Level 1: Start with "No, these are not enough"
Second floor: "I must be a kapok beside you" to the end.
Reason for division:
The first floor: the poet declared the gauntlet and declared that he didn't want to be a male minister.
Emotionally, the first level is rising tone. The poet directly listed six negatives in six concrete sentences, and the passionate and strong feelings were overwhelming, as if to spit out the resentment accumulated in women's hearts for thousands of years. It's resistance, it's freedom, it's struggle. The poet manifested himself as a brave soldier. The melody of this part is high-spirited, exciting and exciting.
The second floor: The poet has established his own view of love, which is the gentle expression of the poet's feelings. The poet expressed his inner dream with the warmth, sincerity and delicacy of women, like a stream and kapok swaying in the breeze.
Extended data:
Through the artistic technique of overall symbol and the inner monologue from "kapok" to "oak tree", this poem enthusiastically and frankly sings his own personality ideal and love view, which requires standing shoulder to shoulder, independence and affection.
It can be seen that the poet has carefully designed when choosing the materials for poetry creation: oak is so suitable to represent the masculine beauty of men, while kapok is so suitable to represent women's self-reliance and equality with men.
There are many images in To Oak, mainly oak trees and kapok trees, as well as Campbell flowers, birds, fountains, dangerous peaks, sunshine, spring rain, copper branches and iron stems, red flowers and so on. These images are not simply selected by the author at random, but are selected through comparison and careful consideration.
Every image has its symbolic meaning, and these images perfectly and naturally conform to the author's creative purpose and poetic theme.
Baidu encyclopedia-to oak tree