What are the similarities between Du Fu's One Night in a Foreign Country and To the Frontier? Which couplet fusion scene is better? Why?

1. One night abroad, the breeze rippled on the grass bank, passed through the night and blew to my still tall mast. The endless plains are dotted with drooping stars. The moon runs with the river. If only my art could bring me fame. The official took sick leave because of his old age. Flying around, flying around, what am I like, just a sandpiper in the vast world! . Background:? This poem was written in the first year of Yong Tai (765). The poet was expelled from Huazhou and left Chengdu for Chongqing. Du Fu left Chengdu Caotang with his family, sailed eastward and drifted in Minjiang River and Yangtze River. This five-character poem was probably written when he was boating in Yuzhou and Zhongzhou. The whole poem reveals the poet's mood of running around. In the first half of the poem, the scene of "walking at night" is written. Express the situation and feelings by writing about the scenery, and embody the feelings in the scenery. In the second half, write "Book Huai". Expressing his original political ambition, I didn't expect to be famous all over the world because of the article, but I was excluded from my official career because of my old illness. It shows the sadness of wandering inside. Every word is tears, lamenting and touching. "The stars are wide open, and the moon is running on the river" is similar to Li Bai's "The mountains are flat and primitive, and the river winds in the wilderness". Appreciation: The first half of the poem describes the scene of "night tour". Close-up: the breeze blows the fine grass on the river bank, and the high-mast boat is moored alone on the moonlit night. At that time, Du Fu was forced to leave Chengdu. In October this year, he resigned as our staff officer, and in April, his good friend Yanwu, who lived in Chengdu, passed away. In this remote place, I decided to leave East Sichuan. Therefore, this is not a vague description of the scenery, but a feeling of the scenery. Through the description of the scenery, his situation and feelings are expressed: as small as grass on the river bank and as lonely as a boat in the river. The third and fourth sentences write a vision: the stars are low and Ye Ping is vast; The moon surges with the waves, and the river flows eastward. These two sentences are magnificent, profound and have always been praised. What does the poet feel in these two sentences? Some people think it is "open-minded" (Pu Qilong's Reading Du Xin Jie), while others think it is a feeling of "happiness" (see Tang Poems, Du Fu's Five Laws). Obviously, this poem is about the poet's tragic wandering situation in his later years, and the above two explanations only emphasize the literal meaning of the poem, which is unconvincing. In fact, the poet wrote about the vast Ye Ping, the mighty rivers and the splendid stars and moons just to reflect his lonely image and sad mood. This technique of writing sadness with joy is often used in classical works. For example, "The Book of Songs Xiaoya Cai Wei" and "I have gone far away, and there is another village", how touching it is to set off the sadness of the soldiers who went to war with the beautiful scenery of spring! The second half of the poem is "Shu Huai". The fifth and sixth sentences say that I am a little famous. Where is it because my article is good? An official should retire because he is old and ill. This is irony, and this idea is implicit. The poet is famous for his great political ambition, but he has been suppressed for a long time and cannot display it, so his fame is actually due to his articles, which is really not what he wants. Du Fu was really old and sick at this time, but his retirement was mainly due to being excluded, not being old and sick. This shows the injustice in the poet's mind and reveals that political frustration is the fundamental reason for his wandering loneliness. Regarding the meaning of this couplet, it is probably inappropriate to say that it is "the language of self-blame without blame" ("Du Shi Shuo"), and Qiu said that it is "the five belong to self-modesty, and the six belong to self-interpretation" ("Detailed Notes on Du Shaoling Collection"). Comments: Du Fu's poem "One Night in a Foreign Country" is an example of classical poetry, with scenes coexisting and houses hidden from each other. This poem not only describes the local conditions and customs of the journey, but also makes it a little more sentimental about the old, the weak and the sick, but still can only wander between heaven and earth like Sha Ou. "If only my art could make me famous" is an irony. Perhaps in the poet's mind, he thinks that there are still great political ambitions that have not been shown. Wang Fuzhi's "Jiang Zhai Shi Hua" said: "Although there are differences between the heart and the object, the scenery gives birth to feelings, and the feelings give birth to the scenery, ... hiding each other's homes." Scenery, Tibet and mutual residence, that is, feelings in the scene, feelings in the scene. The former writes scenes suitable for expressing the poet's feelings, so that the feelings are hidden in the scenery; The latter does not write in abstraction, but hides the scenery in writing. 2. stick to it? 6? 1 Wang Wei's bike wants to ask about the border, which belongs to the country. Pengpeng also floated out of Korea, and the geese heading north also flew into the sky. The vast desert is lonely, and the Yellow River sets the yen. When I arrived at the small pass, I met a spy waiting for the knight and told me that Dou Hu was in Yan. In the 25th year of Kaiyuan (737), Wang Wei was ordered to visit the Xihe Provincial Government to express his condolences to the soldiers. This poem was written by the poet on his way to Xihe. This is a travel poem. The poet went to the frontier fortress on the orders of the imperial court. This poem describes what he saw and felt on this trip. The first two sentences explain why and where this poem was written. "I want to ask over there" is the purpose of the task. "Bicycle" means that there are few followers and the festival specifications are not high. Poetry reveals frustration in the chronicle, which is triggered by the word "bicycle". The last sentence said that I had been to this special area of Juyan, which became the basis of the scenery described in the poem. Three or four sentences contain multiple meanings. From the sentence of "returning to the wild goose", we can see that the time to go to the frontier fortress this time is spring. When the grass is ripe, the branches and leaves are dry, and the roots leave the earth and float with the wind, so it is called "signing the crown". This sentence is the poet's feeling of falling from the grass. When Cao Peng is mentioned in ancient poems, he mostly laments his own life experience. For example, Cao Zhi's miscellaneous poem (the second part) is called "Turning from the Root, Gone with the Wind", which is a famous example. "Going out to the Han Dynasty" in this poem just reflects the poet's itinerary. Moreover, these three words are very affectionate abroad, which deepens the feeling of occupation. When you leave your hometown, your feelings are always complicated, whether it is because of a difficult home, a difficult country to vote for, or a mission, as written in this poem. Regarding the poet's mission this time, he has been in a bad mood, which is different from Sima Xiangru's prestige and demeanor when he was favored by Emperor Wu of the Han Dynasty in the early Han Dynasty and sent to the Southwest. The poet's frustration was related to the political struggle in the imperial court. Zhang Jiuling, the prime minister who has always attached importance to poets, was demoted to Jingzhou secretariat in April this year. Poetry is written in contrasting expressions. "Zheng Peng" is in direct proportion to the poet, and "Returning to the Wild Goose" is in contrast to the poet. In spring, it is a good place for Yanbei to return to its old nest to raise chicks. Facing the desert sandstorm, the poet drifted to the Great Wall like a loose grass, and the situation was very different. Five or six sentences describe the scenery, with broad boundaries and vigorous weather. This couplet consists of two paintings. The first picture is a lonely smoke in the desert. Being in the desert, the poet is presented with such a scene: the yellow sand is boundless and endless. Look up at the sky, there is not a cloud in the sky. Without vegetation, there is no travel. Looking from a distance, I saw a wisp of solitary smoke rising at the end of the sky, and the poet's spirit did it one brace up, as if this desert had a little vitality. It is a lighthouse, which tells the poet that this trip is about to reach its destination. The beacon smoke is a typical frontier fortress scene, and "solitude and straightness" highlights the atmosphere of frontier fortress. Judging from the composition of the picture. Adding a column of white smoke between the blue sky and the yellow sand becomes the center of the whole picture, which is the finishing touch. Kunya: "ancient fireworks, with wolf smoke, gather straight, although the wind is not oblique." Zhao Diancheng, a Qing Dynasty man, said: "Only when you see the scenery with your own eyes can you know the beauty of the word' straight'." This is from words. The other is a sunset over a long river. This is a close-up shot. The poet stood on the hill overlooking the winding river. In the evening, the sunset lowered the river, and the river was sparkling. What a wonderful moment it is! The poet only quoted a word "circle", which accurately described the scenery characteristics of the sunset on the river. As a result of choosing such a perspective, the red sun suddenly enters and exits in the long river, adding to the magnificence of the river swallowing the sun and the moon, thus making the whole picture more magnificent. The poet focused his pen and ink on what he was best at winning-writing landscapes. The author's mission takes place in spring. On the way, I saw a few lines of returning geese to the north. The poet made a metaphor on the spot, and compared himself with returning geese, which was both narrative and scenery-writing, which was natural and appropriate. In particular, the link of "lonely smoke in the desert, long river setting the yen" describes the strange and magnificent scenery outside the Great Wall after entering the frontier fortress. The picture is open and the artistic conception is magnificent, which is called "the wonders of the ages" by Wang Guowei. The frontier desert is boundless, so the word "big" of "desert" is used. The frontier fortress is desolate and wonders. The smoke lit by the beacon tower is particularly eye-catching, so it is called "solitary smoke". A word "solitary" describes the monotony of the landscape, and a word "straight" behind it also shows its strength and perseverance. There are no mountains and trees in the desert, and the Yellow River flowing through it cannot express the poet's feelings unless a word "long" is used. Sunset, originally easy to give people a sentimental impression, uses the word "round" here, but it gives people a feeling of warmth and boundless. The word "circle" and "straight" not only accurately describes the desert scene, but also shows the author's deep affection. The poet skillfully blends his loneliness into the description of the vast natural scenery. The forty-eighth chapter of A Dream of Red Mansions said: "The desert is lonely and straight, and the long river sets the yen." . How straight do you want to smoke? The sun is naturally round. The word' straight' seems unreasonable, and the word' round' seems too vulgar. When I closed the book and remembered, I seemed to have seen this scene. You have to look for two more words of these two, but you can't find two words. The advantage of "this is" poetry is indescribable, but it is vivid when you want to leave; "It seems unreasonable, and it is reasonable to want to go." This passage also reveals the superb artistic realm of these two poems.