Who said we had no clothes to wear? Take that pair of underwear. Your majesty sent his troops to battle, trimmed my spear and halberd, and set out to be with you.
Who said we had no clothes to wear? Take that dress. When fighting in Wang Fabing, armor and swordsmen will March with you to kill the enemy. [2]
works appreciation
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Literary appreciation
Among a large number of war-themed works in The Book of Songs, the poem No Clothes has attracted people's attention for its lofty spiritual realm and unique expression. "No Clothes" was written by Qin Aigong at the request of Shen, the minister of Chu State. At that time, Chu was preparing to send troops to save Chu. It is a sad song to enlist Qin people to join the army and meet them.
Because this poem aims at praising, that is, focusing on "beauty", it is very enlightening to Qin Jun. According to Zuo Zhuan, in the fourth year of Lu (506 BC), the army of Wu captured the capital of Chu, and the minister of Chu went to Qin for help. "Standing on the court wall, I cry day and night, and the spoon can't be drunk. On the seventh day, Qin Aigong gave him "no clothes" and sat until nine o'clock, and Qin went out. " So he repelled Wu Bing at once. As you can imagine, this poem is like the oath of the king of Qin; For soldiers, this is like a mobilization order.
As I said before, Qin people are brave and good at fighting, and this poem embodies this. Reading this poem, I can't help but be infected by the burning passion in it. The impassioned heroism is fascinating. The first reason for this artistic effect is that the question-and-answer syntax is adopted at the beginning of each chapter. The sentence "I have no clothes" seems to blame myself, like a rhetorical question, full of uncontrollable anger and indignation. It seems to light a fire in people's revenge hearts, so countless soldiers responded in unison: "I am in the same robe as my son!" " "Take your son!" "Take your son!" The second is that language is full of strong actions: "Fix my spear!" "Fix my spear halberd!" "Fix my armor!" Let people imagine the warm scene of soldiers sharpening their knives, dancing and waving halberds. This kind of poem can sing and dance, and it is an exciting live drama.
The three chapters of the poem adopt overlapping and overlapping forms. The number of sentences and words in each chapter is equal, but the same structure does not mean simple mechanical repetition, but progress and development. For example, in the first chapter, the sentence "I have a son's revenge" is emotional and says that I have enemies with my peers. The second chapter ends with the sentence "Work with your son", which means that work is the beginning of action. The third chapter ends with the sentence "walk with your son" and continues to train, which indicates that the soldiers in the poem will go to the front to kill the enemy together. Although this overlapping and overlapping form is limited by music, it is also closely combined with the rhythm of dance, and the theme of the poem is a passion for fighting. The ups and downs of passion naturally form the rhythm and dance movements of the music, which is called "lamenting because of the lack of long words." I don't know how to dance with my hands "("Book of Rites and Music ")