1, the rhyme of the poem:
Deliberately keep the subject matter and theme of expression at a considerable distance, and set up obvious or hidden associations between different speech links before and after, such as rereading the beat, rhyming, repetition, the signifier of adultery, etc. , forming a strong sense of phonology and forming reading associations.
2. The rhythm of poetry:
Repeat regularly to form a rhythm. The rhythm of poetry is processed on the basis of natural rhythm of language. It emphasizes some factors of natural rhythm, and makes it stereotyped and has a more distinct sense of rhythm. The rhythm of poetry must conform to the national characteristics of language. The rhythm of China's grand ceremony poems is based on the characteristics of bilingualism, which is determined by the following two factors.
The first is syllable and syllable combination. In Chinese, a word is one syllable, a four-character poem is four syllables, a five-character poem is five syllables and a seven-character poem is seven syllables. The syllables of each sentence are fixed. Several syllables in a poem are not isolated. Generally, the two together are one meal. Pause, some people call it a sound group or step. Four words and two meals, each with two syllables; Three meals with five characters, each syllable is 22 1 or 2212; Seven words and four meals, each syllable is 222 1 or 22 12. It must be pointed out that the pause is not necessarily the place where the sound stops, on the contrary, it usually takes a long time to recite. The division of intonation should not only consider the order of syllables. And the integrity of meaning.
The combination of syllables not only forms a meal, but also forms a kind of luck. Funny is the most meaningful meal in one sentence. The basic rule of China's ancient and modern poems is that there must be a Liao in a poem. The poem is divided into two halves, and the syllable distribution is: four words 22, five words 23 and seven words 43. Mr Lin Geng pointed out that this is the formal rule of China's poetry. And call it "semi-teasing method". He said: "Half-teasing method is the basic law that China's poems follow based on his own language characteristics, which is also the universal feature of China's poems in national form."
Secondly, it is also an element that constitutes the rhythm of China's poetry.
Rhyme is the repetition of even vowels in word pronunciation. The repetition of the same vowel in a certain position according to the law will form a rhyme foot and produce rhythm. This kind of festival can combine scattered sounds into a whole, making people look forward to the latter sentence when reading the previous sentence and recall the previous sentence when reading the latter sentence. China's classical poems must rhyme, because there is no obvious difference between the length and severity of Chinese pronunciation, and the rhythm cannot be formed by them, so rhyme becomes the element of rhythm formation.
In short; Rhyme is the regular repetition of the same vowel, just like the repeated tonic in music, and the whole music can run through it. The rhyme of China's poems is at the end of the sentence, which is always a pause in meaning and then a rhyme, so the sense of rhythm is stronger.