As we all know, classical poetry is full of grand snow feelings that fly like seats and cry like tears: "The wind scares the bamboo, the snow covers the mountains", "Yanshan snowflakes are as big as seats and blow down the Xuanyuan terrace" ... People like us have never experienced great changes, but at least they have witnessed the faint and moving scene of "blowing open the petals of ten thousand pear trees". But what about children with ice cream mouths now? How many people have made snowmen? How many people have had snowball fights in the open air? It is difficult enough for him to recite the imaginary "as big as a chair" in his textbook.
What else is there besides snowflakes drifting? That "in the mirror of pedestrians, in the screen of birds", that day was bright and clear, and that "a bright moon hung in the capital, and ten thousand hammers pounded the ground", and the night was silent ... Is it safe now? Standing on the banks of the Yellow River, which has been cut off all the year round, apart from the cracked skin of the riverbed, the thirst for water and the dryness of the lips and throat, even if you have a genius imagination, how can you simulate the majestic trend of "I can't see how the water of the Yellow River moves out of the sky, into the ocean and never returns"? Sometimes I think teenagers nowadays are really unlucky. Parents and teachers put their ancestors' literary heritage in their hands, but they didn't leave them with the natural scenery that nurtured that heritage. How many matching "scenes" can children find when they recite famous sentences and seals emotionally?
How many precious animals and plants have become eternal specimens? How many fresh ecological loose leaves have been torn from our sight? How many poems and landscapes have become distant voices like Guangling San?
Perhaps in the near future, it is not an exaggeration to guess the "embarrassment" of Chinese classes-
On the one hand, there is the bare Shan Tong Ridge, where birds and animals are extinct, and on the other hand, there is the clear sound of "birds and mountains are alive here, and people's hearts touch a pool of peace" and "apes on both sides of the strait can't stop crying, and the canoe has passed Chung Shan Man"; On the one hand, the pond is dry in spring, and on the other hand, it is copied over and over again, "Two orioles sing green willows, and a row of egrets go up to the sky", "Egrets fly in front of mount Cisai, peach blossoms flow, and mandarin fish are fat"; On the one hand, it is a stormy day, and the yellow sand is rolling. On the other hand, it orders the children to enjoy the grand occasion of "flying stones flying over the air, crashing on the shore and rolling up thousands of piles of snow" ... how unimaginable it is! Obviously, the "scene" is long gone, and now there is no reference and corresponding relationship, but young students have to "express" and "intoxicated" desperately-isn't this ridiculous! What is not sorrow!
The loss of classical scenes not only means the loss of natural scenery as one of the living resources, but also means the loss of countless aesthetic information and spiritual resources. In the near future, those children who have lost their original memories and imagination of nature will eventually "lose their minds" and "turn a blind eye" to those classic aesthetic values. Those precious aesthetic elements will never be found in future (even today) literary expressions and writing texts.
Each word itself contains huge cultural, folk, ecological, historical and biological information. Jian Peijun, Ripple, Luming Literature, Pheasant, Ape, Tiger Roar, Ti Ying and Baishui not only represent a kind of grass or an animal, but also point to an ecological culture and a natural variety. She makes people appreciate a beautiful natural classic, and at the same time has the function of comparing, testing and correcting our ecology today. Han Shaogong, a writer, has a work of social semiotics significance-Maqiao Dictionary, which attempts to build a monument for the cultural heritage of a region through the collection and interpretation of slang dialects. Similarly, in a sense, classical literature has also built such a monument. They are monuments, but they are monuments! Cold moss monument engraved with extinct items!