Specifically, "the beauty of music" emphasizes "there are scales, levels and rhymes"; "Beauty of painting" emphasizes that the choice of words should be beautiful, vivid and colorful; Every poem can form an independent picture. "Architectural beauty" emphasizes "symmetry of nodes and unity of sentences". Its main purpose is to have beauty in the content and form of poetry.
Extended data:
Wen Yiduo not only has a well-known concern for current affairs and a sense of justice, but also has an unfailing childlike innocence. In artistic creation, he often looks at things in life with childlike curiosity and unique eyes. So many of his poems are full of youthful childlike interest. Through these childlike images, people can feel the poet's childlike and romantic imagination.
For example, "the sun" is a common image in Wen Yiduo's poems. In China's classical poetics, "the sun" is generally a symbol of warmth, hope, brightness or noble personality. However, in his poems, "the sun" has different meanings. For example, the "Sun" in the three poems Asahi, Sun Yin and Kan is very creative. It is imagined as "Master", "Swallow" and "Sleeping Silkworm" respectively, which is full of infinite childlike interest.
It is difficult for readers to find an appropriate and appropriate connection point between ontology and vehicle. This metaphor, which is similar in shape and similar in spirit, is very harmonious when applied to the whole poetic realm. This is the result of Wen Yiduo getting rid of the rigid thinking habits of adults and boldly creating with childlike naive romantic fantasies.