The reeds on the river bank are blue, and the dew in late autumn condenses into frost. The person I miss day and night is on the other side of the river.
Pursuing her against the current is a long and arduous journey. Look downstream, it seems to be in the middle of the water.
The reeds are lush by the river, and the dew is not dry in the morning. My ghost is on the other side of the river.
Sailing against the current to pursue her, the road is bumpy and difficult to climb. Look downstream, it seems to be in the middle of the sandbar.
The person I'm after is on the other side of the river. Looking downstream, it seems to be a sandbar in the water.
The original text is selected from The Book of Songs, National Style and Qin Feng.
original text
The Millennium is frost. The so-called Iraqis are on the water side.
Tracing back and forth, the road is blocked and long. Swim back from it, in the middle of the water
It's been a long time, and it hasn't changed for thousands of years. The so-called Iraqis are in the water.
Tracing back and forth from it, the road is blocked and broken. Swim back from the inside and swim in the water.
Jia Cai, peace and prosperity have not passed. The so-called Iraqis are in the water.
Go back and follow, the road is blocked and turn right. Swim back from the inside and swim in the water.
Extended data:
1, The Book of Songs, National Style, Qin Feng's writing background
This poem is written for those who admire it in their hearts. Chen Zizhan's "Three Hundred Poems for Solving Problems" said: "There is no doubt that the poem" Sword House "is a work that the poet wants to see but can't see. Who is this man? It is difficult to judge because there are different explanations.
2. The status of "national style" and the expression of emotion.
"National Style" is the essence of The Book of Songs and a bright pearl in the treasure house of ancient Chinese literature.
The folk songs of Zhou Dynasty with "national style" reflect the real life of working people with colorful pictures, express their unfair treatment under the condition of exploitation and oppression and their belief in striving for a better life, and are the source of China's realistic poems.
There are some poems in the "national style" that reflect the great pain brought to the people by the military corvee, such as Yin, Bo and Serviceman, which are the representative works of this kind of poems.
There are many love poems in "National Style". It is an important theme of this kind of love poems to reflect the great pain brought to women by unreasonable marriage and express the yearning and pursuit of young men and women for a happy marriage. Meng and Meng show us such a picture of life.
All these are true expressions of the thoughts and feelings of the working people.
References:
Baidu Encyclopedia-Guofeng Qin Fengjiajian