Such as: "The boatman's Ballad" "It's hard to be a post station when I grow up, and the official made me lead the post boat. There are more hard days and fewer happy days. Water is like a seabird. Against the wind, the water is heavy, all the way to Qiangang, followed by Vivi. In the middle of the night, it was snowing and raining, and he drove back. The cold clothes at night are wet and short, so why bother to wear them? There is nowhere to talk about hard work, and the boat songs sing together. How much is a cabin worth? Parents' hometown can't go! I hope this water will be a flat field, so that the boatman will not complain about heaven. "
This poem truly describes the tragic life of the tracker, shows its greatest pain and despair, and gives people a strong shock. Wang Jian's Yuefu poems are very well written by revealing the most tragic side of people's lives. In terms of artistic techniques, Wang Jian's Yuefu poems do not deliberately exaggerate social contradictions and tragic scenes, but mainly use implicit brushwork, which is concise and inspiring. For example, "Song of Sending Clothes" describes the feelings of a wife when she sends clothes to her husband who is far away from home. The whole poem is based on her wife. The expectation of "I wish I could go home and not be buried, and I wish I had a long coat" truly shows my wife's inner despair and helplessness, and her poems are very painful. Another example is "Tian Guxing", which describes the hard work of the Tian family for a year, and all of it is used to pay rent. Even so, Tian Jia still feels lucky, because "I don't look forward to the entrance, and I don't want to sell the yellow calf to the city." Tian Jia has no worries about food and clothing, and he is happy without seeing the county gate. " The people are satisfied and grateful for being able to avoid the government, which is a hint of the cruelty of the government. The whole poem expresses the sharp contradiction between the government and the people and the miserable life of the oppressed people with implicit brushwork. Another example is weaving by the window, weaving by the window, admiring a brothel, fingers can't move the skirt, gathering silkworms, and I heard that the village is urging weaving. Who am I going to do with? "The resentment of the weaver girl for something for nothing and the helplessness of her hard fate are all very profound. Another example is the "feather forest":
"Changan schoolyard bullies name, downstairs rob upstairs drunk. At dawn, it went straight into the palace of light and scattered among the pines and cypresses in the five tombs. A hundred times, people die together, and the forgiveness still has the power to collect the city. The news of the nine songs will be decided in one day, and the surname will be changed in the township official book. Still belong to the feather forest, standing in front of the temple to shoot birds. "
The last two seemingly casual descriptions vividly depict the rampant impunity of hooligans in Chang 'an. Wang Jian's poetic language is simple and relaxed, and his spoken language is widely used, but many of his works are not vulgar. Ye Jiao Ran's statement that "Wang Zhongchu's sentence quality is practical" (the first volume of Poems of Longxingtang) is a very accurate evaluation.