The original text is as follows:
-drinking crazy songs and living in vain,
Those arrogant boots are still behind,
Gao Lishi raised his hand in shame, and everyone left.
Placing refugees and wounded soldiers everywhere,
The rhythm of putting Huma and Chandi together,
Leave it to Toure to lament carefully,
Ever since he was dazzled by that year,
Recognizing you as a fallen fairy makes you more pretentious.
With a cursed little hip flask,
Hide yourself, even your wife can't find you,
Complaining that Chang' an is small and the pot is long,
In all your poems, you predicted,
Will suddenly run away, maybe tomorrow,
When a boat breaks the waves, it becomes a wind.
Now, there is no doubt that you are missing,
Make enemies like a forest, and everyone wants to kill them.
How can cirrhosis kill you,
When wine enters the intestine, it is divided into moonlight.
The remaining three points roared into a firm but gentle voice,
Embroidered mouth spit, half full of the Tang Dynasty.
From Kaiyuan to Tianbao, from Luoyang to Xianyang,
The crown is full of noisy cars,
Not as good as a song you wrote a thousand years later,
Crystal quatrains tap my forehead,
Echo caused by local bombs,
Enough to degrade the world,
It would be embarrassing to let Yelang go again.
The mystery so far is your birthplace,
Longxi or Shandong, Qinglian Township or Broken Leaf City,
Why don't you go back to your hometown,
Where are you drunk? Like you said, it's not a foreign country.
Missing is the only fate of genius.
Where on earth are you going after death,
The ape kept crying, and Toure advised you not to stop.
As soon as I turned around, I was bald under the prison window.
Seven immortals and five friends can't save you,
Kuangshan was locked in the fog and there was no way to get in.
Half a grain of cinnabar, before the fire is complete,
How to chase the rosy clouds in Nie Gehong's sleeves,
The moon in the bottle, maybe that's your hometown,
You've been looking up to it all your life,
Whether you go out and cry,
Chang 'an has fallen,
Return to Wan Li on the 24th,
There is no need to disturb Dapeng or recruit cranes.
Throw the glass into the air,
It spins into a flying saucer,
The mysterious gegenschein is getting faster and faster,
Take you back to the legend.
Extended data:
Appreciation of works:
The poem "Looking for Li Bai" is selected from Yu Guangzhong's "Guanyin Collection on the other side". In the Postscript of Couplet Poems, he once said: "Remembering the past and cherishing history was originally a major theme of China's classical poems. In this kind of poetry, the memory of the whole nation is tantamount to introspection in the mirror. This sense of history is one of the ways for modern poets to recognize tradition. "
In Search of Li Bai, the external structure is free and rigorous, and the sentences, sections and articles are relatively free to stretch, which is called free poetry. However, the first and third parts are each 14, and the second and fourth parts are each 10. The basic format is like an extended sentence pair in classical poetry, so there is no lack of interest in arranging order in the uneven level of freedom.
The poem begins with Li Bai's "disappearance". After describing the poet's crazy singing and bumpy experience, he returns to the last chapter with Li Bai's wind and turns around repeatedly, always focusing on the word "seeking" to avoid linear narration.
I don't know where the opening of Looking for Li Bai came from. The personification of "arrogance" and "shame and indignation" was accidentally added to "boots" and "hands". "It's Left Behind" and "Everyone Left" seem unreal, which not only vividly depicts Li Bai's arrogant and unconventional spirit, but also has a broad artistic time and space for readers to wander and daydream.
In the second part of this poem, the description of the touching power of Li Bai and his works is wonderful. After the exaggeration and ups and downs in the third paragraph, "Your hometown is a mystery" and "It is better to go back to your hometown". In the fourth paragraph, the poet suddenly had a whim: "The moon is in the bottle, maybe that is your hometown."
The legend of Li Bai catching the moon and dying in the Yangtze River in Historical Records is widely circulated among the people, and Yu Guangzhong's Moonlight Sonata plays a wonderful ending for readers. Li Bai's poems are imaginative and unconstrained, while Yu Guangzhong's poems are rich and creative, and indeed have a "white legacy."
Yu Guangzhong believes: "I dare to assert that the elimination rate of many third-rate essays that claim to be poems today will not be lower than that in the 1960s." The language in Searching for Li Bai is dense and elastic, and the refined words and expressions have the aesthetic effect of "freshness" and "novelty".
For example, the phrase "Leave the rhythm of Huma and Qiangdi to Toure, and recite it carefully with refugees and wounded soldiers everywhere" is flexible, concise and rich, which not only vividly shows the characteristics of the content and style of Du Fu's poems, but also summarizes the Anshi Rebellion and the invasion of Uighur in the future, which is broad and comprehensive.