Wine luminous glass, want to drink pipa, hurry up immediately.
Drunk lying on the battlefield, you don't laugh, there have been several wars in ancient times.
Appreciate:
This is a frontier poem. This poem takes frontier life as its genre, but the poet's point of view is not described from the front, but displayed from the side. Start by drinking wine, using grapes and wine in the luminous glass. The second sentence was about to drink heartily when the pipa was played immediately, urging people to go on their way. First, I wrote a beautiful glass of wine, and then I wrote that if I want to drink it, I can't enjoy it. The atmosphere changed from calm to tension. The third and fourth sentences are attractive empty words: although I am about to leave, I still drink to my heart's content, and getting drunk on the battlefield may cause people's jokes. However, from ancient times to the present, how many people who have fought on the battlefield can go back alive? There are several subtext: Then why can't I have a drink before I die? What's so funny? This feeling is very painful, but the poet expressed it in heroic language, showing the broad-minded mind of his master.
The expression of this poem is Fu, the language is plain and easy to understand, but the theme is clear and profound, showing a tragic and heroic. As Liu Zongyuan said: "It is better to crack the corner of your eye than to laugh and anger;" Long song's sadness makes him want to cry without tears ",which is exactly the mood written in this poem, and makes readers' understanding of the cruelty of war particularly heavy and profound. The poet's view of war is also revealed through his relatively hidden psychological state: soldiers are opposed to territorial expansion and militarists are tortuous.
Flowers on the river under the moonlight in spring
Year: Tang Author: Zhang Style: Yuefu
Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide.
I drift thousands of miles, where there is no moonlight by the river?
The river flows around Fangdian, and the moonlight shines on the flower forest like graupel.
Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion.
There is no dust in the sky on the river, and there is a lonely moon in the sky.
Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year?
Life is endless from generation to generation, and Jiang Yue is only similar year after year.
I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water.
The white clouds have gone, and Qingfeng is at a loss.
Who will go boating tonight? Where do you miss Mingyue Building?
Poor people wander upstairs for the moon, so they should leave someone to fill the mirror.
The curtain of the jade pot could not be rolled up, but it was brushed back on the anvil.
At this time, I don't know each other. I hope China will shine on you every month.
Hongyan flies in the sky, and fish Long Qian jumps in the water.
Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned.
In spring, the river flows away, and the pond falls in the moon and the west.
The slanting moon hides the sea fog, and Jieshi Xiaoxiang Road is infinite.
I wonder how many people will return every month. Falling flowers shake trees all over the river.
To annotate ...
Precautions:
Moon Night on the Spring River, praised by Mr. Wen Yiduo as "the poem in the poem, the peak on the peak" (the redemption of palace poems), has fascinated countless readers for more than 1000 years. Zhang Yisheng left only two poems, which were also "a lonely poem, but it was written for everyone".
The title of this poem is very attractive. Spring, river, flowers, moon and night, these five things embody the most touching beauty of life and constitute a fascinating and wonderful artistic realm.
The poet began to compete with the topic, and the topic came to life at the beginning. On the riverside, he drew a magnificent picture of a moonlit night: the river was in the sea and the moon was in the tide. The sea here is empty. The river tide is boundless, as if connected with the sea, with great momentum. At this time, a bright moon was born with the tide, and the scene was very spectacular. A word "destiny" gives the bright moon and the tide a fresh life. The moonlight shines thousands of miles away, where is it not on the bright moon river! In spring, the river winds around Yuan Ye, where flowers and plants are everywhere, and the moonlight falls on the flower trees like a layer of snow. The poet is really a unique skill of Dan Qing. With a slight stroke, he touched the strange "flowers" in the moonlight by the river. At the same time, he skillfully paid the title of "Moonlight on a Spring River". The poet's observation of moonlight is extremely subtle: moonlight washes away colorful things in the world and turns the world into a dreamy Yin Hui color. So "first frost doesn't fly" and "white sand can't be seen", only the bright moonlight. Delicate brushwork creates a mythical and wonderful realm, which makes the moonlit night by the river look extraordinarily beautiful and quiet. These eight sentences, from big to small, from far to near, gradually condensed on a lonely moon.
The clear universe of heaven and earth seems to make people enter a pure world, which naturally causes the poet's reverie and meditation: "Who sees the moon by the river?" When did Jiang Yue take the photo at the beginning of the year? "The poet leaps forward in thought, but closely connects with life and explores the philosophy of life and the mystery of the universe. This kind of exploration has existed in ancient times, such as Cao Zhi's Looking at Ying Shi: "Heaven and earth have no end, life is like frost", and Ruan Ji's "Life is dusty, and Heaven has grace", etc., but the theme of the poem is mostly to feel that the universe is eternal and life is short. Zhang is unique here. His thought did not fall into the trap of predecessors, but turned out a new idea: "Life is endless from generation to generation, and Jiang Yue is only similar every year." "Personal life is fleeting, and human existence is long-lasting, so" endless "life and" year after year is only similar "moon can be * * *. This is a comfort that the poet feels from the beautiful scenery of nature. Although the poet is temporarily sad about life, it is not decadence and despair, but because of his pursuit and love for life. The keynote of the whole poem is "mourning without hurting", which enables us to hear the echo of the voice of the early Tang Dynasty.
"I don't know who Jiang Yue treats, but the Yangtze River sends water" is closely related to the "only similarity" in the previous sentence. Life goes on from generation to generation, so does Jiangyue every year. A lonely moon lingers in the sky as if waiting for someone, but it will never come true. In the moonlight, only the river rapids are rushing away. With the flow of the river, poetry is full of waves, pushing poetry to a more far-reaching realm. There is enmity between Jiang and Yue, and running water is ruthless. The poet naturally turned his brushwork from the natural scenery in the first half to the image of life, which led to the separation of men and women in the second half.
The four sentences of Baiyun are always written in the moonlight on the riverside, thinking about the feelings of his wife and wanderer. "Baiyun" and "Qingfeng Spectrum" are lyrical. The floating white clouds symbolize that the whereabouts of the "boat" are unknown. "Qingfeng Pu" is a place name, but "Feng" and "Pu" are often used as other scenery and places in poetry. The words "whose home" and "where" have different meanings. It is precisely because of more than one place that the poet put forward such a question, a kind of acacia, which led to the separation of the two places, one after another, poetic ripples, twists and turns.
The following eight "poor" sentences bear the sentence of "where" and write about thinking about leaving people's memories. But the poet doesn't directly think about a woman's sadness and tears, but uses the "moon" to set off her nostalgia, and the sadness and tears come out. The poem personifies the "moon" and the word "wandering" is extremely vivid: first, the clouds are swimming, so the light and shadow are uncertain; Second, the moonlight lingers upstairs, pitying the thinking woman. It wanted to accompany Sifu and relieve her troubles, so it sprinkled soft light on the dresser, on the jade curtain and on the anvil. Unexpectedly, I miss my wife more than anything. She tried to get rid of the annoying moonlight, but the moonlight "rolled away" and "brushed back" and sincerely attached to her. Here, the two spoony actions of "rolling" and "brushing" vividly show the anxiety and confusion of thinking about women. The feelings caused by moonlight deeply troubled her. At this moment, isn't the moonlight shining on the lover in the distance? * * * Looking at the moonlight, we can't know each other, so we have to rely on the moon to send love to you from afar. Looking up to the sky: Hongyan flies far away, but without the light and shadow of the moon, flying is futile; Looking at the river, fish jump in the deep water, just causing ripples, and jumping is useless. "The feet are in the fish intestines, and the heart is full of goose feet." I can't send a message to the fish goose who is in charge of delivering letters now-it's time to add some worries!
In the last eight sentences, the poet used fallen flowers, flowing water and waning moon to set off homesickness. "Flat Boat" even dreamed of going home-flowers fall into a secluded pool, spring will be old, people are still far away, what a pity! Rivers flow in spring, not only the natural springs, but also the youth, happiness and longing of wanderers. The moon fell on the pond, setting off his miserable and lonely mood. Thick sea fog hides the falling moon; Jieshi and Xiaoxiang are far apart, and the road is so far. The word "heavy" aggravated his loneliness; The Infinite Road also deepened his homesickness infinitely. He thought: I wonder how many people can take the moon back to their hometown on this beautiful night by the river! His secret love, accompanied by the light of the waning moon, was sprinkled in the Woods by the river. ...
"The falling moon shakes the trees all over the river", the "shaking feelings" in this sentence-endless thoughts, intertwined with the feelings of moonlight, wanderers and poets, fell on the trees by the river, and also fell on the hearts of readers, which is fascinating.
"Moonlit Night on the Spring River" transcends the previous landscape poems that simply shape mountains and rivers, the philosophical poems that "yearn for the infinity of the universe and mourn the moment of my life", and the love poems that express the feelings of children leaving. Poets have injected new meanings into these common traditional themes, blending poetry, artistic conception and philosophy They praised the beautiful scenery of nature, eulogized the pure love between human beings, expanded their sympathy for stray women, and combined it with the pursuit of life philosophy and the exploration of the mysteries of the universe, thus blending it into a kind of love, scenery and harmony. The poet deliberately hides the profound and beautiful artistic world in a vague artistic atmosphere, and the whole poem seems to be shrouded in an ethereal and confused moonlight, attracting readers to explore the true meaning of beauty.
The whole poem takes spring, river, flowers, moon and night as the background and the moon as the main body. "Moon" is a mixture of scenery and scenery in poetry. It beats the pulse of the poet, and it is like a bond of life in the whole poem. It runs through ups and downs, touching the scene, and poetry fluctuates with the birth and death of the moon. The moon went through the process of rising, hanging high, setting in the west and setting in the sun overnight. Under the moonlight, rivers, beaches, the sky, Yuan Ye, maple trees, flower forests, flying frost, white flowers, boats, tall buildings, dressing tables, anvil stones, flying geese, diving ichthyosaurs, sleepless homesickness and wandering wanderers form a complete poetic image, showing a picture full of philosophy and life interest. The color of this picture scroll is light and rich. Although sketched in ink and wash, it is "ink in the colorful", showing colorful artistic effects from the complementary of black and white and the coexistence of reality and reality. It is like an elegant China ink painting, which reflects the beautiful artistic conception of the moonlit night by the river.
The rhythm of poetry is also very distinctive. The poet's emotional melody in his poems is extremely tragic, but it is neither a sad bamboo nor a complicated string, but a serenade or dream like a violin, which is meaningful and meaningful. The inner feelings of poetry are so warm and deep, but they are natural and peaceful, as regular and rhythmic as the pulse, and the rhythm of poetry fluctuates accordingly. The whole poem has 36 sentences, four rhymes and nine rhymes. It started with the level of Geng rhyme, followed by the level of Yue rhyme, Zhen rhyme, Paper rhyme, You rhyme, Grey rhyme, Wen rhyme and Ma rhyme, and ended with Yu rhyme. The poet mixed Yang rhyme with Yin rhyme, alternating high and low tones, and the order was loud (Geng, Shuo and Zhen)-subtle (paper)-soft (especially, gray)-loud (literary, hemp)-subtle (encounter). The whole poem changes with the change of rhyme, and the use of flat tones is staggered, singing three sighs and calling around, which is repetitive and continuous, with a strong and beautiful sense of music rhythm. This change in pronunciation and charm is in the same strain as the ups and downs of poetry, which can be described as a harmonious combination of sound and text.
Moonlit Night on the Spring River is an old topic in Yuefu's Song of Wu Sheng in Qing Dynasty. Who is the creator? Opinions vary. Or "not detailed"; Or what Chen Houzhu did; Or what the Emperor Yang Di did. According to Guo Maoqian's Yuefu Poems, besides Zhang, there are two poems, one by Zhuge Ying, two poems and one by Wen. They are either narrow in structure or too rich in content, far less than Zhang's articles. This ancient topic, in Zhang's hands, made generate shine brilliantly and gained immortal artistic life. Today, people don't even ask who the original author of this old topic is, but the real creative right of the poem "Moonlit Night on a Spring River" belongs to Zhang.
Will get into the wine
Lipper
Have you seen how the water of the Yellow River flows down from the sky?
Into the ocean, never to return.
Have you ever seen how cute the lock in the bright mirror in the tall room is?
Although it was still silky black in the morning, it turned into snow at night.
Oh, let a man with spirit take risks where he likes.
Never point his golden cup at the moon! .
Since God has given talents, let them be used! ,
Spin a thousand silver coins and come back! .
Boil a sheep, kill a cow, increase appetite,
Let me, 300 bowls, a long drink! .
Master Cen, Dan Qiusheng
Bring the wine in! Let your cup never stop! .
Let me sing you a song! ,
Let your ears listen! ：
"Zhong Ding jade expensive,
Let me get drunk forever and lose my mind forever! .
The sober people and sages of the past were forgotten,
Only great drinkers can be immortalized.
Prince Chen gave a banquet in the completion hall.
Ten thousand coins in a barrel of wine, with a lot of laughter and one-liners.
Why do you say, my master, your money is gone? ,
Go buy wine, and we'll drink together! . "
My flower-dappled horse
Give them to the boy in exchange for good wine,
With you, you will always worry.
Li Bai's wine poems can express his personality very well. After this kind of poetry was published in Chang 'an, it was certainly more profound in ideological content and more mature in artistic expression. Into the Wine is his masterpiece.
"Jiang" was originally the tune of the piccolo cymbal song of Han Yuefu, and the song was called "Song of Drinking", so the old saying "Jiang, take the white" goes. The author's famous poem "Fill it in to express one's feelings" (a small supplement to the classification of Li Taibai's poems) was written in the eleventh year of Tianbao (752). At that time, he and his good friend Cen Can lived in Angelababy, another good friend of Songshan, and the three of them tasted the climbing banquet ("Appreciate Cen Can, find out, treat Yuan Danqiu with poetry": "Don't be thousands of miles away, treat wine with poetry." In the middle of Yuan Dynasty, Dan Qiu and Deng Ling gave a banquet in Bixiao. When I suddenly thought of me while drinking, I screamed and screamed. " )。 The best thing in life is to make friends at cocktail parties, and the author is in the moment of "accepting talents from all over the world without meeting each other" (small), so he is full of inappropriate wine and poems and has incisive expressions.
At the beginning of the poem are two parallel long sentences, such as rushing to the reader with the wind and rain. "Didn't you see how the water of the Yellow River moved out of heaven and into the ocean, never to return?" Angelababy is not far from the Yellow River, so it's interesting to climb the mountain. The Yellow River has a long history and a great gap, such as falling from the sky, spilling thousands of miles and entering the sea eastward. Such a magnificent wave scene can be seen extremely badly without the naked eye. The author wants to fall from the sky and "get the word and get it", which is exaggerated. The last sentence says that the coming of the big river is unstoppable; The next sentence says that the river is gone and irreversible. One rises and one disappears, forming a breath, which is not available in short sentences (such as "The Yellow River falls into the sky and returns to the East China Sea"). Then, "you didn't see the lovely hair in the bright mirror of the high room, although it was silky black in the morning and turned into snow at night" is like a turbulent wave. If the first two sentences exaggerate the space category, they exaggerate the time category. Sigh that life is too short, not to hurt the boss bluntly, but to say "how cute the mirror lock on the shelf is", a gesture of grasping the head and watching the film and calling for help, just like painting. Describing the whole process of life from youth to aging as an "early" and "late" event is a kind of reverse exaggeration to say that the original is shorter and stronger than the previous two sentences. Therefore, the first set of parallel long sentences is metaphorical-the river is gone forever, indicating that life is perishable, and it also has a comparative effect-while the great eternity of the Yellow River shows the smallness and fragility of life. This beginning can be said to be extremely sad, but it is not delicate. It can be said that it is a giant sadness with thrilling artistic power, and it is also caused by the sense of momentum at the beginning of long sentences. This opening technique is often used by the author. He was like, "If you abandon me, you can't stay tomorrow; Today it hurts my heart even more "("A farewell letter to Xie Tiao Tower in Xuancheng "), Shen Deqian said:" This body is too white and self-centered ",which shows that it is quite original. This poem is a call for "I can't see you" (general Yuefu poems are only used occasionally at the beginning or end of the article), which greatly enhances the sense of poetry. Poetry has the so-called big opening and closing, which can be described as big opening and closing.
"The husband of heaven and earth, the inverse of everything; Time flies, one hundred generations fly "(Preface to the Spring Banquet in Taoliyuan). Although sadness is inevitable, pessimism is not close to Li Bai's nature. In his view, as long as "life is proud", there is no regret and you should indulge in joy. Five or six sentences are reversed, from "sadness" to "joy". From then on, until "the cup never stops", poetry gradually became wild. "When you reach your destiny, you don't worry when you are free. You can climb the stairs with wine" ("Song of Liangyuan"), and you can't eat, drink and be merry without wine. This is the topic. But what is in the cup is not written directly in the sentence, but expressed in the image language of "golden urn" and "moon", which is not particularly vivid and makes drinking poetic; If you don't write directly, you will drink and party. Don't write directly, but use the double negative expressions of "don't make" and "empty", which is more focused. "Oh, let a man with spirit take risks where he likes" seems to advocate the idea of "eat, drink and be merry", but it is only a phenomenon. Has the poet ever been "proud"? "The phoenix blooms purple mud at the beginning, and the emperor calls it a royal banquet" ("Yu Hu Yin")-it seems to be proud; However, this is just an illusion, "I want to go home, there is no fish to eat, and I don't think about courtesy for weeks"-this seems to be not pride, but disappointment and indignation. But are you depressed? No. Therefore, the poet affirmed his life and himself in an optimistic and competitive tone: "Since God has given talents, let them be used!" This is a word that makes people applaud. "Useful" and "necessary", how confident! Like a declaration of human values, this person-"I"-must be capitalized. Here, from the seemingly negative phenomenon, there is a hidden and eager positive essential content. "I will ride the wind and waves one day", why not drink and sing for such a future! Spending money is nothing-"spin a thousand pieces of silver and come back all!" ! "This is another amazing word of high self-confidence, which can drive money instead of being made by money, which really surprises all ordinary people. Poetry is like a man, thinking that the poet "traveled in less than a year and scattered more than 300,000 yuan" ("Pei Chang Shang An Shi") is how heroic. Therefore, the lofty sentiments deeply embedded in the bones are by no means posturing. The author uses this style to describe a grand banquet, which is by no means "do you want one dish or two dishes?" "Do you want a pot of wine, two pots?" But to "cook sheep and kill cattle" from the beginning, and never stop until you drink "300 cups"