Song Dynasty: Huang Tingjian
Yao Cao, He Bi, entered Wulingxi in spring. There are countless peach blossoms on the stream and orioles on the branches. I want to find my way among the flowers, go straight into the depths of white clouds and show my rainbow. I'm afraid that scarlet flowers will wet people's clothes.
Sit on the jade, lean on the jade pillow and brush the gold badge. Where is the fallen fairy? No one to accompany me. I am ganoderma lucidum, not a red face. What is a long whistle? Drunk dancing down the mountain, the bright moon belongs to everyone.
Translation of "The Journey of Water Turning Around"
Translation of "Water Swims around"
Yao grass is greener, and spring comes in Wuling Creek. There are countless peach blossoms on the stream, and orioles are on the flowers. I tried to find a way out among the flowers, but I went deep into the white clouds, and the top of the rainbow showed my heroism. I'm afraid the dew deep in the flowers will wet my clothes.
Sitting on the jade, leaning on the jade pillow, holding a gold badge. Where are the relegated immortals? No one will drink snail cups with me. I'm looking for ganoderma lucidum and grass, not for the sake of superficial prosperity, but for the sake of something. Drunk dancing down the mountain, the moon seems to be driving me home.
Notes on "Water Swim around"
⑴ Shuidiao Song Title: epigraph name, also known as Yuan, Taicheng Tour, Kaige, Jiangnan Good, Huajianji, etc. Double-tone 95 words, flat and even rhymes (flat and even rhymes were also used in Song Dynasty). According to legend, Emperor Yang Di started the Bianhe River to make water and tune songs, which were performed as Daqu in the Tang Dynasty, and "Song Tou" was the beginning of Daqu.
⑵ Yaocao: Cao Xian. Han Dong Fang Shuo's "Oriental Dazhong Collection Friends Book" says: "Don't lock the dust net saddle, laugh heartily, take off ten continents and three islands, pick up Yao grass and swallow the sun and the moon, and * * * gently lift your ear."
⑶ Wulingxi: Tao Yuanming's "Peach Blossom Garden" said that fishermen from Wuling County, Taiyuan, Shanxi Province entered the Peach Blossom Garden and saw that the residents in the cave lived a quiet and comfortable life, just like another world. Therefore, "Wulingyuan" or "Wulingyuan" is often used to refer to a beautiful and clean place far away from the hubbub. Wuling: The county name is roughly equivalent to Changde in Hunan today. The allusions of Taoyuan, in the poems of later generations, are often mixed with the legends of Liu Chen and Ruan Zhaojin meeting immortals in Tiantai Mountain.
(4) branches: one is "flowers".
⑸ "I want" three sentences: Jing Zhai Gu Jin Hong Volume 8: "Dongpo's" Water Tune Song Tou ":'I want to go home by the wind, but I am afraid of the beautiful buildings, and the heights are too cold. What is it like to dance to find a shadow?' Later, use this case more. Such as Lu Zhiyun:' I want to find my way among the flowers and go straight into the depths of the white clouds, and the rainbow will flow down. I'm afraid that scarlet flowers will wet people's clothes. "Gai Xiaopo can also speak English."
[6] "Red Dew" sentence: In the mountains written by Wang Wei in the Tang Dynasty, "There is no rain on the mountain road, and the air is green and wet."
(7) rely on: rely on. One is "Yan".
⑻ Golden Emblem: A golden decorative Qin Emblem, which is used to determine the festival of high and low piano sound. This refers to the piano.
Immortal: an immortal in exile. Preface to Li Bai's "Celebrating Prison with Wine": "Prince He Gong () was seen in Chang 'an Palace, and was called the fallen fairy. "
⑽ screw cup: a wine glass with a white screw shell.
⑾ Ganoderma lucidum: A fungus. The ancients believed that Ganoderma lucidum could prolong life and revive the dead, so it was called Cao Xian.
⑿ "Drunk Dance" sentence: Li Bai's "Xiazhongnan Mountain to Hu Si Pillow Bowl": "At dusk, the blue mountain, the moonlight is for me."
Appreciation of mink head tour
This word is a work of spring travel. With a fantastic lens, the poet described the scene of wandering in the "Peach Blossom Garden", which reflected his outlook on life when he was born into the WTO, and showed his dissatisfaction with the dirty real society and his moral quality of being unwilling to seek glory from kitsch. From this point of view, this word was written in the period when the poet was relegated.
In the first sentence, the poet used metaphor to praise Yao Cao (Cao Xian) as lovely as jasper, which made the lyrics give people a good impression from the beginning, aroused people's interest, and unconsciously introduced readers into the artistic realm of his works. Starting from the second sentence, the beautiful scene of the celestial world is described layer by layer by flashback.
Spring into Wuling Creek has the function of connecting the preceding with the following. Here, the poet skillfully used the allusions in Tao Yuanming's Peach Blossom Garden. Tao Yuanming described this imaginary ideal country and showed his dissatisfaction with the real society. Huang Tingjian used this allusion, and his intention is self-evident. The author of these three sentences came to the "Peach Blossom Garden" in spring, where streams gurgled and peach blossoms were everywhere, and the orioles on the branches kept singing melodious songs.
In the sentence "I want to find my way among the flowers", the writer has to walk through the flowers in the Peach Blossom Garden, all the way to the top of the mountain where the white clouds float, spit out his pride and turn it into a rainbow. Here, the poet further twists and turns to express his dissatisfaction with reality and fantasizes that he can find an ideal world where he can freely display his talents.
But the phrase "I'm afraid of flowers, and my skirt is red and wet" reveals the contradiction that he is tired of troubled times but unwilling to leave. The metaphors and symbolism used by poets are full of poetry.
The phrase "red dew wets people's clothes" is beyond Wang Wei's poem "There is no rain on the mountain road, and the green air wets people's clothes" ("In the Mountain"). Huang Tingjian changed the "empty jade" into "red dew", which is integrated with the previous poems.
The next film follows the writer's narcissistic and different ideas. With rich imagination, the poet expressed his great ambition and uniqueness by "sitting on the jade, leaning on the jade pillow and brushing the golden emblem (playing the lyre)". "Where is fallen fairy? No one accompanied me to the white snail cup. On the surface, it means that Li Bai has left, and there is no one to drink with him. The implication is that he lacks a confidant and feels extremely lonely. He took the ancients as his confidants instead of the people of the time, and expressed his dissatisfaction with reality in a tortuous way.
The words "I am ganoderma lucidum and fairy grass" express the true meaning of his exploration here. "Fairy grass" means "Yao grass" at the beginning, and the third sentence of "red lips and red face" means "peach blossom on the stream". Su Shi chanted a poem of begonia in Dinghui Garden in Huangzhou: "The lips are drunk and the sleeves are wrapped in meat." The beauty of flowers is similar, so it can also be used to say peach blossom here. These two sentences are the language of metaphor and symbol, and the intention is the fourth sentence in Li Bai's Twelve Poems of Imitating the Ancient: "Be ashamed of the world's glory and cherish your own heart". "What is a long whistle" means that you don't have to worry and sigh about not getting fame and fortune.
The protagonist in this poem, Gao Hua, is aloof and unconventional, and seems to be an outsider. The poet described the mountains and rivers in nature with a quiet and peaceful style, without a trace of dust and customs. In fact, he wants to imagine a world where he enjoys himself, is intoxicated with himself and lingers, so as to fight against the real society full of power and deception and forget the troubles of the world.
This word is Huang Tingjian's Spring Tour. Huang Tingjian once participated in the compilation of Records of Zongshen, mocking Zongshen's water control measures with words, and was later falsely labeled as a "country of schadenfreude", so he was exiled to the southwest twice in his later years. This poem is about the author's relegation in his later years.
Brief introduction of the author of "Water Turning Around"
Huang Tingjian (A.D. 1045—— A.D. 1 105), whose real name was a Taoist in the valley, was later named Fu Weng, also known as Mr. Yu, Han nationality, and was from Fenning, Hongzhou (now xiushui county, Jiujiang City, Jiangxi Province). Poet, poet and calligrapher in the Northern Song Dynasty, the founder of Jiangxi Poetry School, and Du Fu, Chen are also called "one ancestor and three schools" (Huang is one of them). Song Zhiping was a scholar in the fourth year (AD 1067). Professor Ye Xianwei from Beijing, Professor Lang Xianping from imperial academy, School Book Lang, Cao Zuolang, Secretary Cheng, Fuzhou Biejia, Guizhou Resettlement House, etc. In terms of poetry, he and Su Shi are also called "Su Huang"; In terms of calligraphy, he, Su Shi, Mi Fei and Cai Xiang are also called "four great masters in Song Dynasty". In terms of lyrics, although he was once known as Qin Guan, Huang's achievements in lyrics are far less than Qin Guan's.