I walked through Jiangnan.
The appearance in the season is like the opening and falling of lotus flowers.
If the east wind does not come, catkins will not fly in March.
Your heart is like a little lonely city.
Like a bluestone street facing the night.
Without a sound, the spring curtain in March can't be lifted.
Your heart is a small closed window.
My dada horseshoe is a beautiful mistake.
I am not a returnee, I am a passer-by. ...
Cuo inherits the style of Tang and Song poetry and embodies the model of modern graceful and restrained poetry. The lyric poem Wrong uses a "beautiful and sad" story as its lyrical intention: it describes a woman who comes home after waiting, and "horseshoe beating" suddenly arouses her extreme disappointment, so it is said that "horseshoe beating" is beautiful. However, the woman missed the hand in hand with "me" and her hope suddenly fell through. This hope is just a "beautiful mistake". From an aesthetic point of view, no matter who the protagonist is, this "mistake" is "beautiful". The whole poem is lively but not explicit, implicit but not obscure, conveying the worries of the secluded boudoir and the worries of the journey.