It's getting dark It's getting dark Why don't you go home? If it's not for the king, why are you still showing it! It's getting dark It's getting dark Why don't you go home? If it's not for the monarch, why are you still in the mud!
Label: The Book of Songs Others
It's getting dark, it's getting dark, why don't you go home? If it's not for the monarch, why are you still showing it!
It's dark, it's dark, why don't you go home? If it's not for the monarch, why are you still in the mud!
The comment "decline" (1) is used as an auxiliary word. Slight: (Sunlight) Decline, dusk or darkness.
(2) Micro:No.. Wei Jun: If it weren't for the monarch.
(3) exposure: exposure. Invert the text to rhyme.
(4) bow: body.
On the theme of this poem, Preface to Shi Mao said that he was driven away by De and exiled to Wei, and his minister advised him to return to China. Liu Xiang said in Empresses in the Palace that his daughter married Li Gong, but she was not accepted by him. Someone advised her to return, but she was "loyal to her life, not against women's morality, in order to fulfill your life" and gave this poem. Both theories are far-fetched, because there is no historical evidence for women in Hou Li or Li Zhuang. Yu Guanying thinks that "this is the complaint of the convict" (The Book of Songs) is the most incisive poem.
Every chapter of the poem begins with "Decline, Decline, Hu Bugui": It's dark, it's dark, why don't you go home? The poet then confessed the reason: "Because of the micro-monarch, Hu Lou is exposed in the middle"; "The bow of Weijun is in the mud." It means to work day and night in the dew and mud all year round for the monarch and to support his noble body. In just two chapters and a few words, the inhuman situation of the enslaved people and their resentment against the rulers left a deep impression on the readers.
In art, this poem has two characteristics. One is to strengthen the language effect by asking questions. Judging from the whole poem, "Decline, Decline, Hu Bugui" does not ask questions with doubts, but deliberately asks questions with preconceived ideas. Suffering from the oppression of the rulers, the poet worked in the wild day and night, and his family could not come back, which was miserable. It is natural for him to pour out his grievances, but if he is outspoken, it is easy to exhaust them. Adopting this kind of questioning form, which is undoubtedly pretentious and suspicious, makes the poem look sad, but it is also eye-catching and thought-provoking. The so-called self-pity, deep and no resentment. The second is to use rhyme to set off the emotional atmosphere. The poem * * * consists of two chapters and ten sentences, which not only rhyme, but also rhyme in each chapter. Therefore, the whole poem is compact in structure, short in rhythm and urgent in mood, which fully expresses the pain of workers and the growing determination to abandon tyranny. From the analysis of the rhyme used in this poem, the first chapter uses micro rhyme and fish rhyme, and the second chapter uses micro rhyme and invasion rhyme, which is more suitable for expressing mourning and sad feelings. The poet uses rhyme to bring emotion, which fully emphasizes the emotional tone of poetry. Therefore, Fang Yurun commented on this poem: "The language is simple and profound, and China has infinite meaning. Careless people have not read it." (Original Book of Songs) Because this poem was interpreted as persuasion, and all previous dynasties focused on it, the word "decline" gradually evolved into the image of "seclusion" in China's classical poems, such as Tang's "No wonder I yearn for a simple life, sighing old songs, alas, I am going back!" Meng Haoran's Return to My Hometown Because of Your Majesty.