The calligraphy works about You Ziyin in official script include Dai Fugu's "You Ziyin" official script scroll, Wei Bei's "You Zi Yin", Wang Xizhi's "You Zi Yin" stele and Xu Hao's "You Zi Yin".
1. Official script scroll of Dai Fushi's "You Zi Yin": Dai Fushi was a famous calligrapher in the Qing Dynasty. His official script scroll of "You Zi Yin" is one of the famous calligraphy works. This work is famous for its powerful brushwork and majestic aura.
2. Wei Bei's "You Zi Yin": Wei Bei is one of the classic fonts in the history of Chinese calligraphy. The "You Zi Yin" written by Wei Bei is classic and smooth, full of carving and simple beauty. Its font is powerful and graceful in shape, and is known as a classic work with "one spirit and six energy, seven changes and eight bodies, nine cuts and ten lines".
3. Wang Xizhi's "Wandering Son Yin" stele: Wang Xizhi is one of the great masters in the history of Chinese calligraphy. His "Wandering Son Yin" official script stele is known as a treasure in the art of calligraphy. The glyphs of this work are simple and smooth, and the official script has a strong sense of flying and strength.
4. Xu Hao's "Wandering Son Yin": Xu Hao was a famous calligrapher and seal engraver in the Jin Dynasty. His "Wandering Son Yin" official script works are simple and elegant in color, and the turning points and connections of each stroke appear to be unique. Extraordinarily perfect and natural.
In short, whether it is Dai Fuxu, Wei Bei, Wang Xizhi or Xu Hao, their official script works of "Wandering Zi Yin" are considered masterpieces in the history of Chinese calligraphy. With their exquisite skills, sinister charm and richness of traditional culture, these works show the essence and unique charm of Chinese calligraphy.
"Wandering Son Yin"
"Wandering Son Yin" is a poem written by Meng Jiao, a poet in the Tang Dynasty. This poem is about the feeling of separation from family while traveling. Meng Jiao expressed the image of separation and separation through poetry. Although the words are simple and easy to understand, they give readers real feelings. The whole poem uses Meng Jiao's own experience as the background of the story, focusing on expressing the importance of hometown and the importance of family.
In the first sentence, "The thread in the hands of the loving mother, and the clothes on the body of the wandering child", the loving mother skillfully makes clothes, indicating that the mother is always preparing for her son, and the wandering child is about to leave, thus exaggerating the feeling of parting.
In the second sentence, "Before leaving, I sewed tightly for fear of returning home later." The mother sewed her clothes carefully in order to keep the wanderer warm, but the wanderer was reluctant to leave, and the road home was complicated. The infinite distance increases the sense of distance between the two parties, mixed with infinite emotions.
The last sentence, "Whoever speaks of the heart of an inch of grass will be rewarded with three rays of spring light" expresses that when he was traveling abroad, he experienced the growth of all things and the warmth of the spring sunshine, but he could not miss his hometown. Forgot.