2) No matter the flat land or the top of the mountain, infinite scenery is occupied.
After a hundred flowers blossom into honey, who will work hard for whom and who will be sweet?
Bees and butterflies have become symbols of charm in the poet's works. However, little bees are different from China after all. It has been working hard to make honey all its life, accumulating a lot, but enjoying very little. Around this point, the poet Luo Yin wrote such an "animal story" with deep feelings. Its meaning alone is refreshing. The artistic expression of this poem is noteworthy in three aspects:
First, to grasp the reason, we must be strong. This poem focuses on the feelings of the last two sentences, giving bees a lifetime of career, with nothing but "hard work". But the first two sentences are almost boastful, saying that whether it is a plain field or a mountain, where flowers bloom, there is a bee's territory. Here, the author uses extreme adverbs and adjectives, such as "no matter", "infinite", "exhausted" and unconditional sentences, saying that bees "occupy all the scenery" seems to contradict the theme. In fact, this is just the opposite statement, trying to grasp the reason and putting on airs for the last two sentences. As the saying goes, if you lift it high, you will fall hard. So the last two sentences are the inversion of the first two sentences, saying that bees pick flowers into honey, and I don't know whose it is. If the word "occupy" is swept away, the expression effect will be stronger. If I had written from the beginning, I wouldn't be so powerful.
Second, the narrative backchat, singing sigh sentient beings. This poem uses narrative and discussion techniques, but the discussion is not explicitly issued, but said in a rhetorical tone. The first two sentences are mainly narrative, while the last two sentences are mainly discussion. The last two sentences, three main narratives and four main discussions. "Picking a hundred flowers" means "hard work" and "becoming honey" means "sweetness". However, due to the difference between the main narrative and the main exposition, the last two sentences have the meaning of repetition and have no sense of repetition. It turns out that the rhetorical question only means: who are you sweet for and who are you willing to work for? But it is divided into two questions: "Who are you working for?" "Sweet for whom"? Also repeated and not repeated. Obviously, hard work belongs to oneself, and sweetness belongs to others. Repeated chanting makes people deeply moved. The poet is full of pity.
Third, it is profound and can be interpreted in two ways. This poem captures the characteristics of bees without affectation, painting or rhetoric. Although plain and thoughtful, it allows readers to learn something from this "animal story" and feel that it contains a feeling of life. Some people say that this poem is really a sigh of the world's efforts to benefit the rich; Some people think that bees are used to praise hard-working workers, while those exploiters who get something for nothing are mercilessly satirized. These two solutions are similar, but both are allowed. Because there are two kinds of "fable" poems: one is that the author makes a metaphor for some kind of preaching, and the meaning is simple and certain; The other is that the author looks at things with strong feelings and makes things look like people, which can also be used for reference, but the "meaning" is not so simple. In such a poem, the author probably saw the shadow of the bitter days at that time from the "story" of bees, but he just wrote down the "story" without direct preaching or specific comparison, and his image was more flexible. In real life, bitter life has different meanings, and there are two main similarities with bees: one is the so-called "bitter to the end, eyes closed for a long time" (A Dream of Red Mansions); One is "hoe the ground?" The invasion of the stars and the head of Xiaomi belong to others. "This makes readers have different understandings in two senses. However, with the progress of the times, labor glory has become a universal concept, and "bee" has become a symbol of virtue. When people read Luo Yin's poems, they naturally prefer the latter. It can be seen that the meaning of "fable" is not static, and the ancient "fable" will change with each passing day.
3) Tang Bohu's poem Painting a Chicken: Inspire the upward spirit.
The red crown on the head doesn't need to be specially cut, and the cock is white and feathered. It didn't dare to cry all its life. When it was called, the door of every family was opened.
Tang Bohu was a poet and painter in the Tang Dynasty. Cock crowing is its natural attribute, and in the eyes of ordinary people, it is nothing special. But in the poem "Draw a Chicken", it becomes the god of light who breaks through the darkness and welcomes the dawn, and the crow becomes an inspiring horn. A poem makes the artistic conception of painting suddenly become lofty and open.
4) Du Mu's ancient poem "Jiangnan Spring"
Dondum
Thousands of warblers sing green and reflect red,
Flag wind of Shuicunshan fruit wine.
480 temples in the Southern Dynasties,
How many towers of smoke and rain
[Notes]
1. Ti Ying: That is the language of Yan.
2. Guo: Outer city. This refers to the town.
3. Wine flag: a small flag hung in front of the door as a hotel symbol.
4. Southern Dynasties: refers to the regimes of Song, Qi, Liang and Chen that successively confronted the Northern Dynasties.
5. Loutai: pavilions and pavilions. This refers to temple architecture.
6. misty rain: drizzle, like smoke and fog.
[translation]
Thousands of miles south of the Yangtze River, green leaves set off red flowers, and spring is everywhere. Flags in front of water towns, mountain cities and hotels are swaying gently with the wind. Ah, the temples built in the Southern Dynasties are now hidden in a misty rain.
This song "Jiangnan Spring" has enjoyed a high reputation for thousands of years. These four poems not only describe the richness of spring scenery in Jiangnan, but also describe its vastness, profundity and confusion.
"Thousands of miles of warblers sing green and reflect red, and the water town is full of wine flags." The beginning of the poem, like a fast-moving focal plane, swept across the southern land: the vast south of the Yangtze River, orioles singing, green trees reflecting clusters of red flowers; You can see the villages by the water, the battlements by the mountain and the wine flags fluttering in the wind. Charming Jiangnan, moved by the poet's brilliant pen, is even more exciting. In addition to the richness of the scenery, I am afraid it is different from some garden attractions, confined to a corner, but because it is spread over a large area of land. Therefore, if there is no word "a thousand miles" at the beginning, these two sentences will be weak. However, Yang Shen in Ming Dynasty said in Poems of Sheng 'an Temple: "Who can listen thousands of miles away? "Thousands of miles of green, who can see? If you travel ten miles, you will see green and red scenery, village Guo, balcony, monk temple and wine flag. " For this kind of opinion, He Huan Wen once refuted it in Textual Research on Poems of Past Dynasties: "Even if you make ten miles, you may not be able to hear it. The title cloud "Spring in the South of the Yangtze River" shows that Wan Li in the south of the Yangtze River is vast, and among the Wan Li, birds are singing and reflecting the green. There are no wine flags everywhere in Shuicun Mountain, and most of the towers of the 480 Hall are in the misty rain. This poem is wide, so it is not allowed to refer to one place, so it is called "Spring in the South of the Yangtze River" ... "He's statement is right, which is for the needs of typical generalization of literature and art, and the last two sentences are the same. "Four hundred and eighty halls in the southern dynasties, how many towers are misty and rainy." From the first two sentences, it should be a sunny scene with singing and dancing, red and green setting each other off and wine flags fluttering, but these two sentences are clearly written in the misty rain. What's going on here? This is because within a thousand miles, rain or shine is uncertain everywhere, which is completely understandable. But what needs to be seen is that the poet grasped the characteristics of Jiangnan scenery with typical techniques. Jiangnan is characterized by beautiful mountains and rivers, bright flowers, intricate colors, rich levels and strong three-dimensional sense. While reducing thousands of miles to a scale, the poet focused on the colorful scenery in the south of the Yangtze River in spring. The first two sentences of the poem are red and green, mountains and rivers, villages and battlements, movements and sounds. But these are not rich enough, and they only depict the bright side of Jiangnan in spring. So the poet added a wonderful stroke: "Four hundred and eighty halls in the southern dynasties, how many towers are misty and rainy." The resplendent and heavily built Buddhist temple has always given people a deep feeling, but now the poet deliberately lets it linger in the misty rain, adding a hazy and blurred color. This kind of picture and color are in harmony with the beautiful scenery of "thousands of miles of warblers singing green and reflecting red, and the wind of national wine flags in water towns and mountains", which makes this picture of Jiangnan Spring more colorful. The word "Southern Dynasties" adds a distant historical color to this picture. "480" is a saying that the Tang people emphasize quantity. The poet first emphasized that there was more than one magnificent Buddhist temple, and then sang with the sigh that "misty rain is coming", which is particularly reverie.
This poem shows the poet's praise and yearning for the scenery in the south of the Yangtze River. However, some researchers put forward the "satire theory", arguing that the emperors of the Southern Dynasties were famous for Buddhism in the history of China, and that the Buddhism in Du Mu's era was also a vicious development, while Du Mu had anti-Buddhism thoughts, so the last two sentences were ironic. In fact, the interpretation of poetry should first start from the artistic image, and should not make abstract inferences. Du Mu's opposition to Buddhism does not mean that he must hate the Buddhist temple architecture left over from history. In Xuanzhou, he often goes to Kaiyuan Temple and other places to play. I have also been to some temples in Chizhou and made friends with monks. Famous phrases such as "Clouds on Jiuhuashan Road, Liu Fuqiao on Qingyi River" and "Autumn Mountain and Spring Rain Wandering All over Jiangnan Temple Building" all show that he still appreciates the balcony of the Buddhist temple. Of course, while enjoying it, it is also possible to drift a little historical emotion occasionally.
5) Xu Fu: Youchun Lake.
A pair of swallows, when did you fly back? Peach branches on both sides of the river are soaked in water, and red peach blossoms are in bloom.
When the spring rain breaks, people can't cross the bridge, but the boat supports Liu Yin.
The author introduces Xu Fu (1075-1141), a native of Fenning, Hongzhou (now Xiushui, Jiangxi). Huang Tingjian's nephew. Because his father died in a state, he was granted the right to talk to the doctor. Shaoxing was born a scholar in the second year (1 132). In three years, he moved to Hanlin Bachelor, moved to Ming Dian Bachelor, signed the Privy Council, and became an official in politics. Later, I raised the cave palace with things. Palace poems have beautiful language and broad artistic conception. Representative works include Nian Nujiao, Bu Operator ([2] and [3]), Stepping on Shakespeare ([1] and [3]) and Partridge Sky (1), among which Nian Nujiao is the most famous. The word is rich in association, colorful in images and full of heroism, which is quite bohemian and heroic in Li Bai's Solitary Moon and Su Shi's Mid-Autumn Festival. There is also "East Lake Collection", which will not be passed on.
It shows that this poem makes the lakes and mountains beautiful in spring. The third and fourth sentences describe the high water potential after the rain on the Chunjiang River, which flooded the stone bridge, so pedestrians had to ferry by boat. Although the scenery is small, it is quite interesting. This poem is very popular, and even the name of Xu Shichuan comes to mind when I think of "Broken Bridge in Spring Rain".
In a blink of an eye, spring is already very strong. (2) between banks-both parties. Immerse in the water-hit the lake. This sentence describes that the lake is so high that the peach blossoms drooping on the shore gently open against the water. (3) Broken bridge-submerged bridge deck. Degree-Same as the "cross" character.
6) quatrains
Du Fu
Birds on the river wall are too white,
These mountains are blue and white.
I watched it again this spring,
When is the year of reunification?
[translation]
The white spirit with clear water and waterfowl is whiter.
The green peaks set off the flowers as red as a burning fire.
Spring has passed again this year.
I don't know when the day of going home is.
[opinion]
This poem, with its bright colors and fresh and pleasant scenery, contrasts the poet's strong desire to go home and expresses.
I feel that the author has lived in a foreign country for a long time.
Appreciation of Chinese painting
This picture vividly depicts the feelings of egrets living by the river with concise brushstrokes and ingenious ideas.
The scenery has a strong artistic appeal.
7) country night
[Song] Lei Zhen
The pond is full of grass and water.
The mountain topic is cold in the sunset.
The shepherd boy went back and stepped over the cow's back.
Piccolo has no cavity.
This is a poem describing the night scene of the countryside. The pond surrounded by grass is full of water, and the sun is about to set. The red fireball seems to have been bitten by a mountain pass and reflected in the cold ripples of the pool water. The boy who drove the cow home sat on the cow's back and played a tune carelessly with piccolo. The poet used local materials to form a rural night scene with great interest in life.
Vicious: refers to the pond.
Title: In the mouth.
Yi: Water ripple.
Teacher: This poem was written by Lei Zhen, a famous poet in the Song Dynasty. Judging from the title, when and where was this poem written?
Health: This poem is about the scenery in the countryside at night.
Health; This poem is about the countryside in the evening.
Teacher: Your understanding is reasonable. How to understand it is more appropriate? Please read this poem. There are three new words in this poem. Let's read Pinyin and remember it.
(Free reading of new words, nominated reading)
Teacher: All the new words and sounds are read correctly. Please read this poem by yourself and see if you can read it correctly.
(free reading, nominated reading)
Teacher: What do you think of "village" and "night" after reading this poem?
Student: "Village Night" refers to the evening in the mountain village.
Teacher: Why do you understand this?
Health: The second sentence in the poem is "The mountain topic is soaking in the cold in the setting sun". From this sentence, we can know that this poem is about the evening scenery of the mountain village.
Teacher: You are good at reading. Just now, this classmate contacted the text to understand the meaning of the topic. This method of understanding is called contextual understanding. (blackboard writing: contact context)
Teacher: Please open your books and read this poem freely. If you don't understand, just put a question mark below.
Health: What do you mean by "vicious"?
Health: What is "Yi"?
Health: What do you mean by "title"?
Health: I don't know what "soaking in the cold" means.
Teacher: One of the questions raised by students just now is called "malice". (Showing courseware) This is "vicious", which refers to the pond. Do you understand?
Health: I see.
Teacher: Where does the grass grow?
Health: Grass grows in the pond.
Teacher: The word "vicious" in "the pond is full of grass and the pond is full of vicious water" refers to the pond. Is it the same as the pond ahead? If not, what does the pond in front mean?
Health: Vicious is different from the previous Pond. From the picture, there is grass growing beside the pond.
Teacher: You can understand by looking at the pictures. What does "pond" mean? (Show courseware: Tang 1, Embankment; 2. swimming pool; 3. take a bath; There are three interpretations of "Tang" in the dictionary. Please read the first sentence and think in context. What kind of interpretation should Tang choose?
Health: "pond" is the bank, and "pond" is the bank of the pond.
Teacher: Who can relate the meaning of this sentence?
Health: Thick grass covers the banks of the pond, and the pond is full of water.
Teacher: Just now, we understood the meaning of "pond" and "malice" by looking it up in the dictionary and combining pictures and texts. (writing on the blackboard: looking up a dictionary, combining pictures and texts) This is an important way to understand ancient poetry. If you don't understand some words in the poem, you can consult reference books, combine pictures and texts, or communicate at the same table. Can't really help you solve the teacher. Read this poem by yourself and use some methods that suit you to see what problems you can solve.
(Students can study freely)
Health: I know the meaning of "title" by looking it up in the dictionary. "Yi" refers to water ripples.
Health; From the courseware, I understand that the "sunset on the mountain" is slowly falling, and it falls between two mountains, as if it were contained by two mountains.
Health: "soaking in the cold" means that the reflection of the sunset in the mountain title is immersed in the cool water ripples.
Teacher: That's a good study.
Health: What do you mean by "nonsense"?
Teacher: "casual" means casual, and "casual blowing" means casual blowing. Is there anything you don't understand?
Health: No more.
Teacher: Now that the "obstacle" has been solved, which student can point to the picture and say the general meaning of this poem?
Health: Dense weeds cover the banks and ponds. The sun sets slowly and falls between two mountains like a mountain. Their reflections are immersed in the cool water ripples. Children returning from grazing, sitting on the back of cattle, playing piccolo in their hands, have no accent at all.
Teacher: The pond full of autumn water, the dense grass on the bank of the pond, the sunset between two mountains, the shepherd boy with piccolo in his hand and riding on the cow's back constitute the picture of the shepherd boy coming home late, with pictures and poems. Are the students beautiful?
Health: (chorus) beauty.
Teacher: Students, express your feelings and experiences through reading.
(free reading, designated reading and synchronous reading)
Teacher: This poem by Lei Zhen is lyrical and flawless, which makes people fondle it. The ancients paid attention to words when writing poems. Please read this poem by yourself. What words do you think are well used and what are their advantages?
Health: the word "title" is used well, and the image of the sunset is written.
Health: "Bite" also describes a dynamic beauty when the sun sets. The two mountains hold the sun like mouths.
Teacher: You have a good experience.
Health: the word "horizontal" is used well. It can be seen from the word "horizontal" that the shepherd boy is very naughty.
Teacher: What word can be changed to "horizontal"?
Health: "Horizontal" can be replaced by "sitting".
Health: "Horizontal" can be replaced by "riding".
Health: "horizontal" can be replaced by "horizontal".
Teacher: Why do you use "horizontal" here?
Health: From the word "horizontal", we can see that the shepherd boy is lively and lovely.
Health: using the word "horizontal" makes people realize the innocence and liveliness of children.
Teacher: What other word is used well?
Health: The word "nonsense" is well used. From this word, I realized the carefree look of the shepherd boy.
Teacher: What else can you learn from this word?
Health: You can also see that the shepherd boy is unruly and very naughty.
Health: the word "full" is well used, which means that there is more grass and more water.
Teacher: Students really understand. The word "full" makes us seem to see the vibrant scene of the grass and the beautiful scenery of the pond full of autumn water. A word "title" shows the image of the sunset moment. The word "horizontal" and "scattered" make the image of an innocent, lively, naughty and lovely child jump from the page. The whole poem is dynamic and vivid. The last two sentences in the poem, "the shepherd boy goes to cross the cow's back, and the piccolo has no cavity to blow", have become famous sentences that have been passed down through the ages.
8) Rural residence (1)
Qinggaoding
Grasshoppers fly in February,
Brush willows on the embankment, get drunk and smoke in the spring.
The children came back early from school,
Use Dongfeng to fly a kite.
To annotate ...
(1) Village residence: Living in the country.
⑵ Brush willow: The branches of willow are very long, hanging down and swinging slightly, as if touching the bank.
(3) Drunk: intoxicated, intoxicated.
(4) expulsion from school: after school.
5. Paper kite: kite: eagle. Kite: A kite.
Notes on the title or background of a book.
The author of Village Residence is Gao Ding, a poet in Qing Dynasty. This poem describes the scene of spring when the poet lived in the country and the scene of children flying kites after school. In early spring and February, the grass grows and the willows brush the embankment, and the children fly kites with great interest. There is a scene where someone has something to do, full of life interest, and draws a lively "happy spring picture". Between the lines of the whole poem, the poet's joy and praise for the coming of spring are revealed.
translate
In February of the lunar calendar, grass gradually germinates and grows around the village, and orioles fly around. Willow covered with long green branches, swaying in the wind, as if gently stroking the bank. Water vapor evaporates between Shui Ze and vegetation and condenses like smoke. Willow seems to be fascinated by this beautiful scenery. After school, the children in the village went home early without hesitation and quickly flew kites in the blue sky on the strong east wind.
Make an appreciative comment
Village House depicts a picture of children flying kites on the grass near the village in spring. This is a picture of rural life with natural scenery and touching people, full of vitality and spring. After reading this poem, we seem to enjoy the beautiful spring scenery in the countryside with the poet and share the joy of children flying kites.
The first sentence is about time and natural scenery. In early spring and February, the grass grows green buds, and orioles fly in the sky and sing happily. The long branches of willows beside the embankment brushed the ground gently, as if drunk and trembling in the spring smoke.
The second sentence is about character activities. The children came back from school early and flew kites in the east wind. The children, east wind, kites, people and things chosen by the poet add some vitality and hope to the beautiful spring scenery.
9) Author: Tang
Original text:
A unkempt little boy learned to bow,
Sit by the raspberry moss.
Passers-by ask and wave,
Frightened fish should not be surprised.
[Brief analysis]
1, youngest child: a young child;
2, hanging down: fishing;
Nylon: silk thread for fishing;
3. Berry: a kind of grass;
4. Bryophytes: bryophytes;
5. Excuse me: ask people;
6, should: ignore;
7. remoteness: remoteness;
Interpretation of poetry
A slovenly child learns to fish like an adult. Sitting sideways on the grass moss, the figure is hidden in the weeds. Hearing passers-by asking for directions, he waved at a distance. Afraid of disturbing the fish, I dare not answer.
[Brief analysis]
This is a poem describing the interest of children's life.
One or two sentences focus on writing form, and three or four sentences focus on vividness. The poet did not whitewash the appearance of the fishing boy, but wrote the true face of Shan Ye's unkempt hair, which made people feel natural, lovely and authentic. "Sitting sideways" means sitting down at will. From this, we can also imagine children focusing on fishing in an informal way. "Grass reflection" is not only a portrait of a child, but also a foreshadowing for the next sentence "passers-by asking questions". Because passers-by questioned him, just because he could be seen. The subject of the last two sentences of "remote waving" is still a child. He used actions instead of answers for fear of scaring the fish away. His action is "waving from a distance", which shows that he is not indifferent to passers-by's questions. As for how he whispers to passers-by after "waving", it is the reader's imagination, and there is no need for the poet to explain. Then, after explaining the reason of "waving from afar", the poem came to an abrupt end. This poem depicts the dynamic and lively expression of children fishing, which is a masterpiece!
Brief introduction of the author
There are very few hermits in Putian, Hu Lingneng and poets in Tang Dynasty. The dreamer cuts open his belly and puts it in the book, so he can recite the scriptures. The far and near number is Hu Pin Hinge. Four poems, all vivid and exquisite, are worthy of donation by immortals. Fishing for Children describes a "bald boy" learning to fish, "sitting next to him is raspberry-like moss". Passers-by waved to him and wanted to know something, but the child was "too scared to surprise the fish" (without saying a word), which was really vivid and lifelike, and his artistic achievement was no less than Du Mu's famous poem Qingming.
10) Jude Wong, Wang Ye
Looking at the dusk in Gaodong, I want to rely on it.
Trees are all autumn colors, and mountains are only sparkling.
The shepherd brought the calf back, hunted horses and brought birds back.
Care for no acquaintances, Long song pregnant with Cai Wei.
Appreciation: In the autumn evening, the poet looked at Shan Ye from a distance, and saw a scene of Shan Ye with a strong autumn flavor. When he saw the herdsmen and hunters returning to their original places, he couldn't help but miss the hermits who ate by picking roses in ancient times. The whole poem reveals loneliness and depression in the bleak and quiet scenery description.
1 1) The name of the poem
Looking for flowers by the river alone
Create an era
the Tang Dynasty
Brief introduction of the author
Du fu (7 12~770) was a poet in the Tang dynasty. Son, Gongxian (now gongyi city, Henan) people. Du lived in the prosperous period of Kaiyuan and the Anshi Rebellion, and his life was bumpy. His poems widely recorded the real life of this period, which is called "the history of poetry". Du Fu was good at all kinds of poetic styles, and his poetic styles were gloomy and frustrated, which had a great influence on later generations.
Original poem
Four yellow maiden flowers thrive on the road covered, and thousands of flowers bow and the branches are low.
The butterflies in the flowers are dancing, and the soft yinger in freedom is just singing happily.
Definition of words
1. Looking for flowers alone: walking alone to enjoy flowers.
2. Path (xρ): Path.
3. Jiao: Cute.
4. Cha-cha: Describe sound harmony.
5. Stay: I am reluctant to leave. This poem is used to describe butterflies flying around among flowers, reluctant to part. "Liulian" is a conjunction. The two words that make up Lian Mian's Ci only record the pronunciation of the word, which has nothing to do with the meaning. Therefore, a Lian Mian Ci may be written in several different ways, such as "lingering" and "lingering", but the meaning of the word is still the same.
6. Riverside: Riverside.
Poetry translation
The path around Huang Si's maiden is full of colorful flowers, and thousands of flowers bend the branches low.
The frolicking butterflies don't want to hover and dance, and the free little orioles sing tactfully.
Poetry appreciation
Du Fu, a poet in the first year of Shangyuan (AD 760) in Tang Suzong, lived in Chengdu, Sichuan, and built a thatched cottage beside Huanhuaxi in the western suburbs. He found a place to live for the time being and felt much more comfortable. In the spring season, he walked alone by the river to enjoy the flowers and wrote a set of seven-line quatrains, the sixth of which.
The first sentence "Huang Siniang's home is full of flowers" points out the place to find flowers. A "path" is a path. "Flowers are all over the path" means that many flowers cover the path and connect it. The second sentence is "a thousand flowers are low." "A hundred flowers blossom" describes a large number. The words "pressure" and "low" in "Pressing branches low" are used very aptly and vividly, vividly depicting the dense, large and numerous flowers in spring, which bend the branches. This sentence is the embodiment of the word "full" in the previous sentence The third sentence, "There is a butterfly dance". "Linglian" describes butterflies flying around and reluctant to leave. Write the bright fragrance of spring flowers from the side. In fact, the poet was also attracted by colorful spring flowers and stayed. The fourth sentence is "Jiao Ying chirps". "Jiao" is a description of Ying Ge's softness and roundness. "Chen Wenjing Ti" means that when the poet came to enjoy the flowers, the oriole was singing. Just because the poet was happy, he took it for granted that oriole sang for himself. This is the same as the previous sentence, saying that butterflies are attached to spring flowers, which is empathy. Because the poet successfully used this technique to integrate things with me and create a scene, this little poem is more intimate and interesting to read.
In the first year of Shangyuan (760), Du Fu lived in Xiguo Caotang, Chengdu. After the troubled times, he began to have a place to live, which made the poet feel gratified. In spring, he walked alone along the river, and his feelings were born with the scenery, which became seven poems. This is the sixth group of poems.
The first sentence points out that the place to look for flowers is on the path of "Huangsiniangjia". This sentence is written in a poem by a famous person, which has a strong interest in life and a folk song flavor. The second sentence "a thousand flowers" is the embodiment of the word "full" in the previous sentence. "The branches are very low", which depicts the flowers bending the branches heavily, and the scenery is lifelike. The words "pressure" and "low" are used accurately and vividly. In the third sentence, colorful butterflies on the flower branches wander around, and they "linger" because they love flowers, suggesting that the flowers are fragrant and fresh. The flowers are lovely, and the dancing of butterflies is also lovely, which inevitably makes people who walk "linger". But he may not stop, but move on, because the scenery is infinite and there are many beautiful scenery. "Always" is not an occasional sight. Using this word, the fun of spring is rendered. Just when it was pleasing to the eye, a string of beautiful songs by oriole happened to wake up the poet who was intoxicated with flowers. This is the artistic conception of the last sentence. The word "jiao" describes Yinger's soft voice. "Freedom" is not only an objective portrayal of Jiao Ying's posture, but also a pleasant and relaxing psychological feeling. The poem ends with Ying Ge's "Chen Wenjing", which is full of charm. Reading this quatrain, I seem to be walking on the road to "Huang Si's maiden" in the suburbs of Chengdu thousands of years ago, enjoying the infinite beauty endowed by spring with the poet.
This poem is about appreciating the scenery, which is common in the quatrains of the prosperous Tang Dynasty. However, it is rare to see such a poem with exquisite description and unusually beautiful colors. For example, "So people are at the peach blossom bank until the stream flows in front of the door" (Chang Jian's "Looking for Li Jiuzhuang in Three Days"), "Last night, the wind opened the peach well, and the moon was high in the front hall of Weiyang" (Wang Changling's "Spring Palace Complaint"), these scenes all appear "beautiful"; After Du Fu's Flowers Blooming, a Thousand Flowers, butterflies and songs were added, and the scenery was beautiful. This kind of writing is unprecedented.
Secondly, people in the prosperous Tang Dynasty paid great attention to the harmony of poetic tone. Their quatrains can often be strung together, so they are very harmonious. Du Fu's quatrains are not written for singing, but purely poetry, so there are often awkward sentences. According to the law, the sentence "flowers are pressing branches" in this poem should be flat. But this "contradiction" is by no means an arbitrary destruction of the melody, and the overlap of "letting a hundred flowers blossom" has a taste of beauty. Although the word "duo" of "Qianhua" and the word "four" in the same position in the previous sentence belong to the same tone, the rising tone and falling tone are different from each other, and the tone still changes. It's not that poets don't pay attention to the musical beauty of poetry. This is manifested in the use of disyllabic words, onomatopoeic words and reduplicated words in three or four sentences. "Liulian" and "Freedom" are disyllabic words, such as the connection between beads and melody. "Chen Wenjing" is an onomatopoeic word, which describes a baby's voice and gives people an immersive auditory image. "Yes" and "Chen Wenjing" are overlapping words. Even if the upper and lower sentences form antithesis, the meaning is stronger and more vivid, which can better express the poet's sudden joy when he is infatuated with Hua Hudie and suddenly awakened by the sound of warblers. Except for the words "dance" and "warbler", these two sentences are all tongue-toothed.
The use of this series of tongue-and-teeth sounds creates a sense of language, which vividly shows the feeling that flower lovers are intoxicated and surprised by the beautiful scenery. The utility of sound is very helpful to the expression of emotions.
Syntactically, most of the poems in the prosperous Tang Dynasty were naturally mixed, but Du Fu was different from them. For example, "antithesis" (later couplets) is the style of quatrains in the early Tang Dynasty, and there are few quatrains in the prosperous Tang Dynasty, because it is difficult to achieve a perfect ending. Du Fu, however, is hard to see, and such a poem couplet is both steady and memorable, which makes people feel that it is used properly: when it is pleasing to the eye, isn't it more fascinating to listen to Ying Ge's "Cha Cha"? Besides, according to customary grammar, these two sentences should be written like this: butterflies dance when they play, and yinger crows freely. Putting "Linglian" and "Freedom" at the beginning of a sentence is not only for the needs of phonology, but also for emphasizing them semantically, making the meaning easier to understand and the syntax more novel and changeable.
Four yellow maiden flowers thrive on the road covered, and thousands of flowers bow and the branches are low. The butterflies in the flowers are dancing, and the soft yinger in freedom is just singing happily.