumes, and has been collected by 929 poets in the Qing Dynasty. The second edition is scheduled to be compiled in the 22nd year of Daoguang (1842), with 64 volumes, including 258 poets in Qing Dynasty, several of whom are reprinted, and about 10 people are added. This book takes poets as entries, and each article generally includes five parts: first, their names, depth, life experiences and works; Second, related anecdotes and poetry comments collected from various collections, poetry talks, poems and speeches; 3. Annotations and excerpts from Wen Chao, Poems on Tingsonglu, Song Xuan Essay and Song Xin Catalogue written by the author; Fourth, the title of his important poems; 5. Excerpts from his poems. There are five parts in this book. The first part is compiled by the poet, and many materials of poets, especially those of Guangdong poets, which are not found in other records, are preserved. They are very detailed and of great documentary value. The second part is a relatively complete compilation of poets' materials, which is rich in materials and has no spread disease. Some of the cited works are now rare or lost, so they are more valuable. The third part is the essence of the book, citing a large number of authors' works, making detailed comments and many detailed theories, but the four works cited, such as Song Xuansui Pen and Song Xin R Lu, have not been written separately, which is due to the spread of this book. The fourth book can be regarded as a collection of poems compiled by the author, which is enough for future generations to choose and record; The poems quoted in the fifth part are quite careful, and every comment is attached to a good sentence for poets to learn from. The style of A Survey of China Poets in Past Dynasties was originally created by Zhang Weiping. BJ said that this book is a collection of "biography", "theory" and "anthology" and cannot be simply classified as "data compilation". Among as many as 500 or 600 kinds of poetic works in the Qing Dynasty, Zheng Lue is undoubtedly the most distinctive, which is voluminous and rich in content, surpassing many poetic works in the same period, and is still a very valuable reference document for studying poets in the Qing Dynasty. Because of its extensive collection and convenient retrieval, it can also be read by literary lamp lovers. Zhang said in the preface that this is enough to "broaden one's knowledge and cultivate one's sentiment", which is not empty talk. After the book was compiled and published, it attracted the attention of scholars at that time. Gong Zizhen read this book in Daoguang for three years (1823) and admired it. As the preface of Zhang Nanshan's Poems, she thinks that this book is a combination of "poetry and history" and regards "selecting poems" as "creating history". "So far away from home, orange is a good genre." In Tang Fu's Diary, Tan Xian said that he wanted to compile a Record of Poetic Talks in the Dynasty, and edited other books such as Poetic Talks in the Dynasty, Elegant Collection of the Dynasty, Biography of Poetic Talks in the Lake and Sea, lamenting that "Zhang Nanshan's Investigation of Poets is not in the basket" and there is no way to retrieve it. Fu Yinsen's "An Shi Hua" is called "Investigation of Poets", which is a book with rich content and detailed textual research. He's Tui An Shi Hua is called "a particularly valuable document"; Qiu Xiwei's "Five Hundred Cave Poems" is called "an investigation", which has been handed down from generation to generation and enjoys a unique reputation. Xu Shichang's Nissin Box Poems. Dictionaries compiled by modern people, such as China Literature Dictionary by Shanghai Dictionary Publishing House and China Modern Literature Dictionary by Huangshan Bookstore, all have articles devoted to this book. Two editions of A Brief Introduction to China Poets in Past Dynasties are also important documents for studying Zhang Weiping's political thought and literary theory. The author said in the preface: "if you cover people's words, you will be wise and foolish, and so on." If you speak in poetry, everyone who writes poetry will be called a poet. "Poetry is important to people, and people don't take poetry lightly." He also said that this book is "intended to know people, not to choose poems", so it is widely accepted by famous ministers, scholars in cloth, monks and women. It's all been introduced. "Because of the topic, or because of things, or because of people's words, each has its own intentions, and it is not specialized in poetry." It can be seen that the author's original intention lies in "people" rather than "poetry". A large number of biographies of famous officials and Confucian scholars contained in Zheng Lue are important tasks for self-cultivation, family harmony and world peace. Military aspects, such as incorporating the northwest, suppressing rebellion, running rural soldiers, making guns and gunpowder, etc. Economic aspects, such as river regulation, mining, disaster relief, money law, etc. ; Education, such as the construction of academies and the study of form and meaning, is a trap. It can reflect the author's ambition to learn from the world. Nevertheless, Zhang Weiping is, after all, an outstanding poet with a keen eye and a special understanding of the appreciation, identification and choice of poetry. The third part of the notes, such as Liang Shaoren's "Two Arguments on Qiuyu Temple", Volume 5 says: "It is important to understand the subtle meaning in the theory." Many of them expressed Zhang's poetic purpose. In the two parts of A Brief, the author repeatedly emphasized that writing poetry should have temperament and true temperament: "People have temperament, so they write poetry." "Poetry has a fixed framework! However, there are real talents and true temperament, and their poems have their own merits. " Select Wang Shizhen, Yuan Mei and other poets with "temperament" to comment. Zheng lue's comments on some important writers are especially insightful. For example, Wang Shizhen said, "Mr Ruan Ting's poems were praised by many people at the same time, and many people were destroyed behind him. There are two endings to push it to destruction: one is a symbol of charm, and the easy flow is air conditioning; One is too elegant, but it is easy to hide essence. However, from the perspective of the complete works, after entering Shu, the poetic bones gradually faded, the poetic realm gradually became familiar, cowardice dyed the daughter, and the elephant crossed the river directly, so it was not alone. Companion and listening really need to be seen separately. " Zhang's admiration for poetry after entering Shu is unique. The Chronicle of Children's Poetry edited by Qian Zhonglian quoted a large number of annotations in Zheng lue by Zhang Weiping, which also shows the important value of this book. The famous sentences used in the two editions of Zheng lue are even more dazzling and beautiful. People who choose poems of the Qing Dynasty can see the influence of Zhang Can, such as Xu Shichang's Poems of the Late Qing Dynasty, Wu Yifeng's Poems of the Qing Dynasty and some modern people's book selections. The couplets selected in Zheng Lue are very accurate and deeply loved by people. Chen Rong, a poet, said that when he was writing a book in Linchi, "Every time he stretched out his paper to find couplets, he had to check the poet's investigation." However, there are still some shortcomings in the two editions of Zhenglue. Due to the huge space and incomplete data collection, the whole book had not been finished at the time of writing, and there were even volumes with no purpose and no content. For example, Shao Yong, Yu Zuoshun, Yu Tingbai, Zhao Jizeng and Chen Hongshou are missing in Volume 56, Lin, Tu Maoning, Chen Chuanjing and Hu are missing in Volume 57, Huang Yuheng is missing in Volume 58, and He Bin, He Yuan, Gu Rixin and Fang are missing in Volume 59. Chen Peizhi and Huang. Part II Volume 12. 14, 16, 22, 24, 28, 30, 3 1, 32, 33, 42 and 60 all have no purpose. The compilation of the book is also very messy and the details are not appropriate. For example, A Gui is not a poet, but the book introduces his life and achievements in thousands of words, which is extremely neither fish nor fowl. In addition, it is difficult to separate every abridgement of the cited book. Despite these shortcomings, it is still free for the whole book. The first 60 volumes of Textual Research on the Poets of China in Past Dynasties were published in the 10th year of Daoguang (Wei 830) with the title of "Flower Zhai in the Eastern Guangdong Provincial Capital", which is one of the complete works of Zhang Nanshan. West Lake Street, the capital of eastern Guangdong Province, also has a "literary brush". The second edition of A Survey of Poets in Past Dynasties in China consists of sixty-four volumes, and there is an IS40 edition of "Flower Zhai in the East of Guangdong Province". Zhang Weiping's On Chen Yongzheng Poets still has some shortcomings. Due to the huge space and incomplete data collection, the book had not been completed at the time of writing, and even there were volumes with no purpose and no content. For example, Shao Yong, Yu Zuoshun, Yu Tingbai, Zhao Jizeng and Chen Hongshou are missing in Volume 56, Qian Lin, Tu Youyou, Chen Chuanjing and Hu are missing in Volume 57, Huang Yuheng and He are missing in Volume 58, and He Bin, He Yuan, Gu Rixin and Fang are missing in Volume 59. Chen Peizhi and Huang. Part II Volume 12. 14, 16, 22, 24, 28, 30, 3 1, 32, 33, 42 and 60 all have volumes, but they have no purpose. The compilation of the book is also very messy and the details are not appropriate. For example, A Gui is not a poet, but the book introduces his life and achievements in thousands of words, which is extremely neither fish nor fowl. In addition, it is difficult to separate every abridgement of the cited book. Despite these shortcomings, it is still free for the whole book. The first 60 volumes of Textual Research on the Poets of China in Past Dynasties were published in the 10th year of Daoguang (Wei 830) with the title of "Flower Zhai in the Eastern Guangdong Provincial Capital", which is one of the complete works of Zhang Nanshan. West Lake Street, the capital of eastern Guangdong Province, also has a "literary brush". The second edition of A Survey of Poets in Past Dynasties in China consists of sixty-four volumes, and there is an IS40 edition of "Flower Zhai in the East of Guangdong Province".
[Edit this paragraph] Zhang Weiping Martyrs
Last name: Zhang Weiping.
Gender: male
Ethnic group: Han nationality
Origin: Shouzhou, Anhui (now Shouxian)
Date of birth: 1885
Date of Sacrifice: 19 1 1 year 65438+February 24th.
In his early years, he left school and went to Anhui to study with his brother Zhang Huitao. 1908 1 1 Xiong launched an uprising in Anqing. Because many party member were implicated, he also hurried back to Shouzhou to help carry out revolutionary activities after returning from Japan and made very good friends. 19110 After the Wuchang Uprising in June, Shouzhou People's Army fought against Ni Sichong, the special envoy of Henan. After staying in Yingzhou (now Puyang) and Zhang Huitao, Ni Sichong sent troops from the east of Luohe, trapped in Taihe, and stationed outside the west gate of Yingzhou. The People's Army stood by for several days, waiting for reinforcements from nearby counties. Unexpectedly, the soldiers at the North Gate surrendered and rebelled. On February 24th, 65438, Yingzhou City was captured. He was trying to defend his duty when he was caught and killed.