I feel wrong when I dream, so I am stupid.
But seeing that Yufeng was too white, I went to Emei from Niao Road.
Autumn wind smoke like clouds, and morning light makes trees like grass.
I have no idea where it is. The old man really wants to live in Qiu Chi.
Su Dongpo not only personally made bonsai, but also chanted bonsai in his paintings:
I came back with this stone with the East China Sea in my sleeve.
In the middle of the basin, the sun and the mountains and seas are paired.
Look at the clouds outside the three peaks, all in the palm of a fairy.
Thousands of miles away, a pot of nine flowers.
Lu You also described and praised the landscape bonsai in the poem "Acorus calamus":
Rock Mountain, Acorus calamus, Kunshan Stone, praised by Chen Sou, comforting the lonely.
The inch is thick, the punch is abrupt, and the daughter is straight.
The clear spring is played, and the monks and savages are moving.
The basin mountain is pale, the sun enters the eyes, and this thing sweeps away all the way.
The better root and Harrison look, the sooner they hate it.
So I'm covered in wind and frost, and it's no use keeping my breath.
At the same time, the Song Dynasty had a name for bonsai. For example, Fan Chengda, an idyllic poet, loves to play with Yingde Stone, Lingbi Stone and Taihu Stone, and inscribed the names of Tianzhu Peak, Little Emei and Jiangyan Mountain on the strange stones.
Moreover, in the Song Dynasty, the standard of stone appreciation became clearer, and the research on stone products also made a new breakthrough. For example, Mi Fei, a great painter and calligrapher known as "Mi Dian", loved stones. He said that the stone was transparent, leaky, thin and wrinkled. This also prompted the production skills of landscape bonsai to be significantly improved compared with the Tang Dynasty.