He Jiang is one of the representative poets of the misty poetry school, and Variations on the Stars is one of his important poems. Obscure poetry is a very important literary genre in the new period. It is the product of a group of young people who began to awaken their self-awareness in the late Cultural Revolution, reflected on reality in the form of poetry, and pursued the aesthetic value of poetry independence. It refers to a group of young poets who grew up in the "Cultural Revolution", represented by Yi, Gu Cheng, Duo Duo, Zhi Yi, Munk and He Liang. The Change of Stars embodies some typical features of obscure poetry in terms of poetic theme, creative skills and poetic skills. This lyric poem symbolizes light with "stars", that is, poetry, spring, warmth, hope, freedom and other most beautiful things in life. However, the "stars" in the poem have their specific situation and significance, that is, they show not brilliant sunshine, but little light shining in the boundless darkness, which sustains the poet's persistent pursuit of ideals in reality. The whole poem consists of two basically symmetrical sections, and each section 16 line starts with the hypothetical sentence "If ……", which has the momentum of one go. The whole poem takes "star" as the main image, lyrical and freehand under the premise of hypothesis, which shows the deviation between reality and ideal and the poet's desire for light. Four lines before the first festival, it is written that people look up at the stars and regard the stars as distant comfort. This is because darkness has enveloped the earth. This conditional sentence headed by "if" constitutes a powerful denial of the dark reality. The following twelve lines are three rhetorical questions that begin with "Who doesn't want to", "Who doesn't want to" and "Who doesn't like". Each rhetorical question leads to a set of progressive metaphors, and uses a series of beautiful images to write the bright world that the poet yearns for: it is a poetic world, a world as soft as a summer night, and a world as warm and charming as spring. The second part uses the same structure, similar sentence patterns and progressive metaphors as the first part, but its first 12 line is changed from "who doesn't need ... who will ... who won't" to "who needs ... who will ... who will" in a negative way, and the content changes from longing for light to reality. The four sentences before this festival, like the four sentences before the last festival, all adopt the hypothetical sentence of "if", which together constitute the denial of reality and express the hope of freedom from affirmation to negation. Write down the cold and suffering of reality from the following eight lines "Who Will". In this real world, poets always write poems of suffering year after year. The night freezes and the thin stars are blown off by the wind. These descriptions are in sharp contrast to the atmosphere in the first section. In the last four lines, the affirmative sentence "Who doesn't like ..." used in the first section is restored, which shows the poet's determination to pursue light: the poet is willing to burn himself when the stars in the sky are tired and light up the dark earth instead of them. The theme of this poem expresses the denial of dark and cold reality, the yearning and pursuit of ideals, and the firm hope despite confusion and loss, which is very representative in oboro poetry. In art, it can also reflect some characteristics of misty poetry. If you don't directly express or present your thoughts and feelings, you always use some objects to imply or indirectly express your experiences. Such as stars, poems, bees, fireflies, water lilies, spring, birds, white lilacs and so on. It is used to symbolize a bright and beautiful ideal world, and night, ice and snow, frozen night, rigid land, stars scattered by the wind, etc. They are all used to express the dark and cold real world, which makes this poem subtle and beautiful. This expression is very similar to China's ancient poems.
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