This is a mourning song of grief and indignation. Yue Fei's tragic death is a great tragedy in the history of China. Although Yue Fei died unjustly, his fame will remain in the hearts of people of all ages forever. In the fourth year of Jiatai in Song Ningzong (1204), Yue Fei was made king of Hubei, and the unjust case was cleared. It has been 62 years since Yue Fei was killed. Yue Tomb was built on the bank of the scenic West Lake. Although Yue Fei sealed Wang Jian's tomb, due to years of war, the cemetery was deserted and the scene was bleak. This poem was written to reflect this reality.
The first couplet used grass from the tomb to render the desolation of Yue tomb in autumn, and the cold and hard stone beast added a little sadness. The bleak scene in front of Yue Fei's tomb reveals the author's sadness. Next, through the comparison between the northern and southern monarch and ministers, I write about the perverse behavior of the monarch and ministers in the Southern Song Dynasty and the resulting consequences. The word "light" condemns the authorities in the Southern Song Dynasty for being overjoyed and not thinking about going north, which shows the author's condemnation and resentment. The word "Wang" is in sympathy with the elders in the Central Plains who endure suffering and overlook. A "light" and a "hope" are in sharp contrast. The Necklace League lamented the tragic death of Yue Fei, a hero who was entrusted with the heavy responsibility of the stars, which split the north and south of the world and even the Southern Song Dynasty was finally destroyed by the Mongols. The author sighed in the couplet: "Don't sing this song to the West Lake, the scenery is so sad." Full of affection that the lake remains the same and the rivers and mountains change hands. The last two sentences sum up the whole article, which is a commitment to the first two sentences in atmosphere and a combination of four sentences in emotion.
In terms of language characteristics, the whole poem is full of emotion, historical expression, discussion and emotion, and it is simple, popular and natural, sad and deep, with strong feelings and quite infectious. Poems praising the ancients generally like to use allusions, but this poem is simple in language and basically does not use allusions, which truly expresses the author's thoughts and feelings. As a descendant of Zhao and Song Dynasties, the author sincerely sang this mourning song for Yue Fei who died unjustly in Zhao and Song Dynasties, which was particularly touching. Tao's Record of Abandoning Farmland in the South Village: hundreds of poems about tombs. Its popularity is none other than Zhao Wei's works.
Dai's ancient poem "Preface to Song Xuezhai's Poems: Bao Xie" is still proud and arrogant.
Li Dongyang's Poems at the Foothills: "The monarch and ministers despise the country in the south, and the elders look at the standard in the central plains", which is profound and concise.
Hu Yinglin's poems: Zhao Chengzhi initiated vowels, while Matsuyuki Atsumu's poems are pitiful and humble. But the genre is elegant, the syllable is peaceful, and it naturally wins the country, not at the end of the Song Dynasty. In the meantime, the tombs of King Yue and King E are masterpieces.