According to the statistics of Poems of Pre-Qin, Han, Wei, Jin, Southern and Northern Dynasties, General Manager Jiang has 103 poems. Amon
According to the statistics of Poems of Pre-Qin, Han, Wei, Jin, Southern and Northern Dynasties, General Manager Jiang has 103 poems. Among his poems, there are about 30 palace poems. Mr. Shen Yucheng once talked about the contents of palace-style poems in his book "Palace-style Poems and Yutai New Poems", and thought that "Palace-style poems are narrower than those in Yongming period, with more erotic feelings, and others are mostly poems about objects, poems about the wind and the moon, poems about the pond garden, etc." Sui Shu's evaluation of official poems is: "Clear words are skillfully stopped at banquets; Carving vines and algae, thinking about the inside of the boudoir ",objectively treating palace poems. This is the inevitable requirement of the development of the times. There are many different female images in palace poems. President Jiang lived in the age of Liang Chennian, and his poems are bound to be branded with the times. But many poems have a unique side.
First, the description of women in myths and legends
Like the literati in Qi and Liang Dynasties, in Jiang Zong's poems, fairies such as Wushan Goddess, Luopu Fu Fei and Tianhe Zhinv often appear in Jiang Zong's works, giving them different mental outlook. Wushan Goddess is from Song Yu's Gao Tang Fu. Chu Huaiwang wandered in Wushan, dreaming of a beautiful woman while sleeping during the day. The woman said, "My daughter of Wushan is also a guest of Gaotang. I heard that you are traveling in Gaotang and want to recommend a pillow mat. " Wang Yinxing. When I left, I said,' My concubine is under the sun in Wushan, blocked by high hills, facing the clouds, drizzling at dusk and under the balcony at dusk.' "Down Fu Fei refers to the goddess waterinfo. In the Han Dynasty, Zhang Heng's "Four Fu Xuan" has a cloud: "The jade girl who carries Taihua is called Fu Fei of Lop." During the Jian 'an period, Cao Zhi's "Ode to Luo Shen" described a peerless beauty with national color and talent, and became the object of Liang's description. The Weaver Girl in Tianhe has also become a symbol of love, and has become the object of people's singing in 19 fairy tales and ancient poems.
In Jiang Zong's poems, the praise of these three immortal women is not only the praise and praise of their appearance and figure, but also the return to reality, reflecting the psychology and destiny of modern women through their actions.
"Luopu Flowing Feng Shui Room, on the balcony of the first day of the first day of the flower in Qin Lou", "Deciding that the goddess will cross Jiang Lai" and "The bride and groom should book it". When describing the bride and groom entering the palace, President Jiang described it as elegant as a goddess, with a pear flower and rain, and a jade face with shame. The dream on the balcony is too unreal, Ling Bo in Luopu is not new, Miscellaneous Notes-Part II, Not Fairy Period, Fairy on Stage, Miscellaneous Notes-Part II, these two poems are all based on the behaviors of fairies, Fu Fei and Weaver Girl, describing the changes of women's favor, rivalry and fall from favor in the palace. As a woman in the palace, both the balcony dream and Princess Lop are illusory or often mentioned. Their requirements are not high, just hope that "your mind is not cold" and sleep with you. Even the goddess in heaven hopes that "the mercury and arrows don't collide", but the spring night is too short to get rid of this abandoned fate, and "No Fairy Ji" is favored by the emperor. At first, it was "feathers hanging tassels", and now it is "net-weaving spiders", and newcomers become old people. This is the tragedy of ladies-in-waiting.
In his description of these three women, Mr. Jiang did not give too much ink to their looks, but used them with the help of their deeds or contrary intentions, reflecting the abandonment of fate by women in that society. Even if you have goddess-like love, Fu Fei's appearance and a heart of weaving, in such an indulgent society, women seem to be so sad and sad from beginning to end.
Second, the chanting of women in the former dynasty
Among the official poems, there are many poems describing special legendary women in history, who are either strong and unyielding, not afraid of power, or faithful; Or once you turn your back on it, you will suffer for life, and so will General Jiang's poems.
"Green beads dance with tears, invited by Sun Xiuqiang." Luoyang Daoyi describes that Shi Chong's beloved concubine Lvzhu was attracted by Sun Xiu and resisted to death. Green beads can sing and dance well, and the world admires them. Sun Xiu, who echoed Sima Jia at that time, hated Shi Chong because she couldn't get it. Lvzhu was implicated and fell to his death. "Being ashamed to be a wife, choosing the mulberry in the south of the city alone" and "A Plum Blossom Falls" use the allusion of "Qiu Hu plays his wife". According to Liu Xiang's Biography of Han Women, Hu Qiu went to Chen Di to be an official five days after her marriage and returned to her hometown five years later. When you meet a beautiful woman by the roadside, it is unacceptable for a woman to tease her with money. After returning home, the woman found that the man who paid a lot of money turned out to be her husband. She couldn't accept this fact and threw herself into the river. The Green Pearl and Hu Qiu's Wife are the embodiment of loyalty. In Jiang's poems, they expressed their sympathy and lament for their fate. History has become the past, but there are always so many touching stories in the long river of history.
"Beauty on the String", "Looking at Prostitutes Downstairs in Hengyang High-rise Building", "Beauty on the String" and "Ode to Qin" refer to Zhuo Wenjun. These two poems mainly set off the piano skills of geisha. Su Zhi Fu Na Xie Qinxin, Zaqu No.1 and Qin Xin are from Biographies of Historical Records Sima Xiangru: "Sun has a daughter named Wen Jun, who is newly widowed and has a good voice, so she is good with Miao and Ling, and she chooses with Qin Xin". In this poem, the author uses it to express the bitterness of abandoning his wife. I only know how to knit, but I can't appreciate the wonderful intention from the elegant piano sound. However, my husband abandoned me. Is it just because I don't know the sound?
"Fan Basket without Words" and "Poem for the Past II". Han Ban once wrote Song of the Fan, also known as Li Sao: "Bright as frost and snow. Cut into acacia fans, just like the bright moon. In and out of your arms, shaking the breeze. I am often afraid that the autumn festival will come and the cold will seize the heat. Abandoning one's son in the basket, kindness in the Tao is absolutely ",wrote the resentment of an unfortunate woman. Ban Jieyu, with both talent and appearance, won the appreciation of Emperor Cheng. Later, Zhao's sister entered the palace, and Ban Ji fell out of favor and retired to the Queen Mother, leading a miserable life.
Tragedy has eternal vitality, and an imperfect ending can arouse people's * * *. Slightly different from Chen Liang literati, these historical women in Jiang Zong's poems all have a tragic fate, and they all "died for love".
Third, the narrative of secular women's suffering.
Secular women, mostly ordinary nameless women, have flowing emotions, rushing blood and experiences like Wen Jun and Ban Ji. Therefore, in many poems, their footprints in poetry are enough to touch everyone. Although they are one of the sentient beings, they bring us endless imagination and nostalgia.
The Abandoned Wife in Mourning for the Past In Jiang Zong's poems, the word "weaving element" appears frequently. China's ancient poem "Pulling Grass on the Mountain" tells that an abandoned wife meets her ex-husband on the mountain and asks her husband about her new wife. Finally, she came to the conclusion that "it is better to get married than to get married." Since then, "weaving element" has become synonymous with abandoned wife. In these poems, I am deeply saddened by my trip to a sick woman. How can a new trip hurt my feelings? A poem of resentment, a poem of miscellaneous songs, a poem of miscellaneous songs, and the surplus of knitting elements in the machine are always given emptiness in my heart.
Recruiting people means thinking of women. Influenced by the Han Yuefu, many poems were written according to the old themes of Yuefu, many of which reflected people's thoughts on women. There are many such poems in Jiang's poems. The most representative is always in my heart. This is a poem of * * * missing the husband of the Expeditionary Force, which shows a resentment of missing your husband after he left. Shen Deqian once commented in the Qing Dynasty: "It is like the law of the Tang Dynasty." The author doesn't directly say how lonely a person is in the boudoir. Starting from the scenery around him, the brothel was lonely, with snow falling and sleepless lights. Several scenes outlined an empty boudoir. * * * I feel that beauty is easy to get old and can only be disappointed.
That slut's wife Kuaizi is also called "Kuaizi", which is different from today's meaning. During the Wei and Jin Dynasties, it was often referred to wandering abroad, or seeking official positions or money, and being displaced for a long time. In the Yuefu poem "Zi Ma Zi", Mr. Jiang also wrote a new poem about a woman whose husband was not at home, leaving behind makeup and tears. In the Wei and Jin Dynasties at the end of the Eastern Han Dynasty, wars continued, people lived in poverty and had to go out to make a living, which caused this tragedy.
These ordinary women are suffering from separation from their husbands, and they can't say what they are suffering. They put up with their husbands' divorce and remarriage. Their tragic fate just shows that they are still alive and experiencing the joys and sorrows of the world. When President Jiang wrote these poems, most of them may be choruses, but with the elimination of time, these poems can still be preserved in the collection, which also shows the influence of President Jiang's poems.
Of the above three female images, the last one is the most attractive. Different from the previous generation's emphasis on appearance description and communication between men and women, in Jiang's palace poems, most of the women depicted are unfortunate, waiting, abandoned or dead, and there are also unrequited love and spring night moments. However, after a long period of gratitude, newcomers are old and can't escape this fate. Most of them are sad works. In Jiang Zong's palace poems, the descriptions and allusions of immortal women and historical women are all aimed at better setting off the fate of modern women. As Mr. Hu said in the Study of Palace Poetry, "Poets sometimes regard the female images of the previous generation as a literary means, or as an expression of their own realistic feelings, or as a plot element, which makes it inevitable that the female characters of the previous generation appear in their poems." This is also a unique place in general manager Jiang's poems.