Sauvignon Blanc
"Sauvignon Blanc: Mountain Yicheng" is a poem written by the Qing Dynasty poet Nalan Xingde in the 21st year of Kangxi (1682). The translation and appreciation of this poem are compiled below for reference.
"Sauvignon Blanc·A Journey to the Mountain" by Nalan Xingde
A journey to the mountains, a journey to the water, walking towards the bank of Yuguan, a thousand tents of lights in the dark night.
The wind is blowing, the snow is blowing, my hometown is shattered, my dreams are gone, and there is no such sound in my hometown.
Translation:
After trekking through mountains and rivers one journey after another, the soldiers marched non-stop towards Shanhaiguan. The night was already deep, and thousands of tents were lit with lamps.
The wind is blowing outside and the snowflakes are falling, which makes the homesick soldiers unable to sleep. In my warm and peaceful hometown, there is no such noise as the howling cold wind and dancing snowflakes.
The upper column writes about the face and the outside, laying out the grandeur; the lower column writes about the points and the interior, and expresses the mood. The selections are all ordinary things, such as mountains, rivers, wind, snow, lights and sounds. It also uses short, concise and easy-to-understand sentences, arranged lightly and neatly. It's easy to pick up and doesn't show any polish. The whole article integrates delicate emotions into the majestic scenery, showing the extraordinary. The author uses large objects such as mountains, water, thousands of tents of lanterns, wind, and snow to express his delicate emotional thoughts. Lingering but not decadent, the tenderness reveals the man's generous ambition to serve the country by guarding the frontier. It is not as majestic, sad, desolate, and majestic as ordinary frontier poems, but has a graceful style and a lingering tone. It lacks the cadence of Shen Xiong and has more of the lingering mood of a little daughter.
Thank you for reading and wish you a happy life.
Sauvignon Blanc
Nalan Xingde
Translation:
The soldiers worked tirelessly across mountains and rivers and marched non-stop towards Shanhaiguan. The night was already deep, and thousands of tents were lit with lamps.
It was windy and snowy outside, which woke up the soldiers in their sleep and reminded them of their homesickness. How warm and peaceful their hometown was, how could there be such a howling wind and dancing snowflakes? The noisy sound.
Appreciation:
The first film "A journey of mountains and a journey of water" describes the hardships, twists and turns of the journey, the distance and length. The poet climbed mountains and ridges, boarded boats and waded in rivers, one journey after another, getting further and further away from his hometown. These two sentences use repeated rhetorical methods and repeatedly use the word "a journey" to highlight the long journey. "Walking towards the bank of Yuguan" points out the direction of travel. The poet here emphasizes that the "body" is toward Yuguan, which also implies that the "heart" is toward the capital. It reminds us of the poet's nostalgia for his homeland, looking back frequently, and faltering. The word "Napan" has a rather distant emotional tone, which shows that the poet is helpless when he is ordered to travel to "Yuguan" this time.
The mood here is expressed by describing the surrounding situation, which actually expresses Nalan's deep attachment and nostalgia for his hometown. A young man in his twenties, who was in his prime, came from a wealthy and scholarly family, and had the privileged position of the emperor's personal bodyguard. He should have been proud of himself, but it was precisely because of this important status and his own cautious mind that Nalan did not Being able to enjoy the life of a man in war in peace, he often thinks of his family and his hometown. Yan Dichang's "History of Qing Ci": "Thousands of lanterns at night are magnificent, but what kind of mood is it when thousands of sleepless hometown hearts are illuminated by thousands of lanterns? One warm and one cold, the contrast between the two makes the whole story I feel tired of being subordinated. ""A Thousand Tents of Lights in the Dark" is not only the climax of the emotional brewing in the first film, but also a natural transition between the first and second films, serving as a link between the past and the future. After traveling long distances during the day, people set up tents in the wilderness at night and prepared to go to bed. However, it was late at night, and the lights in the "Thousand Tents" were shining brightly. Why did they stay awake late at night after the fatigue of traveling?
The beginning of the second film, "The first watch of the wind, the first watch of the snow" describes the desolate and cold outside the Great Wall, where the snowstorm continued all night long. Continuing from the previous film, it explains the reason behind "thousands of tents with lights at night" and the reason for being sleepless at night. The contrast between "a journey of mountains and a journey of water" and "a watch of wind and a watch of snow" also hints at the poet's deep tiredness towards the wind and rain in life. First of all, the mountains are long and the rivers are wide, and the journey is long and arduous. In addition, there is bad weather. Even in the spring of March, it is windy and snowy, cold and miserable. Such weather and circumstances make Nalan look at the surface. The gorgeous and flamboyant life gives rise to a long sigh of relief and a deep feeling of tiredness and fatigue. "Watch" is the old night time unit, and one night is divided into five watches. The word "first watch" appears repeatedly, highlighting the situation outside the fortress where strong winds and blizzards were pounding the tents alternately. How could this not make the poet express a plaintive complaint: "The dream of breaking my hometown is shattered, and there is no such sound in my hometown." In the dead of night, it is the time to miss home, not to mention the bitter cold weather with "the first watch of wind and the first watch of snow". On a windy and snowy night, the family is not afraid of anything when they are together. But camping far outside the Great Wall, in the dead of night, with the wind and snow filling the air, my mood was very different. The journey was long, and it was hard to express my feelings. I tossed and turned and couldn't sleep. "The broken hearts and dreams cannot come true" echoes the previous film "A Thousand Tents of Lights in the Dark", directly answering the reason for being unable to sleep late at night. The word "聒" in the concluding sentence is used very cleverly, expressing the momentum of the violent wind and snow, and expressing the poet's disgust for the violent storm and snow. The wise and wise words of "The heart of the country is shattered and dreams cannot come true" can be said to be natural.
From the magnificent artistic conception of "A Thousand Tents of Lights in the Deep Night" to the euphemistic sentiment of "There is no such sound in the hometown", it is not only a vivid reproduction of the poet's personal life experience, but also his ability to discover beauty in life and use the scenery to describe it. A heart-felt performance, full of thoughts and feelings quietly popping up on the page.
The most popular thing about Journey to the End of the World is the artistic conception of being in a foreign land and dreaming of returning to your homeland, which is "a journey of mountains and a journey of water."
This poem uses line drawing techniques, simple and natural language, and expresses real emotions, which is highly praised by predecessors. The poet embodies the feeling of homesickness in the description of the scene. The style is light and simple, natural and elegant, expressing one's feelings directly without any trace of engraving.
The writing background of the ancient poem Sauvignon Blanc
"Sauvignon Blanc" was written by Nalan Xingde, a poet in the early Qing Dynasty. This song "Song of Love" uses a specific process of time and space and audio-visual experience to not only express the grandeur of the scene, but also to express the long and deep state of mind. It is a masterpiece that can see the big from the small.
On February 15, 1682 AD (the 21st year of Kangxi), Yunnan was pacified. Emperor Kangxi went out to visit Guandong and offered sacrifices to the Fengtian ancestral mausoleum. The poet followed Emperor Kangxi to Yongling, Fuling, and Zhaoling to offer sacrifices, and left Shanhaiguan on the 23rd. The wind, snow, and bitter cold weather aroused the poet's longing for his family in the capital, so he wrote this poem.
Mountains are one step away, and water is one step away. Walking towards the bank of Yuguan, there are thousands of lights in the night.
The wind is blowing, the snow is blowing, my hometown is shattered, my dreams are gone, and there is no such sound in my hometown.
After traveling through mountains and rivers one journey after another, the soldiers marched non-stop towards Shanhaiguan. The night was already deep, and thousands of tents were lit with lamps.
The wind kept blowing outside the tent, and the snowflakes could not stop. The noisy sound shattered the dream of homesickness, thinking that there was no such sound in my hometown thousands of miles away.
The first part of the poem opens with amazing words. The poet overlaps two "one journeys" to highlight the feeling of a long road. This sentence is an adaptation of Li Yu's "one mountain, two mountains". Li Yu only used the image of mountains, while Nalan Xingde added water, which can be said to be better than blue. "Going to the bank of Yuguan" pointed out the direction, and they set off all the way to Shanhaiguan.
The most beautiful words in the whole poem are the last five words in the first part, which have always been highly praised by famous writers. "Thousands of tents with lanterns in the night" refers to the candle lanterns lit by the soldiers in the tents. Thousands of tents are outside the fortress, forming a special picture. The poet's perspective is high and far, and the candlelight in the tent is shining. Under every candlelight, there is a heart longing for home. Wang Guowei believes that these five characters express the artistic conception of "the sun sets over the long river".
The second part of the poem describes the wind and snow outside the Great Wall. The mountains and rivers in the first film are the span of space, while the wind and snow in the second film are the dimensions of time. The sound of wind and snow disturbed Zhengren's dream, and the poet used the verb "smashing" to describe it, which was extremely poignant. The last sentence is also a clever word. From the wind and snow in front of me, I think of the tranquility of my hometown, where there are no such annoying sounds.
The whole word is simple in language and sublime in artistic conception. The "Thousands of Lanterns in the Dark Night" in front of me is magnificent, while the "No Such Sound in My Hometown" in my heart is graceful and touching. The contrast between the two shows the poet's delicate and longing for home.
Nalan Xingde (1655-1685): a poet of the Qing Dynasty. His original name was Cheng De, but he changed his name to De in order to avoid the taboo of Prince Bao Cheng. His given name was Rong Ruo, his nickname was Lengya Mountain, and he was a native of Zhenghuang Banner in Manchuria. The eldest son of university scholar Nalan Mingzhu grew up in Beijing. Good at riding and shooting, and good at reading. He has a thorough knowledge of classics and history, is familiar with traditional academic culture, and is especially good at writing lyrics. In the fifteenth year of Kangxi's reign (1676), he became a Jinshi and was awarded the third-class guard of the Qianqing clan, and later moved to the first-class guard. The retinue patrolled the north and south, and once sent an envoy to Suolong (Heilongjiang River Basin) to inspect Tsarist Russia's intrusion into the Northeast. In the 24th year of Kangxi's reign, he died of a sudden illness at the age of thirty-one.
The poems are famous for their small poems, mostly sentimental and sometimes vigorous. I can also write poetry. There is "Tongzhitang Collection". The collection of poems is called "Nalan Ci" and has a separate version. He also collaborated with Xu Qianxue to compile and engrave various scriptures since the Tang Dynasty as "Tongzhitang Jingjie".
Thank you for reading and wish you a happy life.
The writing background of "Long Love" is: On February 15, the 21st year of Kangxi, Emperor Kangxi went out to Guandong to patrol the ancestral mausoleum of Fengtian due to the pacification of Yunnan. The poet followed Emperor Kangxi to Yongling, Fuling, and Zhaoling to offer sacrifices, and left Shanhaiguan on the 23rd. The wind, snow, and bitter cold weather aroused the poet's longing for his family in the capital, so he wrote this poem.
"Sauvignon Blanc·A Journey to the Mountain" is a poem written by the Qing Dynasty poet Nalan Xingde in the 21st year of Kangxi (1682). At that time, Emperor Kangxi went out to Guandong to visit the ancestral mausoleum of Fengtian due to the pacification of Yunnan. The poet followed Emperor Kangxi to Yongling, Fuling, and Zhaoling to offer sacrifices, and left Shanhaiguan on the 23rd. The wind, snow, and bitter cold weather aroused the poet's longing for his family in the capital, so he wrote this poem. The first film describes the trek and the stationing along the way, mixed with a lot of helpless emotions; the second film describes the storm and snow at night, which shattered the dream of hometown and made me feel more melancholy. The whole poem describes the soldiers' longing for their hometown while away from home, and expresses their long and deep feelings. The language is simple and meaningful, and the scenery is grand and contrasting.
Nalan Xingde (January 19, 1655 - July 1, 1685), Yehenala, named Rongruo, was born in Langjia Mountain. His original name was Nalan Chengde. To avoid Prince Baocheng (Aixinjueluo Yinreng), he changed his name to Nalan Xingde. A native of Zhenghuang Banner in Manchuria, he was a poet in the early Qing Dynasty.
Nalan Xingde read poetry and books since he was a child, and studied both literature and martial arts. He entered the Imperial Academy at the age of seventeen and was appreciated by Xu Yuanwen, who offered wine as a sacrifice. At the age of eighteen, he passed the examination and became a tribute scholar the following year. In the 15th year of Kangxi's reign (1676), he ranked seventh in the second class of the palace examination and was awarded the title of Jinshi. Nalan Xingde once worshiped Xu Qianxue as his teacher.
In two years, he presided over the compilation of a Confucian compilation "Tongzhitang Jingjie", which was highly appreciated by Emperor Kangxi. He was awarded the title of first-class bodyguard and accompanied him on many tours.
In May of the 24th year of Kangxi (1685), Nalan Xingde passed away at the age of thirty-one [14] .
Nalan Xingde's poetry is characterized by "truth", and his descriptions of scenes are lifelike and vivid. His style of poetry is "clear and graceful, with a strong sense of sadness, high style and far-reaching rhyme, and is unique." He is the author of "Tongzhitang Collection", "Zi Mao Collection", "Drinking Words", etc. [1]
Nalan Xingde
Nalan Xingde (1655-1685), a Manchurian, named Rongruo, also known as Lengjiashanren, was one of the most famous poets in the Qing Dynasty. one. His poem "Nalan Ci" enjoyed a high reputation in the Qing Dynasty and even the entire Chinese poetry circle, and also occupied a glorious place in the history of Chinese literature. He lived during the period of integration of Manchu and Han Dynasties, and the rise and fall of his aristocratic family was typically related to the state affairs of the dynasty. Although he serves the emperor, he longs for ordinary experiences. The special living environment and background, coupled with his personal extraordinary talent, give his poetry creation a unique personality and distinctive artistic style. The "Magnolia Order·Ancient Judgment" that has been passed down to this day - "If life is only as it was when we first met, why is the autumn wind sad and painted on the fan? It is easy to change the heart of the old, but it is said that the heart of the old is easy to change." Full of artistic conception, it is one of his many representative works one. ? 308 poems ? 1117 famous lines
When Nalanxingde was 22 years old, he took the Jinshi examination again and ranked seventh in the second class. Emperor Kangxi made an exception by granting him the official position of third-class bodyguard, and later he was promoted to second-class, and then to first-class. As the imperial bodyguard beside the emperor, he participated in romantic and elegant poetry and prose as a handsome and mighty military attaché. He accompanied the emperor on hunting tours in the south and north, traveled far and wide, and was ordered to participate in important strategic reconnaissance. He sang poems with the emperor and translated and translated works. Because of his holy will, he was rewarded many times. He was an enviable young talent with both civil and military skills and was the emperor's most valued companion. Close ministers, dignitaries with a bright future.
But as a prodigy in poetry and art, deep down he was tired of the vulgar officialdom and the life of a servant, and had no interest in fame or fortune. Although "I am in a high gate and a wide mansion, I often think about the mountains and rivers, fish and birds." His poems and prose are all excellent, especially his lyrics, and he is world-famous. When he was 24 years old, he compiled and selected his poems into a collection called "Side Hat Collection" and wrote "Drinking Water Ci". Later, someone added and filled in the gaps in the two collections, totaling 349 poems, edited by one editor. , combined into "Nalan Ci". The handed down "Nalan Ci" enjoyed a high reputation in society at that time and was highly praised by literati and bachelors. It became an outstanding representative of the Ci community of that era. People at the time said, "Every family is competing to sing "Drinking Water Ci". How many people know about Nalan's thoughts?" This shows the great influence of his Ci.
In terms of making friends, the most outstanding feature of Nalan Xingde is that the people he makes friends with are "all handsome and different at the same time, and they are said to be difficult to get along with in the world." Most of these people who do not want to conform to the conventional are from Jiangnan. Han civilian literati, such as Gu Zhenguan, Yan Shengsun, Zhu Yizun, Chen Weisong, Jiang Chenying and so on. Nalan Xingde was extremely sincere to his friends. He was not only generous with his wealth, but also respected their character and talent. Just like Lord Pingyuan who had three thousand guests, many celebrities and talented people surrounded him at that time, making his residence in Lushui Pavilion (now Song Qingling) The former residence Neen Bo Pavilion is famous for the elegant gatherings of literati and poets, and objectively it also promoted the cultural prosperity of Kangxi and Qianlong. The reason is that, to a certain extent, Nalan Xingde could learn the knowledge of Han culture that he admired from Han intellectuals, and more importantly, he had lofty ideals and noble personality that were different from those of ordinary playboys of Manchu nobles. This obviously made his actions deviate from the mainstream of society, thus becoming a focus of research for later generations.
Nalan Xingde was born on the twelfth day of the twelfth lunar month in the eleventh year of Shunzhi (January 19, 1655 AD). Nalan had read poetry and books since he was a child, and studied both literature and martial arts. At the age of seventeen, he entered the Imperial College and was sentenced to death. Xu Wenyuan appreciated the wine sacrifice and recommended it to Xu Qianxue, the bachelor of the cabinet. At the age of eighteen, he took part in the Shuntian Prefecture Township Examination and passed the examination. At the age of nineteen, he passed the examination and became a tribute scholar. In the twelfth year of Kangxi's reign, he missed the imperial examination due to illness. In the 15th year of Kangxi's reign, he took the supplementary imperial examination and passed the second, seventh and seventh place in the examination, and was awarded the title of Jinshi. During this period, Nalan Xingde studied hard and worshiped Xu Qianxue as his teacher. Under the guidance of famous teachers, he presided over the compilation of a Confucian compilation - "Tongzhitang Jingjie" in two years, which was highly appreciated by the emperor and laid the foundation for future development. He also compiled his knowledge and insights from the classics and history into a four-volume "Lushui Pavilion Miscellaneous Knowledge", which contains knowledge of history, geography, astronomy, calendar, Buddhism, music, literature, textual research, etc., showing considerable Broad knowledge and hobbies.
Imperial Guard
Nalan Xingde was only 22 years old when he became a Jinshi. Kangxi loved his talent, and because Nalan was of prominent origin, his family was related to the royal family (Nalan Lan's mother was born in the Aixinjueluo royal family; Nalan's great-grandfather Jin Taiji was a Belle of the Yehe tribe, and his sister Meng Guge was Huang Taiji's biological mother), so he was left by Kangxi to serve as a third-class bodyguard, and was soon promoted to A first-class bodyguard who accompanied Kangxi on many tours. He also sent Solon as an envoy to inspect the situation of Tsarist Russia's invasion of the border areas.
Poems of Expression
As the eldest son of Nalan Mingzhu, an important minister of the dynasty, he was destined to be rich and prosperous, with flowers blooming. As the emperor's side, he participated in romantic and elegant poetry as a handsome and powerful military officer. He accompanied the emperor on hunting tours in the south and north, traveled far and wide, and was ordered to participate in important strategic reconnaissance. He sang poems with the emperor and translated and translated works. Because of his holy will, he was rewarded many times. He was an enviable young talent with both civil and military skills and was the emperor's most valued companion. Close ministers, dignitaries with a bright future.
However, as a prodigy in poetry and art, he was indifferent to fame and wealth, and deep down he hated the vulgarity and hypocrisy of officialdom. Although he "lived in a high-rise building, he often thought of fish and birds in the mountains and rivers." Although Nalan knew how to ride, shoot, and study all his life, he was not able to express his enthusiasm in his position as a first-class bodyguard.
In the 13th year of Kangxi (1674), Nalan married Lu, the daughter of Lu Xingzu, the governor of Guangdong and Guangxi. In the 16th year of Kangxi's reign, Lu passed away in childbirth. Nalan's mourning voice broke through the air and became the highest peak in "Drinking Water Ci". Later generations could not surpass it, and even he himself could not surpass it.
When Nalan Xingde was 24 years old, he compiled and selected his poems into a collection called Side Hat Collection, and also wrote Drinking Water Ci. Later generations added and filled in the gaps in the two collections of poems, totaling 349 poems, and combined them into "Nalan Ci". The handed down "Nalan Ci" enjoyed a high reputation in society at that time and was highly praised by literati. People at the time said, "Every family is competing to sing "Drinking Water Ci". How many people know about Nalan's thoughts?" This shows the great influence of his Ci.
Nalan Xingde’s friends “were all handsome and different for a while, and they are known in the world as those who are difficult to get along with.” Most of these people who did not want to conform to the secular world were commoner literati from the south of the Yangtze River, such as Gu Zhenguan, Yan Shengsun, Zhu Yizun, Chen Weisong, Jiang Chenying, etc. Nalan Xingde was extremely sincere to his friends. He was not only generous with money, but also respected their character and talent. Just like "Pingyuan Lord had three thousand diners", many celebrities and talented people who wanted to be promoted and made a fortune gathered around him at that time, making his residence in Lushui Pavilion (Today's Enbo Pavilion in Soong Ching Ling's former residence) is famous for the gathering of too many imperial literati of Kangxi.
Everyone who collects books
Nalan Xingde loved books and collected them all his life. He studied classics under the tutelage of Gu Zhenguan, Chen Weisong and Xu Qianxue. He once spent 400,000 gold to compile various Confucian classics since the Song Dynasty, which were engraved into 1860 volumes of "Tongzhitang Jingjie" (later scholar He Zhuo compiled the "Tongzhitang Jingjie Catalog"). Compiled "Selected Poems of the Tang Dynasty". He is the author of "Tongzhitang Collection", "Drinking Ci", "Lushui Pavilion Miscellaneous Knowledge", "Collection of Yi Yi Collection", "Abridged and Supplementary Words of Daxue Yi", "Ci Yun Zheng Lue", "Chen's "Book of Rites" and other books. In his later years, he devoted himself to classics, history, calligraphy, and poetry. He asked his friends Qin Songling and Zhu Yizun to purchase scriptures and interpretations from various schools in the Song and Yuan Dynasties. They obtained more than 140 manuscripts, surrounded by thousands of ancient books, and built library "Tongzhitang" and "Coral Pavilion" to recite songs, evaluate calligraphy and paintings, and appraise collections. Ancient books are a pleasure. The books in the collection are printed with the words "Coral Pavilion", "Embroidered Buddha Studio", "Yuanyang Pavilion" and other words.
Died young
Nalan Xingde fell ill in the late spring of the 24th year of Kangxi (1685). He got together with his friends, got drunk, chanted and sighed three times, and then fell ill. rise. Seven days later, he passed away on May 30, the twenty-fourth year of Kangxi (July 1, 1685 AD), at the age of only thirty (thirty-one years old). Nalan Xingde is buried on a platform in the north of Shangzhuang Village, Shangzhuang Township, Haidian District, and west of Zaojia Tun. Built in the third year of Shunzhi in the Qing Dynasty, the total area is about 340 acres. The cemetery is divided into two parts, South Shoudi and North Shoudi. There are 9 treasure tops and two earth tombs.
The dome of Nalan Xingde's tomb is grand, with a base of bluestone, a middle part of the dome made of white marble, engraved with patterns, and the upper part a semi-dome made of solid soil. The Nalan family cemetery was basically well preserved during the Qing Dynasty, but was stolen many times later. During the "Cultural Revolution" in 1966, it was severely damaged. In the winter of 1970, it was completely demolished.
Gu Zhenguan: Rong Ruo is extremely talented and leisurely outside the world. The music he creates is so graceful and desolate that it makes readers feel sad and happy without knowing where it belongs. It is like listening to Buddhist chants at night, feeling sad at first and then happy.
Gu Zhenguan: Rong Ruo's poems are so sad and sad that it makes people unable to read them. When people talk about sadness, I feel sad.
Chen Weisong: The poem "Drinking Water" has a strong sense of sadness and is inherited by two masters of the Southern Tang Dynasty.
Zhou Zhiqi: Nalan Rongruo was the successor of Li Chongguang in the Southern Tang Dynasty. It is said that the sound of nature can be brought to light, but it may be beyond the reach of human beings. If the long tunes are often discordant, the small tunes are high-pitched and far-reaching, and are extremely lingering and graceful. They can make the Tang Dynasty fall into despair and continue again. Its character is inferior to that of Shu Yuan and Fang Hui?
Kuang Zhouyi: Rongruo is a young man in peace, a young man in black clothes, and extremely talented. It is suitable to inherit the Yuan Dynasty and the Ming Dynasty. I really want to respect Si Dao and wash away the ridicule of carving and seal cutting. It's a pity that my life is not forever, my strength is not full, and I am unable to withstand the task of decline. The words he writes are pure and willful, spotless, willing to be harmonious, and free to be picked. How difficult is it to progress to calmness and muddiness.
Wang Guowei: Nalan Rongruo sees things with natural eyes and expresses emotions with natural tongue. When he first entered the Central Plains, he was not infected with the customs of the Han people, so he could really do this. Since the Northern Song Dynasty, only one person!
Chen Tingzhuo: The wording of the drinking water poem is simple
Rongruo drinking water poem was also promoted as Zuoshou in the early years of the Republic of China. It seems to be more leisurely and elegant than Dongbaitang Ci (written by Tong Shinan). However, the artistic conception is not profound and the wording is superficial. The rest of the prizes include the first column of Linjiangxian (Hanliu) and the three poems of Tianxianzi (Autumn Night at Lushui Pavilion) and Jiuquanzi (one piece by Xie Quetumi), and the rest are equally distributed. Another Bodhisattva said: "The willow trees are like silk. It's the end of spring in my hometown." It is also sad and sincere, also leisurely and beautiful, quite like Fei Qing's words, but it is a pity that it is not mentioned throughout the whole article. Too often quoted: "Dreams are not clear. Why bother to wake up from the dream." It is also quite sad and alarming, but the artistic conception has fallen to the second level. "Bai Yu Zhai Ci Hua"
Nalan Manor
Nalan Xingde's grandfather Niyahan entered the pass from the dragon. Because of his meritorious service in the battle, he was awarded the rank of Cavalry Commander, and he was in the northwest of the capital. There are enclosures in Zaojiatun. Zaojiatun was originally called Zaojiao, named after the Chinese soapberry tree. Stone tigers from the Jin Dynasty were unearthed nearby. During the Yuan Dynasty, it was a royal camp and was known as "Zapiao Nabo" in history. A military camp was established in the Ming Dynasty and was called Zaojiao Village. In the northwest corner of Zaojia Village, there is a rectangular village courtyard named Siyuan Village.
It is said by old people in Zaojiaotun that Siyuan Village was the silver drying yard of the Mingzhu family. It was actually a manor in the countryside where rented silver was collected. Niyahan died of illness in the third year of Shunzhi (1646), and his son Zheng Ku took up the post and raised the 12-year-old Mingzhu. In the eighth year of Shunzhi (1651), Mingzhu entered Luan Yiwei at the age of 17. In the same year, she married Wugege, the British prince Azige who was sentenced to death. In the winter of the eleventh year of Shunzhi (1655), Nalan Xingde was born. Siyuan Village has always been a rural garden for Mingzhu and her family. In the 1970s, Siyuan Village still had remnants of walls and ancient wells.
Mingzhu built an ancestral grave in Zaojiatun. Siyuan Village became the Bingshe where the spirit rested. Outside the west wall of Siyuan Village is a small river. There is a bridge on the river named Siyuan Bridge. The coffin must pass through Siyuan Bridge before being buried before entering the cemetery. Siyuan Manor was completed as Bingshe, and Mingzhu rebuilt a new manor across the river to the south of the cemetery. The locals called it Mingfu Garden. Mingfu Garden is located in the north of Shangzhuang Village, across the river from the ancestral graves of the Nalan family. Mingfu Garden, like Siyuan Village, was rebuilt on the building foundations left by the previous dynasty. According to the research of scholar Mr. Xu Zheng, the Sanhe earthen walls of Siyuan Village and Mingfu Manor should be the remains of Zaojiao Nabo in the Yuan Dynasty. During the Ming Dynasty, it was the location of Yuheyi Granary.
Mingfu Manor covers an area of ??more than 200 acres, with a length of more than 650 meters from east to west and a width of more than 210 meters from north to south. The manor is divided into three functional areas. The east is the horse pen, garage and servants' residence, the west is the garden, and the middle is the main body of the manor, with large and small courtyards distributed there. The Nalan family cemetery has had tombkeepers stationed as usual since the Lu family was laid to rest. In the fifty-eighth year of Kangxi (1719), Geng, the last wife of Kuixu who was buried in the Nalan family cemetery, reported to Emperor Kangxi: "I have ten maids, and the eunuch Yang Zhi has been waiting for me for a long time. The Yi family left their parents alone or stayed with their concubines to guard the tomb. The year before last, they had chosen 32 rooms from their family members, and 20 people had gone to Zaojia Village to guard the tomb of their husband. Among them were Hu Ran, Wang Liankui, An She, Peng Shou, Sanxiaozi, and Chang. Dai Twelfth House also guarded the tomb with his concubines.” From this text, it can be seen that after the death of Kuisu and his wife, there were nearly 40 households guarding the tomb. Before that, the number of gravekeepers after the deaths of Xingde, Kifang and Mingzhu was also not a minority. Hundreds of families live in Mingfu Garden, forming a village. At that time, people also called Mingfu Garden "Xinzhuang" or "Xinlizhuang". In the late Qianlong Dynasty, a descendant of Kuexu, Cheng'an, offended the powerful minister Heshen and was confiscated from his home. This disaster spread to the Mingfu Garden on the outskirts of Beijing. The tombkeepers in the manor each worked their own way to make a living, and some who did not leave became the earliest residents of Shangzhuang Village.
Nalan Cemetery
The ancestral tomb of the Nalan family was built on a large scale in the 16th year of Kangxi, the year when Nalan Xingde’s wife Lu passed away. According to Lu's epitaph, after his death from illness, Lu's body was laid to rest in Shuanglin Temple for one year and two months and was never buried. There are two reasons for this: one is that the cemetery is not located, and the other is that the title is not implemented. As the royal wife of the Nalan family, Lu died too young and suddenly, so that the Nalan family had no mental preparation. Nalan Xingde was just a noble son, and Lu was a noble lady, and the burial specifications were very different. is a big problem. The funeral system of the Qing Dynasty was very hierarchical, and as the jewel of the official minister, he had to be cautious. Shortly after Lu's death, Mingzhu was promoted to Bachelor of Wuyingdian, Nalan Xingde was awarded the fifth rank of the third-class bodyguard, and Lu also received the title of imperial edict. Therefore, the land grant, appropriation of funds, and tomb construction all went smoothly.
The ancestral tomb of the Nalan family is located in the north of Shangzhuang Village, outside the west wall of today's "Taifeng Trade Center". The ancestral tomb of the Nalan family is named after Mingzhu's father, Niyahan. The cemetery faces east and west, with Zaojiatun at its back and facing Yangtang Mountain. It is commonly known as Nanshou Di. A small river comes from northwest to southeast, winds around the cemetery, and flows west from the left side of the cemetery. There are five tombs in the cemetery. The chief one is Niyahan, arranged in order of left Zhao and right Mu. The Zhao position is Zheng Ku, the second Zhao position is Nalan Xingde, the Mu position is Mingzhu, and the second Mu position is Kuixu. Except for Nalan Xingde's tomb, the other four are surrounded by tombs carved with white marble or bluestone. There is an offering table not far in front of Niyahan's tomb, and further ahead there is a Xiangdian carved in white marble. About 180 meters in front of the cemetery, there are two Shinto monuments, namely Mingzhu and Nalan Xingde. About 250 meters in front of the Shinto stele, there are two stele pavilions, which contain the Mingzhu Gaofeng stele erected in the 23rd year of Kangxi (1648) and the Mingzhu oracle stele erected in the 47th year of Kangxi (1708). According to legend, there are several stone figures, stone horses and other stone structures between the stele pavilion and the Shinto stele. They were taken away by warlords in the early Republic of China and their whereabouts are unknown. In the 1970s, six epitaphs were unearthed from the ancestral tomb of the Nalan family, namely Mingzhu, Jueluo, Xingde, Lu, Kuixu and Geng. There are no epitaphs of Niyahan and Zhengku. According to local legends, these two tombs are burial tombs, which should be credible.
Before the monument was changed in the second year of Yongzheng's reign, three generations of people had been buried in the ancestral tomb of the Nalan family. Since then, no one has been buried in the ancestral tomb of the Nalan family. It was not until 1953 that a small tomb was added next to Nalan Xingde's tomb. It is said that it was moved from another Nalan cemetery in Shuangyushu. Who moved it and who was buried cannot be verified.
300 meters to the north and west of the ancestral tomb of the Nalan family, northwest of the current Shangzhuang Town Health Center, is the tomb of Kifang and Princess, commonly known as Beishou Di. Bei Shoudi faces south and has four Baoding seats. The chief position is Kifang and Princess Shushen, the Zhao position is Yongshou, the Mu position is Yongfu, and the second Zhao position is Ningxiu. There were original Shinto monuments 200 meters in front of the tombs of Kifang and Shushen, which were blown up by militiamen during the People's Commune period. In the 1980s, three epitaphs were unearthed from the tomb of Princess Kufang, namely Princess, Kifang, and Yongshou. No epitaphs were found for Yongfu and Ningxiu.
Directly in front of the Nalan family cemetery, there used to be an ancient north-south road leading to Dongxiaoying. There is a larger cemetery 100 meters west of the ancient road, commonly known as the West Cemetery. The west cemetery faces south and covers an area of ??dozens of acres. It is full of green pines and cypresses and is surrounded by a stone revetment (slope protection). Directly in front of the cemetery is a large reed swamp at the intersection of Hou River and Nansha River. On the high revetment stands a tall stone archway. According to the inscription on the Guandi Temple in Beiyuhe in the twelfth year of Yongzheng's reign (1734), "Thirty-six acres of Renshi land in Anshang is located to the west of the Guan family tomb, with the tomb in the east, the ditch in the west, the road in the south, and the banner in the north. "The Guanjiafeng mentioned here refers to the West Cemetery. An Shangren was the chief steward of Mingzhu's house. After the death of Mingzhu and his three sons, An Shangren was entrusted to take charge of everything in the family, including the cemetery and manor in Zaojiatun. The land donated in the name of An Sangren was actually donated on behalf of the Mingzhu family. According to Mr. Zhao Xiuting's research, after the death of Nalan Xingde's ex-wife Lu, Xingde continued to marry a Guan family in the 19th year of Kangxi. "Guan" and "Guan" are homophones, and are the Chinese abbreviation of the Jurchen "Guarjia". In the so-called Guanjia Tomb, the person buried there should be Nalan Xingde’s step-wife Guan Shi. The Guarjia family is a common surname in Manchuria. The great-grandfather of the Guan family, Fei Yingdong, was the most important official in the Qing Dynasty. His father, Po Erpan, was a hereditary first-class duke. He was the minister of bodyguards for a long time and was Xingde's boss. Han, Gusu and others served as bodyguards and were colleagues of Xingde. Guan was born into a prince's family, but she was Nalan Xingde's step-wife after all. Because Nalan Xingde was a third-rank official, Guan was named "Shu Ren" as a rule. After the death of the Guan family, it was inevitable to be buried in the Nalan family cemetery. As for why it is not in the same acupuncture point as Xingde, it still needs to be verified by historians.
Nalan Relics
The Shangzhuang area is where several generations of the Nalan Xingde family lived and returned. The Nalan family also left precious cultural relics in the Shangzhuang area. According to the "Inscription on the Reconstruction of the Dongyue Palace" of Dongyue Temple in Yongtai Village, Mingzhu visits the tombs of his ancestors every year to pay respects to his ancestors. When he saw that the three ancient temples nearby were in disrepair and were lost in the smoke and grass, he decided to repair them. But due to busy schedule, I have been unable to do so. Before he died, he told An Shangren, the general manager, to fulfill his long-cherished wish to build the temple. An Shangren started a large-scale construction project ten years later. It took three years to renovate Dongyue Temple, Longmu Temple and Zhenwu Temple in the 59th year of Kangxi (1720), and invited monks to take charge of their management. At the same time as the temple was being built, the two old wooden bridges spanning the Yuhe Ancient Road, namely Mafang Bridge and Yuhe Bridge, were also converted into stone bridges. In order to let future generations remember the merits of the Nalan family in building temples, An Shangren set the west corner hall of Dongyue Temple as the Nalan family ancestral hall, and enshrined pearl tablets in Longmu Temple and Zhenwu Temple. In the twelfth year of Yongzheng's reign (1734), the Guandi Temple in Beiyuhe Village was renovated. Housekeeper An Shangren and Kuixu descendant Ning Xiu donated 56 acres of incense land on behalf of the Nalan family. They were the first households to donate funds for the restoration of the Guandi Temple. The Nalan family’s philanthropic deeds 300 years ago have played an important role in preserving the precious historical and cultural heritage of ancient buildings in Shangzhuang area.
The Nalan Xingde Memorial Hall is located at the northernmost end of Haidian District, Beijing, across the Shayang Highway from Baishuiwa in Changping District, a picturesque small village, under the jurisdiction of Zaojiatun Village (Shangzhuang Town) Also named Zaojiatun). Zaojia Tun faces the Nansha River to the east, and the Balcony Mountain in the northwest blocks it from Siberia. There is a large manor covering an area of ??nearly 100 acres on the west side of Zaojia Tun.
Nalanxingde Mansion
< p>Although after nearly three hundred years of great historical changes, the scale of the past can still be vaguely discerned. The Siyanjing ancient stage has not changed its simplicity, and the pavilions and pavilions that have been eroded by wind and rain seem to recall the grand scene of the past. It is the private residence of Nalan Mingzhu, a great scholar of the Kangxi Dynasty of the Qing Dynasty, known as the "Ming Prime Minister". It has now become the Nalan Xingde Memorial Hall. It is also the residence of Heshen of the Qing Dynasty and the former residence of Soong Ching Ling.The memorial hall is designed according to his "suburban garden" and consists of a main exhibition hall, a video hall and a painting hall. It expresses his life through a large number of historical relics, including epitaphs, court beads, seals, etc. unearthed from his cemetery. Kangxi copper coins are also on display in this museum.