1. How to use the virtual writing of real questions and the real writing of virtual questions in writing? Can you explain it in layman terms?
The esthetician Zong Baihua said in "Chinese Art Expression" "The Void and Reality" points out that the expression (space) characteristics of poetry, opera, painting, calligraphy, architecture, seals, music, dance and other arts are the combination of virtuality and reality, and the mutual generation of virtuality and reality.
Just take Wang Zhihuan's poem "Climbing the Stork Tower" as an example. "The sun sets over the mountains and the Yellow River flows into the sea." The words are written as if they are in front of your eyes; "If you want to see a thousand miles away, go up a building", you see the virtual from the real, blending the scenery with your mind, and from the perspective of sight The openness of the poem can be seen as the ambition and magnanimity of the poem. The poems are written based on reality and convey the spirit based on fiction.
We generally understand the terms "virtual" and "real" here as: those that exist are real, those that do not are virtual; those that have evidence are real, and those that are false are virtual; those that are objective are real, and those that are hidden are virtual; Actions are real, words are empty; the present is real, the future is virtual; the known is real, the unknown is virtual. Li He's poem "Jianfa" is used to illustrate: "The east bed is rolled up, and the guard is about to leave.
The autumn white sky is far away, and the moon is full on the road in front of the door." The first two sentences say that you are ready to pack up and are about to set off. This is actual writing.
So what is the way forward and what is the poet thinking in his heart? This meaning is not directly stated. The poet just writes about the scene in front of him. The autumn colors are vast and vast, filling the sky and the earth; the moonlight is like water, filling the road, and there seems to be no end.
This is the virtual pen. The author wants to explore some ways of writing college entrance examination compositions from the perspective of the relationship between "virtual" and "real", so as to relieve some candidates' confusion.
There are two materials below. After reading them, write a composition according to the requirements: Material 1: Geese passing by leave their voices behind, and people passing by leave their names. Life will leave footprints everywhere: on the road, under the bridge, in the streets and alleys... The footprints may not be erased, but the road has changed, the bridge has collapsed, the street has disappeared, the alley has changed... We can still pick up the footprints of the past. ? Many things have passed by in the footsteps of time and have left their own footprints. Which ones can you think of? Please write an essay on the topic of "footprints". You can describe your observations and experiences, talk about your experiences and feelings, tell stories, express opinions, expand your imagination, express your emotions, etc.
Material 2 Family love is intangible, no one can tell you what it looks like; family love is free, no one will ask you to pay money or things for it; family love is priceless, there is nothing The price is comparable to it, family love is selfless, nothing can sacrifice oneself more than it... You must have your own unique feelings about family love. Please write an essay on the topic of "Feeling Family Love".
The requirements for both materials are the same: ① self-determined purpose; ② self-written title; ③ self-selected style; ④ no less than 800 words. Analyze “topics.”
"Footprints" can be seen and touched, and they are tangible, that is, they are real things; "feeling family affection", "feeling" as a verb, its meaning is in the mind or deep in the heart, and cannot be Make it visible and tangible, and "family love" is also invisible, existing in the carrier of people's thoughts and feelings. When students face composition topics with specific nouns as the topic, students’ thinking is often limited to the nouns themselves, and they are not good at associating and imagining, or they are not good at associating and imagining from a single perspective, and are not good at divergent thinking from multiple aspects, so it is difficult to understand what is happening in real life. The collected materials are related to the writing topic, and no entry point for writing can be found, resulting in a narrow writing space.
To this end, you can use the method of "avoiding reality and replacing it with fiction". Specifically, when describing scenes, you can use the scenes in the past, the future and the scenes in your heart to reflect the actual scene in front of you; when writing about people, you can use miscellaneous images. Synthetic, historical or fictitious characters can represent real people; narratives can reflect true feelings and events with the help of memories, assumptions and even dreams; writing can be extended with the help of specific objects to talk about history and culture. , talk about life, talk about society, etc. Therefore, "footprints" can be associated from real footprints (real) to the road under our feet (virtual), from the road under our feet to the history of growth (virtual), from the growth process to the footprints of life (virtual), etc., " The connotation of "footprints" is rich and profound, its artistry is revealed, and its philosophy is also explored.
Such ideas, ideas, and writing methods are highly feasible. For example, the article "Culture, following the footprints of autumn": Culture, following the footprints of autumn, sang "Raise your head to look at the bright moon, lower your head to think of your hometown". Li Bai followed the footprints of autumn, looking for the way home; he uttered the sentence " "Leave the remnants of the lotus to listen to the sound of rain", Li Yishan followed the footprints of autumn and disappeared into the thick fog of confusion; softly chanting "Stealing three points of white pistils, borrowing a wisp of the soul of plum blossoms", Lin Daiyu followed the footprints of autumn , burying a lifetime of romance with a handful of pure soil.
Autumn, the passionate autumn, has its footprints all over this magical land. With the wheel of history, it has traveled across China and Kyushu for more than two thousand years. How many literati are intoxicated in the footprints of autumn.
Its footprints passed through the field, and Xin Qiji dyed it golden color with "The fragrance of rice flowers means good harvest"; its footprints remained on the frost leaves, leading Du Mu to drive to "the depths of white clouds"; its footprints Staying in the moon palace prompted Dongpo to "ask the blue sky for wine"; its footprints left in the mountains taught Tao Qian to "pick chrysanthemums under the east fence"... It's more than just poetry! When the footprints of the autumn of 1948 were left in Yuyao, Yu Qiuyu, a figure who influenced the contemporary literary world, was born.
The footprints of autumn are accompanied by the continuous autumn rain, walking through the "cultural journey", passing the "notes of mountain residence", looking at the "frost-cold river", uttering the "thousand-year sigh", and ending with "lend me a life".
Mr. Yu Qiuyu used his elegant pen to leave the footprints of autumn all over the country, making autumn play an important role in Chinese culture and foreign cultures! Autumn gave Yu Qiuyu a life, and Yu Qiuyu gave his life to Chinese culture. Following the footsteps of autumn, he carried the wounds of generations, the tears of ruins, Qu Yuan's dreams, Li Bai's poems, the mountains of Kunlun, and the waves of the Yellow River. He became the nirvana phoenix. Flying proudly in the autumn of culture.
The shadow of autumn can also be found in traditional Chinese folk culture. When the footprints of autumn remain in August, a song "The Fifteenth Moon" is sung everlastingly, echoing in the military camps in the ends of the earth; when the footprints of autumn remain in August, a song "The Fragrance of Osmanthus in August" sings the praises of the military and civilians. The deep love between fish and water remains in the burning years; when the footprints of autumn remain in August, plates of tempting mooncakes are placed on the dining tables of every household. Take a bite and it is crispy and delicious, sweet in your mouth and beautiful in your heart. ; When the footprints of autumn remain in August, the fairies in the Moon Palace also light a bright lamp for those who are homesick. This lamp is called "Mid-Autumn Festival"... Autumn flowers may pass away, but the footprints of autumn have truly existed. The autumn moon can change, but the footprints of autumn have become eternal.
The culture of a nation is based on autumn. 2. The relationship between real writing and fictitious writing
Real writing is to directly describe the facts and express the characters positively, which can add a sense of reality and verisimilitude to the article; fictitious writing is to use feelings, imagination, comparison and contrast. Techniques such as indirect rendering and side hints can leave ample room for imagination for readers and make the article more implicitly beautiful.
Real writing and imaginary writing are often used in combination to complement each other and achieve better results. People call it "the alternation of virtual and real writing". Such as Xin Qiji's: Breaking the spell, writing a poem for Chen Tongfu to send it to him, reading the sword while drunk, reading the trumpet company in the dream.
Eight hundred miles away, the people under his command are burning, and the sound of fifty strings turning over the Great Wall. Autumn brings troops to the battlefield.
The horse is so fast, the bow is like a thunderbolt, and the strings are frightened. Misfortune happens in vain! The whole word is mainly written in fictitious writing, supplemented by real writing, and is represented by a dream in imaginary writing. 3. Prose is divided into real writing and fictitious writing. Please tell me about the benefits of fictitious writing.
Collect some for your reference.
Virtual writing 1. The definition of virtual writing Virtual writing is a technique of expression and a writing technique that is opposite to positive real writing. Also called virtual pen, it is a technique of narration and description using virtual reality.
Similar to the pause in music, the blank space in painting, the empty shot in film, the still scene in drama, etc. Virtual writing is a technique of expression that is mostly used in the process of literary and artistic creation.
To achieve surprising and winning effects, especially in prose, poetry, classical literature, painting, etc. Such as "I heard his voice before I saw him", "If he is not in this mountain, I don't know where he is in the depths of the clouds" and so on.
Gives people an imaginative mood. When writing in fiction, the author exaggerates certain characters but does not make them appear. He only makes readers feel their existence, thereby affecting the fate or ending of the characters present.
For example, Jin Ba in Cao Yu's drama "Sunrise" and Xia Yu in Lu Xun's novel "Medicine". "Virtual" refers to the fictitious part in literary works, that is, the invisible or fictitious part caused by the tangible or real parts of literary creation. As a writing technique, imaginary writing often uses metaphor, exaggeration or symbolism. Provide readers with space for association, thereby achieving an inevitable virtual state.
Any literary work originates from reality and is a reflection of real life in the author's writings. Since the truth in literary works permeates the author's experience and emotions of life, literary truth is another An imaginary reality and imaginary realm that is higher than life. The combination of virtuality and reality creates a strong artistic atmosphere in literary works.
2. Case analysis of the role of virtual writing 1. Zhu Ziqing’s virtual writing in "Moonlight over the Lotus Pond" uses artistic means to guide readers to generate inevitable associations and actively and consciously capture those indescribable things. Interest and charm, so as to experience the realm of "virtual". "Above the twists and turns of the lotus pond, what you can see are fields of leaves.
The leaves are high in water, like the skirt of a pavilion. Among the layers of leaves, there are scattered white flowers. , some are open gracefully, and some are blooming shyly: just like pearls, stars in the blue sky, and beauties just emerging from the bath. ”
2. In the third chapter of "Dream of Red Mansions", "Brother Ruhai recommends Xibin to pick up her grandson Jia Mu to cherish her orphaned daughter". Lin Daiyu comes to Jia's house and meets her grandmother, two aunts, three sisters and Wang Xifeng. After Jia Mu orders two elders to Mammy took Daiyu to meet her two uncles. When they arrived at Jia She's house, the answer she got was that Jia She had said: "I have been ill for the past few days. When I saw the girls, we felt sad for each other. We can't bear to see each other for the time being." In Jia *** I didn’t see him because he “went to fast”.
According to normal etiquette, Daiyu must meet her two uncles when she comes to Jia's house, but meeting so many characters one by one is difficult to grasp in writing, and it is difficult to meet the two uncles. The conversation between the uncle and the uncle must be very formal, and it would take a lot of words to describe it. Therefore, the author uses fictitious writing to explain why he failed to meet through other people's words, avoiding the difficulty of description, and at the same time adding more details. It describes the ups and downs of the plot, lays the foundation for the real meeting later, and leaves room for readers to make associations. 3. The fifth chapter of "The Romance of the Three Kingdoms" has this paragraph: Hua Xiong was so brave that he came to curse and challenge two generals, Yu She and Pan Feng.
Yuan Shao, the leader of the alliance at that time, was shocked and sighed: "It's a pity that my general Yan Liang and Wen Chou have not arrived yet. With this man, I can kill Hua Xiong." Before he finished speaking, someone at the bottom of the steps shouted out: " The young general is willing to cut off Hua Xiong's head and offer it under the tent. "When everyone looked at him, they saw that he was nine feet long, with a beard two feet long, red phoenix eyes, silkworm eyebrows, a face like a heavy jujube, and a sound like a huge bell, standing in front of the tent! .
Shao asked who he was, and Gongsun Zan said: "This is Liu Xuande's younger brother Guan Yu." Shao asked what his current position was, and Zan said: "Following Liu Xuande as a horse archer."
On the account Yuan Shu shouted loudly: "You deceive all our princes and have no generals? How dare you speak nonsense if you measure an archer! Fight with me!" Cao Cao stopped hastily and said: "Calm down the road. Since this man makes big words, he must have brave strategies; try it. If he fails to win, it is not too late to punish him. Yuan Shao said: "If you send an archer to fight, you will be laughed at by Hua Xiong." Cao Cao said, "This man has a good appearance. Hua Xiong knows." Is he an archer? "Guan Gong said: "If you don't win, please behead someone." Cao taught him a cup of hot wine, drank it with Guan Gong and mounted his horse. Guan Gong said: "Pour down the wine. I'll come as soon as I leave."
He went out of the tent, picked up his knife, and flew on his horse. All the princes heard the loud beating of drums and loud shouts outside the pass, as if the sky was shattering and the earth was falling, and the mountains were shaking and the mountains were collapsing. Everyone was shocked.
Just as he was about to inquire, at the sound of the luan bell, the horse arrived at the center of the army. Yun Chang picked up Hua Xiong's head and threw it to the ground. ——The wine is still warm.
In this passage, the author also avoids the truth. When describing the scene where Guan Yu brutally beheaded Hua Xiong, the author did not choose to describe directly how Guan Yu came on the stage heroically and how he fought fiercely with Hua Xiong. Instead, he only The side profile depicts Hua Xiong's bravery, the roaring gongs, drums, and ear-splitting roars on the battlefield, as well as the scene of many generals and princes anxiously worrying about Guan Yu's safety in the military tent. And while others were eagerly waiting, Guan Yu had already mounted his horse. Returning to the camp, he picked up Hua Xiong's head and threw it into the tent, which attracted praise from everyone. The fictitious writing technique seems to enhance the expression of Guan Yu's heroic spirit, making readers secretly admire it.
4. "Strange Stories from a Chinese Studio" is a life form of flesh and blood created by Pu Songling by writing ghosts and monsters in the illusory world. It is an art world that alternates reality and fiction. The dream world created by Pu Songling is relative to the real world. It relies on the existing nature, society and the inner world of people. It describes a heterogeneous world that does not exist in human reality, but makes people feel that it really exists. In reality, this artistic realm of interrogating reality and reality allows readers to understand the agility of life in the universe and the profound philosophy of life.
5. "One Hundred Years of Solitude", a long masterpiece that reproduces the history of Latin America, is a representative work of García Márquez's magical realism literature. Through imagination and clever processing, it combines reality and fantasy to realize... The combination of writing and fictitious writing presents readers with pictures that alternate between true and false, false and false, enriching people's imagination and achieving a strong artistic effect. For example, when writing about the silence of the night, people can actually hear "the noise of ants in the moonlight, the loud noise of moths gnawing, and the continuous and clear scream of weeds as they grow."
6. There is such a classic music verse in "Pipa Play": "The big strings are noisy like the rain, and the small strings are like whispers. The noises are all mixed up, and the big and small beads are falling on the jade plate. .
The orioles in the room are slipping under the ice, and the ice spring is cold and condensed. 4. Use reality to write virtual compositions
Void and reality
Virtuality is extremely ethereal, but it can make people endlessly happy; reality, upright and aboveboard, makes it difficult for some people to accept it.
Illusive reverie, but blind pursuit, can bring happiness. But it can make people excited. So, what's the use? Reality cannot be distorted. When you wake up from a dream, you return to reality. Really, it can never be reversed!
Just like some people in our class, chasing stars. Is it so important to strive for the stars you love? /p>
Face the reality! What can you get from pursuing blindly? Is happiness just your imagination?
I am still in love. I don’t favor any one, nor am I biased against this. Celebrities are celebrities. They seem to be reaching for them, but they are actually higher than the sky.
I know, these words are right! You are useless, but I still want to say: "Good medicine is bitter in the mouth and good for the disease; honest advice is hard on the ears but good for the deed!" ”
“Without indifference, there is no clear ambition; without tranquility, there is no far-reaching goal.” "Calm down and think about it. The time spent arguing is worse than memorizing ancient poems, and the time spent reading gossip is better spent reading classics.
"The gold bricks are as thick as the jade tiles." Face the reality!
Yes, reality is cruel, so cruel that you cannot face it, but you must face it instead of trembling and escaping into fantasy.
If virtuality and reality are doctrines and statements, then reality is truth and virtuality is fallacy. If the virtual and the real are the gods of heaven and earth, then the real is the god and the virtual is the devil.
Reality scares you so much that you dare not face it. Illusion makes you happy, so happy that you can't see the truth from the false and lose your direction. When you suddenly understand and feel the cruelty of reality, you immediately go to the so-called "Nirvana". And reality sighs at you, because every time you encounter it, you panic, and before it can see your face clearly, you run away crawling... 5. Take "virtuality and reality" as the basis Topic Writing
In traditional culture, the concepts of "virtual" and "real" are commonly used.
"Virtual" and "real" are relative terms. Generally speaking, what is real is real, and what is not is virtual; what is evidence-based is real, and pretense is virtual; concrete is real, and abstract is virtual. ; What is apparent is reality, what is hidden is fiction; actions are reality, words are fiction; the present is reality, the future is fiction; what is seen is reality, what is heard is fiction; what is known is reality, and what is unknown is fiction. Just as the old monk said in the material, "the virtual and the real complement each other", their relationship is complementary to each other.
After the above divergent thinking and a subjective perspective on the topic, you can choose a point to talk about. For example, talk about "virtual" and "real" in literary works and write a short article on literary appreciation.
When Cao Cao wrote about the sea, he first wrote "The autumn wind is bleak and the waves are rising", which is a real pen, and then he wrote "The journey of the sun and the moon, if it goes out of it, the stars are brilliant, if it goes out of it", it is a virtual pen , from real to virtual. "The garden is full of spring scenery, and a branch of red apricot comes out of the wall." The first sentence is written fictitiously, while the second sentence is written realistically, from fictitious to real.
In "Medicine", Lao Shuan's purchase of "medicine" is a real story, while Xia Yu's murder is a fictional story. The virtual and the real reflect each other, one is indispensable, virtual writing is more difficult than real writing, it belongs to imagination.
We can also write about the relationship between material and spirit. Material is real and spirit is virtual. Without material, there is no spirit. We cannot talk about spirit and ignore the importance of material. But the problem now is that people pay more attention to the pursuit of material and ignore spiritual things. This will inevitably lead to the unhealthy tendency of abundant material but lack of spirit. In connection with social reality, it is not difficult to find such typical examples.
What the old monk said in the article, "How can we only know the truth but not see the falsehood" can be said to be a warning to the world. Virtual and real virtual and real.
There is reality in virtuality, and virtuality in reality. Sometimes people pay too much attention to the boundaries between "virtual" and "real", and instead live half virtual and half real. In fact, there is no boundary between them, but people In this trance space, emptiness was filled with reality, and this boundary was naturally established. The inscription: "There is a ditch behind the house, and there is a lot of mud in the ditch." The father said while putting his glasses on the bridge of his nose. < /p>
There was blood everywhere where they were disconnected. The black blood matched the color of the mud very well," my mother said uneasily to me.
"Yeah, there are a lot of people there." I played with the coins casually.
I tried to make it stand up when it fell on the table, but failed every time. I suddenly felt severe pain in my eardrums. I knew that my father was sighing again. Every time he did this, my ears would be swollen like a brown hat. I turned around and told my father: "I encounter some strange things every night. I see bats flying all over the house and bats crawling all over the floor." Earthworm, and I feel that there is a coffin under my bed, and the person inside looks exactly like me. Whenever this happens, I will wrap myself in a quilt, but I always smile in the coffin, so much that I can’t even see my nose or eyes. There was only one mouth left. I was so scared that I was sweating. If you don’t believe me, you can touch my quilt.”
I pointed to the quilt hanging outside the window. There were swarms of ants on the quilt, devouring the quilt. The quilt was stained with blood, and black liquid was flowing down drop by drop.
I stood up and looked at myself in the mirror. I had red eyes and no mouth. Behind me, there was a thin man wearing glasses and reading a newspaper. However, he put the red eyeballs in front of his glasses to look at them. The other person was sitting on the edge of the bed, counting his slender knuckles, exchanging the positions of his knuckles from time to time, and at this time they were hooked into the shape of an eagle's claw.
"I'm out." The man wearing glasses said, putting his eyeballs into his sockets.
I sat down again and picked up the coin. Suddenly, the man sitting on the bed said: "Your father had a ring that accidentally fell into the mud ditch behind the house. He kept trying to pick it up in his dream, but the mud wrapped the ring too tightly. Your father killed himself, dismembered his body and threw it into a mud ditch, and he has been angry about it for 50 years. He is 45 years old this year, and he will not be able to salvage it in a few years, so he is doubly tormented all day long. He.
Because of this, he has no blood now, and his veins are full of mud.
"She walked out as she spoke, deliberately letting the door pinch off half of her knuckles, then opened the door again and came in, picking up her knuckles and saying, "You should really go see that damn mud ditch. "
"Bang", the door closed again. I put down the coins, stood up, turned around and went to the mud ditch, but there was nothing there, only stinking mud water and tens of thousands of red threadworms, several Thousands of scorpions, just a few white mice
I didn’t see the person or the ring, and at this time the mice were attacking me, a stranger, with their eyes glowing red, so I could only hold my head. Back home. My father was picking up my coins, and unexpectedly he found my beloved coins.
I locked the drawer and put the coins and keys in it. "I went through a lot of trouble to find your coins. I found the key to this drawer in your mother's dream, but I didn't expect the coins to be hidden here. "
"I really want to throw your coin. The sound of it rolling up and down makes me upset every day. I almost stick my head through the wall, hoping that I won't see this damn thing again. "He threw down the coin and was about to leave. I stopped him quickly and said, "I went to the mud ditch behind the house today. There were hundreds of mice and many small bugs there. Some people said that these mice were caused by the mud. There are many talents there who want to eat fresh human flesh, but I didn't see your ring. "
"I always thought that losing the ring made me 40 years older. It seems otherwise. Today, I discovered that I have aged 80 years. That was the only mistake I made in my life. The ring is golden, with three skulls and three flowers engraved on it. It was left for me by your grandfather. "
He walked out after finishing speaking, but I knew he was still listening. "There were dozens of faces outside the window last night. They were squeezing each other and surrounding our house. Because of that, the window had several holes.
When I got up this morning, I saw that the window could no longer be repaired and the ground was full of earthworms. "┈┈My mother appeared in front of me with her head lowered, and her head was covered with ants. I could see black shadows flashing in your room every night. I was afraid that something would be lost at home, so I fell asleep and dreamed┈ ┈She raised her head and looked at the back of the room, her eyes glowing red.
I finally understood why her and his eyes were all red. 6. What is fiction and reality. Writing
Virtual writing and real writing
Virtual writing is not about the real scene in front of you, but about the imaginary scene. Real writing is just the opposite. "Plum blossoms": Thousands of trees are about to fall apart due to the cold. In the deep snow in the front village, a branch bloomed last night. The wind carried a faint fragrance, and the birds came to see the beauty of spring.
"Ten thousand trees are frozen and ready to fold" is an imaginary scene. "Ten thousand trees are frozen and ready to fold" is exactly in contrast to "The lonely root is warm and warm", which contrasts the plum blossom's character of "lonely root and warm". In virtual writing, things that are not in front of you seem to be in front of you, which arouses the reader's imagination. Another example is Wang Changling's "Walking in the Army":
Qinghai has long clouds and dark snowy mountains, and the lonely city looks at Yumen Pass in the distance. , Loulan will never be returned until it is destroyed.
"Qinghai is covered with long clouds and the snow-capped mountains, and the lonely city looks at Yumen Pass in the distance" is a fictional description. It describes an imaginary scene: long clouds fill the sky above Qinghai Lake; Beyond the snow-capped mountains is an isolated city standing in the desert of the Hexi Corridor; further to the west is the military fortress Yumenguan, which is far away from the isolated city. Just imagine how you can show such a vast scene without using virtual characters. ? This large-scale description of the environment plays a very good role in describing the heroic ambitions of the border guards, which is self-explanatory.