The leek stove is wrapped in fat cubes.
White flour pancakes with scallions.
Add another dish of bean paste,
If you think fast, you won't be happy.
Drop out of school to herd cattle and sheep,
My hometown is Dalan peace village.
Weeds are even abandoned,
Rabbits are flying and birds are busy.
Another song wrote:
29 provinces think I'm crazy,
Grow radish and sorghum.
Write a thousand words, wait to get on the horse,
Off topic. What happened to Wan Li?
In the Spring Festival of 2007, Mo Yan learned that the Mo Yan Research Association was established and immediately recorded the old poems:
Thirty years after the siege was conceived,
In my dream, the artillery fire lasted for nine days.
Defenders are brave and resourceful,
Bravely attack the strong army and strive for the first place.
Everyone is already a soldier.
Who says people are spies?
Airships are flying around in the air,
Spider web company under the tunnel city.
Once this book is written,
Hunting for the flag of vertical literary world.
Mo Yan, a contemporary writer in China, rose in the mid-1980s with local works, full of complex feelings of homesickness and resentment, and was classified as a "root-seeking literature" writer. Representative works include Red Sorghum, Fatigue of Life and Death, Sandalwood Punishment, Chest and Hip, Frog and so on.
In March 2000, Mo Yan gave a speech at the University of California, Berkeley, "Uncle Faulkner, how are you? He said: "His Yoknapatafa County especially made me understand that a writer can not only make up characters and stories, but also make up geography. "Mo Yan wrote" Gaomi Northeast Township "on the manuscript paper and was inspired by Faulkner. Mo Yan said: "I am also determined to write my hometown as big as a stamp." So from 1985 "White Dogs Swing Up", Mo Yan held high the banner of "Gaomi Northeast Township" and created his own literary kingdom like a rebellious hero.
Like Thomas Hardy's "Wessex" in southern England, or Garcia Marquez's South American town Macondo. Through the description of the lifestyle and general living conditions of his hometown, it conveys some universal human nature contents and human living conditions, and transforms the general description of homesickness into the understanding and discovery of human "survival". In this way, Mo Yan's works transcend the narrowness and limitations of the general "local literature" and reach the height of universal existence of mankind.