Young women in boudoir never worry, but in spring they put on makeup and went to a brothel.
Suddenly I saw the willow color on the stranger's head and regretted teaching my husband to find the seal!
Klang Ganzhou
Liu Yong
For the rainy night, [2] wash the clear autumn. The frost and wind are cold and tight, [3] the river is cold, and the sunset is the building. This is a decline and a luxury. [5] Only the water of the Yangtze River flows eastward without words. I can't bear to climb to the top of the mountain to see my hometown. [6] It's hard to start thinking again. Sighing where these years have gone, why do you have to stay in a strange land for a long time? [7] I want a beautiful woman to dress up, [8] I miss the sky several times and know my boat. [9] know me, [10] leaning on the dry place, you are worried. [ 1 1]
Precautions:
[1] Tang Jiaofang has Ganzhou as his Daqu and Ganzhou as his Zaqu. Ganzhou is named because it belongs to border music. Klang Ganzhou is a slow word cut from Daqu Ganzhou. Because of the * * * eight rhymes before and after the whole word, it is named eight tones. Also known as Rain Rain and Rain and Banquet in heptachord Pool. Liu Yong is the main body of Dictionary. 97 words, flat and even rhyme.
[2] Xiaoxiao: Describe the sound of sudden rain.
[3] Sadness: a "miserable".
[4] Yes: everywhere, everywhere. Decline: red flowers and green leaves, withered and scattered. Li Shangyin's "Giving Lotus": "Blue reduces red, which makes people worry". Cui: One is "green".
[5] Hengheng: A lush look. Say, use "Ran Ran", or say "gradually". Wuhua: Beautiful scenery.
Vivi: It's a long way.
[7] stay: stay for a long time.
[8] Wang Qing: Gaze. Make a "long look".
[9] Heaven knows how to return to the boat: Xie Tiao's "Xuancheng County from Linpu to Banqiao" and "Heaven knows how to return to the boat, and the river trees are distinguished in the clouds".
[10] controversy: what? ⑾恁: So, so.
[1 1] Sorrow: A deep sorrow that is hard to understand.
Jiang Yan said in Beppu: I am ecstatic, but I don't want to.
Many poems in the Song Dynasty are about leaving sorrow.
For example, Li Yu's "Hui Huan": if you keep cutting, you will be confused. This is separation.
And Li Qingzhao's Plum also expressed sadness:
Flowers from Shui Piao to water, one kind of lovesickness, two places of leisure.
People are also worried about China's performance.
This is the most in Li Yu's words, such as:
Jade pillars should still exist, but Zhu Yan has changed. ...
Ask how much sorrow you can have, just like a river flowing eastward.
There are also expressions about love and sadness.
Such as Li Chi Ngai's "Operator":
I live at the head of the Yangtze River and you live at the end of the Yangtze River.
I miss you every day, but I can't see you, so I drink Yangtze River water.
Such as Ouyang Xiu's "Langtaosha"
It is endless hate to gather and disperse in a hurry.
This year's flowers are better than last year's, but next year's flowers are better. You know who you are with.
Others expressed their worries about life.
Such as Xin Qiji's Ugly Slave:
Teenagers do not know the taste of sorrow, fall in love with the floor, fall in love with the floor, and insist on worrying about assigning new words.
Now I know the taste of sadness, I want to say it, but I want to say it, but I say, "It's a cool autumn."
There is also the worry that bosom friends are hard to find.
Such as Yue Fei's "The Hill":
I will confide my thoughts to my pipa.
Who listens to a few broken bosom friends?
There is a saying in Qin Guan's Huan Sha:
Flying freely is as light as a dream.
Endless silk rain is as thin as sorrow!